Art and Design Commons^™

Six Leadership Lessons From Photography, Brenda L. Boyd

Brenda Boyd, PhD

"I learned that the photographers who captured unforgettable images all had some things in common: they seemed to know themselves and people; they had vision, passion, and timing; they had an innate ability to communicate effectively; they took risks; and they learned from their mistakes. I also came to realize that as a result of their unique presence—and often their sacrifice—they made a significant and lasting contribution to our world."

Girl Gone Missing, Anne M. Giangiulio

Anne M. Giangiulio

Ysleta Del Sur Pueblo 2018 Year-End Report, Anne M. Giangiulio

Anne M. Giangiulio

The Bird Boys, Anne M. Giangiulio

Anne M. Giangiulio

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

Graphic Language In The Library, Gayle Schaub, Vinicius Lima

Gayle Schaub

Lightweight Material Prototypes Using Dense Bundled Systems To Emulate An Ambient Environment, Chris Knapp, Jonathan Nelson, Andrew Kudless, Sascha Bohnenberger

Jonathan J Nelson

This paper describes and reflects upon a computational design and digital fabrication research project that was developed and implemented over 2014-2015, with subsequent development continuing for applications at present. The aim of the research was to develop methods of modelling, analysis, and fabrication that facilitate integrative approaches to architectural design and construction. In this context, the development of material prototypes, digital simulations, and parametric frameworks were pursued in parallel in order to inform and reform successive iterations throughout the process, leading to a refined workflow for engineering, production, and speculation upon future directions of the work.

Lightweight Material Prototypes Using Dense Bundled Systems To Emulate An Ambient Environment, Chris Knapp, Jonathan Nelson, Andrew Kudless, Sascha Bohnenberger

Chris Knapp

This paper describes and reflects upon a computational design and digital fabrication research project that was developed and implemented over 2014-2015, with subsequent development continuing for applications at present. The aim of the research was to develop methods of modelling, analysis, and fabrication that facilitate integrative approaches to architectural design and construction. In this context, the development of material prototypes, digital simulations, and parametric frameworks were pursued in parallel in order to inform and reform successive iterations throughout the process, leading to a refined workflow for engineering, production, and speculation upon future directions of the work.

Quicks-Bepress.Pdf, Anne M. Giangiulio

Anne M. Giangiulio

Pull, Anne M. Giangiulio

Anne M. Giangiulio

Quicks, Anne M. Giangiulio

Anne M. Giangiulio

Viva Trost! Wheatpaste, Anne M. Giangiulio

Anne M. Giangiulio

“The Researcher’S Challenge: Entertainment Or Epistemology?”, Mary Ann Bolger, Clare Bell

Mary Ann Bolger

The number of journals dedicated solely to the publishing of research in the fields of typography and visual communication is slowly growing. However, very little of this material finds its way back into the studio at undergraduate level. Further, research published in discipline-focussed peer-reviewed journals does ‘not tend to be highly valued by those engaged in practice.’ As a result of this, as Robin Kinross has written, ‘the academic discussion of typography, and design in general, is too often hermetic and unreal: in unholy partnership with the proud anti-intellectualism of many practicing designers’. This has a variety of consequences. In …

Posters For Nepal, Anne M. Giangiulio

Anne M. Giangiulio

I was invited to design a poster for the campaign ‘Posters for Nepal’ which is to be on sale at http://www.postersfornepal.com/. All proceeds to benefit UNICEF and the American Red Cross. I visited Nepal with friends in the summer of 1999. That trip has such special, magical memories to me that when I heard of the devastating earthquake that hit there in April of 2015, in many of the same areas that I had visited, I was heartbroken. I recall the beautiful, friendly people we met there and their resilience in both a tough climate and tough economic circumstances. I …

Poster For The El Paso Community Foundation's Classroom Fund Grant Recipients, Anne M. Giangiulio

Anne M. Giangiulio

For the second time, this poster was commissioned from me by the El Paso Community Foundation to be awarded to their annual Classroom Fund Grant Recipients at a reception honoring the grantees, area teachers. Limited edition screenprint.

Crane Boy, Anne M. Giangiulio

Anne M. Giangiulio

Book cover and interior I designed for 'Crane Boy' written by Diana Cohn and illustrated by Youme, published by Cinco Puntos Press. It tells the tale of Kinga and his classmates waiting for the black-necked cranes to return to the kingdom of Bhutan. The birds fly south over the highest mountains in the word to winter in the valley where Kinga lives, deep in the Himalayas. The cranes have been visiting the valley since ancient times, but every year, fewer cranes return. Kinga is concerned. "What can he do?," he wonders. He and his classmates approach the monks for permission …

Exhibition Catalog For 'Hal Marcus: Lyric Modern', Anne M. Giangiulio

Anne M. Giangiulio

Catalog designed for the exhibition 'Hal Marcus: Lyric Modern', on display from September 6, 2015 to January 24, 2016 at the Dede Rogers Special Events Gallery of the El Paso Museum of Art. 40 pages.

Ciudad Juárez–El Paso Biennial 2015, Anne M. Giangiulio

Anne M. Giangiulio

Catalog designed for the 'Ciudad Juárez–El Paso Biennial 2015', on display from November 6, 2015 to February 7, 2016 at the El Paso Museum of Art. 130 pages.

Full Radius Brand Book, Samantha M. Bowersock, Akeem Mason, Anri Olivier, Alex Leon-Khan, Cherry Delrosario, Katina Dorsey

Alex Leon-Khan

No abstract provided.

Renoir To Remington: Impressionism To The American West, Anne M. Giangiulio

Anne M. Giangiulio

Catalog designed for the exhibition 'Renoir to Remington: Impressionism to the American West', on display from September 21, 2014 to February 1, 2015 at the Woody and Gayle Hunt Family Gallery of the El Paso Museum of Art. Organized by the El Paso Museum of Art in partnership with Tacoma Art Museum, Tacoma, Washington. 144 pages.

3d Technologies At Brockport. What's Next?, Gregory Toth, Kim Myers, Ken Wierzbowski, Wendy Prince

Kim Myers

Presentation on 3D printing and related technologies made at The College at Brockport's Center for Excellence in Learning and Teaching (CELT). Provides a broad overview of 3D technologies and applications, describes implementation and initial reception of 3D printing in The College's Drake Memorial Library as well as programs at Cornell University and SUNY New Paltz. Reviews potential applications of these technologies in the teaching/learning environment and expansion to a yearlong Faculty Learning Community focus and/or a campus makerspace.

Design Epilogues, Andreas Luescher

Andreas Luescher

The booklet tries to explain the generally unrecognized aspect of a studio experience that stitches together the most salient elements of the individual design projects into one coherent narrative. Design epilogues attempt to borrow something from each project that can be used to create something new.

House Of Purple Cedar, Anne M. Giangiulio

Anne M. Giangiulio

Book cover, author signed book plates, and interior template I designed for 'House of Purple Cedar' by Tim Tingle, published by Cinco Puntos Press. "The hour has come to speak of troubled times. It is time we spoke of Skullyville." Thus begins House of Purple Cedar, Rose Goode’s telling of the year when she was eleven in Indian country, Oklahoma. Skullyville, a once-thriving Choctaw community, was destroyed by land-grabbers, culminating in the arson on New Year's Eve, 1896, of New Hope Academy for Girls. Twenty Choctaw girls died, but Rose escaped. She is blessed by the presence of her grandmother …

Cold Type, Anne M. Giangiulio

Anne M. Giangiulio

Book cover and interior template I designed for 'Cold Type' by Harvey Araton, published by Cinco Puntos Press. "In times of change, American novelists return to old themes. In Cold Type—as in Arthur Miller's Death of a Salesman—a son and his father struggle to hold onto what they think is right. It's mid-1990s; and "cold type" technology, a.k.a. computerized typesetting, wreaks havoc among workers in the newspaper industry. A fabulously wealthy Briton buys the New York City Trib and immediately refuses to negotiate with the truck drivers' union. In solidarity, all the other blue collar unions take to the streets. …

A Tightly Raveled Mind, Anne M. Giangiulio

Anne M. Giangiulio

Book cover and interior template I designed for 'A Tightly Raveled Mind' by Diane Lawson, published by Cinco Puntos Press. Sigmund Freud would have liked Dr. Nora Goodman, a sexy forty-something psychoanalyst with her handful of neurotic patients who can't seem to allow themselves happiness, love, or success. She's not exactly a steady customer herself, born to a ranting bipolar Talmudic scholar and a mother with a heart as cold as a slaughterhouse on the Kansas prairie​ in January.​ But now she has two kids and an overbearing psychiatrist husband. She hates him. She hates his insular social world. Nora …

Business Cards For Helix Solutions, Anne M. Giangiulio

Anne M. Giangiulio

Card designed for local businessman Christopher Villa of Helix Solutions. Cards are 2-color, double-sided, and embossed on the logo.

Slump, Anne M. Giangiulio

Anne M. Giangiulio

Book cover and interior template I designed for 'Slump' by Kevin Waltman, published by Cinco Puntos Press. Derrick Bowman's sophomore year is a grind. He's been looking forward to the basketball season all summer, but his girlfriend Jasmine leaves him for putting too much focus on basketball. The promise his Marion East basketball team showed at the end of last season isn't materializing. And the sweet jumper D-Bow worked on all summer just isn't falling. When Derrick's father has a heart attack, Derrick is faced with a new reality where basketball can't be his only priority. 'Slump' is the second …

Work For '10 Squared: 100 Artists Celebrate Utep's Centennial', Anne M. Giangiulio

Anne M. Giangiulio

I was invited as one of 100 artists to create a 10" x 10" work to commemorate the Centennial of the University of Texas at El Paso as part of the exhibition "10 Squared" by the Rubin Center for the Visual Arts. I created an original design proclaiming "Go Miners!" in reverse backstitch embroidered on stretched burlap. All proceeds from the sale supported the Rubin Center's education and outreach programming, bringing the experience of contemporary art to a diverse and growing audience of all ages.

The Black Butterfly, Anne M. Giangiulio

Anne M. Giangiulio

Book cover and interior template I designed for 'The Black Butterfly' by Shirley Reva Vernick, published by Cinco Puntos Press. "When Penny's flaky, ghost-hunting mother sends her to a "friend's" inn in Maine for Christmas break, Penny doesn't believe in ghosts…or love…or family. That may all be about to change as Penny confronts her own supernatural gift, an alluring guy, and staggering family secrets. But will she lose her first love, her only parent, or her life in the process?"

Why Patent Drawings Get Rejected Part2, Bernadette Marshall

Bernadette Marshall

Last time we discussed why drawings might get rejected. The following are real rejection/objection examples compiled from multiple notices. Each includes our suggested solution. Informal utility drawings; these may include hand drawn sketches, pencil drawings, photographs, photocopies of photographs and drawings with hand written text & numerals. -Notice from USPTO; “All sheets must be reasonably free from cracks, creases, and folds. Each sheet must be reasonably free from erasures and must be free from alterations, overwritings, and interlineations”4. -remedy, formalize the drawings. This usually involves tracing the informal drawings using a CAD program ensuring compliance with all USPTO drawing rules. …