Art and Design Commons^™

Ketiadaan Padanan Peribahasa Prancis Dalam Bahasa Indonesia, Ismirani Mardelana

Paradigma: Jurnal Kajian Budaya

The absence of equivalents is an issue that has always been faced by translators in translating the source text. When translating proverbs, which are loaded with moral and cultural messages, translators are required to be able to transfer the messages appropriately. The different types of proverbs between French and Indonesian are a major cause of translators’ difficulty in finding the equivalents in the form of proverbs. This issue was raised from the author’s own experience in translating French fable by Jean de La Fontaine into Indonesian. By using the theory of Paremi and proverbs types of Bhuvaneswar (2000), French and …

Tipologi Motif Cap Tangan Prasejarah Di Leang Uhallie, Kabupaten Bone, Sulawesi Selatan, Irsyad Leihitu

Paradigma: Jurnal Kajian Budaya

This article discusses the typology of a hand stencil pattern cave painting located in Leang Uhallie, Bone district, South Sulawesi. Irving Rouse’s taxonomy classification methods were used to find the typology of the hand stencil pattern. This study shows that there are three forms of hand stencil with 21 variants. This typologycal study of the hand stencil also shows the dominant and the unique pattern form of Leang Uhallie.

Aksara-Aksara Penyimpan Informasi Di Banten, Titik Pudjiastuti

Paradigma: Jurnal Kajian Budaya

Banten is one of the 34 provinces which helped to establish the Republic of Indonesia. Although it was just acknowledged as a province of Indonesia in 2000, as a pepper producer Banten had been known around the world long before its sultanate even existed. The various written sources consist of scripts, archives, and inscriptions from various backgrounds, such as history, literature, and religion. This research found that there are several scripts used as a written medium in Banten, such as Arabic, Jawi (Malay-Arabic), Pegon (Arabic-Javanese), Hanacaraka, and Latin. From the text content point of view, it has been found that …

Penggunaan Doa Batuna'u Dalam Tradisi Etnik Lio Di Desa Ngalukoja Kecamatan Maurole Kabupaten Ende: Sebuah Kajian Linguistik Kebudayaan, Idris Mboka

Paradigma: Jurnal Kajian Budaya

This study aims to identify and describes the verbal symbols and cultural imagery of Lio Ethnic (LE) community which are contained in Batuna’u Prayer (BP). The theory used as analytical scalpel is the Cultural Linguistics Theory (CLT). This study shows 5 forms of BP used in LE community, which are the traditional house construction BP (THC), going to sow BP (GS), delivering dowry BP (DD), going to school BP (GSC), and deceased person BP (DP). From these five forms of BP, there are verbal symbols of a language grammatical discourse (phonology, morphology, and syntax), and the metaphor styles of language, …

Perubahan Budaya Kerja Pertanian Lahan Kering Atoni Pah Meto Di Kabupaten Timor Tengah Utara, Damasius Sasi

Paradigma: Jurnal Kajian Budaya

The goal of the study is to review changes in dryland farming culture of atoni pah meto in North Center Timor District caused by global climate changes. The research method used was qualitative descriptive: the data collecting method used was interviews, observations, and the document study. Research results prove that the atoni pah meto which consists of eighteen farming rituals, five work patterns, work division between genders, and work ethos, has shifted. It is caused by the interaction of atoni pah meto with other nations, tribes, and ethnic groups, further affected by global climate changes. Climate changes have made a …

Fear And Nostalgia In Immigration, Daniel A. Matthews

Theses and Dissertations

Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …

Private Conversation, Gahee Park

Theses and Dissertations

My thesis paper "Private Conversation" discusses the themes, contexts, and influences relevant to paintings and drawings I made during my MFA studies.

Iain Muirhead, Iain Muirhead

CGU MFA Theses

Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.

Art And Science: Blurring The Poetic And The Analytical, Caitlin M. David

Bachelor of Fine Arts Senior Papers

Abstract: Despite a modern conception of art and science as being fundamentally opposed, both have at their core a desire to explain the inexplicable. Their investigations and the communication of the results of these investigations can be blurred at both poetic and analytical junctions. Vivified abstract thought, or the poetic, can be thought of as instigating the ubiquitous desire to explain the inexplicable. Fruitful analysis of resulting data and representation of that data must consider the idiom of both art and science if it is to successfully cross between them, and special emphasis must be placed on the diagram as …

Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary

Theses and Dissertations

The goal of this paper and Kickstarter project is to enable the production of my last semester’s work and thesis exhibition, and also to aid in the post-graduation transition to a sustainable art practice that does not rely on the current gallery structure.

Art Infested Water, December 2016, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

The Void Between Us, Hannah D. Blumer

Bachelor of Fine Arts Senior Papers

My interactive thesis installation, The Void Between Us, addresses the topic of human connection in relationship to the body. The human body marks a physical barrier between one’s self and others. While we exist in the same physical sphere as one another, our minds are isolated in our own self-centered versions of reality. Our bodies allow us to perceive others and be perceived—including having verbal communications—and, therefore, could be seen as helpful or restrictive in the social world. However, our bodies also allow us to engage in physical interactions with others, such as sex, which is a means to …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Cold Hard Facts, Paul Kelley

The STEAM Journal

COLD HARD FACTS is an ephemeral installation composed of a projector, digital images and ice. The work continues my interest in having the viewer slow down to have a more thoughtful and absorptive experience with the work and surrounding space. With a short-lived duration, the piece considers the transitory nature of things and how truths can be misconstrued as facts, whereas truths are malleable and facts are not. They are cold, hard and indifferent.

Mural Arts: Giving A Voice To The Voiceless, Olivia Bates

Faculty Curated Undergraduate Works

The history of mural arts cites the use of public images in visualizing global and local challenges and triumphs. From the prehistoric cave art in Lascaux Grotttoes, France to the magnificent works of Italian Renaissance artists, murals have transformed the art world by visually conveying social values, events, and transitions of historical times. Throughout the world, artists highlight inequality, invoke change, and give a voice to the voiceless through their images. In order to determine the value and meaning of public art in global and local communities, I researched and documented murals through online and in-person visits; compiling my visual …

Impact16 Transdisciplinary Symposium, Pact Zollverein, Essen Germany, Conor Mcgarrigle

Other resources

IMPACT16 is an encounter with HOOD, RYBN.ORG und FORMATIONS, three expert collectives whose diversified forms of cooperation and flexible working practices transcend disciplinary boundaries.

How and where do alternative realities come about both in and between different fields of knowledge? How can we productively uncover contradictory ›rift zones‹ in today’s world? What kind of frameworks for action can we cultivate?

Informed by multiple perspectives and practices in the arts, politics, technology, sociology, economics and science, the contributing collectives’ inquiries and strategies circumvent disciplinary limits and constraints and open up new spaces for thought and action.

The transdisciplinary symposium offers 30 …

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Littlefield Gallery Visiting Artist Series - Kazumi Hoshino, The University Of Maine Department Of Art

Cultural Affairs Distinguished Lecture Series

As part of the ongoing department initiative, The LIttlefield Gallery Visiting Artist Series, Maine sculptor Kazumi Hoshino will be our visiting artist-in-residence, May 1-5, 2017. Hoshino will provide daily demonstrations and art talks in and around the sculpture studio, free and open to the public and campus community. Hoshino will be working with various carving techniques in stone using both Japanese and American techniques and will create multiple stones that work together as a visually integrated single sculpture. The finished piece will later be installed in the lobby of the New Balance Recreation Center. The sculpture will also be scanned …

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …

Making It Work: Supporting Contemporary Artists In Ulaanbaatar, Mongolia, Michael Curran

Independent Study Project (ISP) Collection

Following the country’s political transition to democracy in the 1990s, a generation of Mongolian artists constructed an art movement rooted in the issues of the new society: transitional national identity, corrupt political and economic systems, and a growingly complex relationship with nature. The liberalization of the economy, however, hasn’t nurtured sustainable creative resources or helped artists reach domestic or international markets, pressuring them to find alternative ways to create livelihoods out of their craft. This study considers how emerging multidisciplinary artists sustain themselves through both formal and informal means, and the motivations behind their creative lifestyles.

Central to the study …

The Influence Of Raja Ravi Varma’S Mythological Subjects In Popular Art, Rachel Cooksey

Independent Study Project (ISP) Collection

This paper will examine the aesthetic qualities that Raja Ravi Varma helped to introduce to mythological paintings and then to popular devotional prints with the Ravi Varma Press, as well as the influence of the aesthetic to other areas of visual culture in India. Prior to the 1993 retrospective exhibition in New Delhi on Raja Ravi Varma, little was known about his impact on the calendar prints of today. By tracing the rise of academic realism in late 19^th and early 20^th century India and Ravi Varma’s role within it, I gained a clearer understanding of the degree …

Symposium Program Outline For Crosscurrents: Land, Labor, And The Port. Textile Society Of America’S 15th Biennial Symposium. Savannah, Ga, October 19-23, 2016.

Textile Society of America Symposium Proceedings

Conference program: times, locations, speakers, events.

Wednesday, October 19th 2016, through Sunday, October 23rd 2016.

10 pages

The Intercontinental Reflections Of An Eighteenth-Century Mexican Rebozo, Eleanor A. Laughlin

Textile Society of America Symposium Proceedings

The eighteenth-century Mexican rebozo (scarf) is an excellent example of a garment type that crossed not only ocean currents, but also boundaries of race and class. Initially, the rebozo was associated with indigenous culture in Mexico. Evidence suggests that the rebozo existed during the pre-Columbian period,1 but it has been most commonly remembered as an article of clothing used by the Spaniards to cover the exposed bodies of indigenous women in the church setting. Aspects of the scarf’s decorative elements, such as fringe and dying methods, are thought to have been inspired by Asian styles that arrived in Mexico via …

[Tsa Web Pages For] Symposium 2016 -- Crosscurrents: Land, Labor, And The Port Textile Society Of America’S 15th Biennial Symposium

Textile Society of America Symposium Proceedings

The web pages for the 2016 Savannah Symposium (archived in pdf).

The 2016 Textile Society of America Symposium will take place in Savannah, Georgia on the campus of the Savannah College of Art and Design (SCAD) and at the Hyatt Regency Hotel. To maximize scholarly interchange, the Symposium will consist of multiple, concurrent sessions, plenary and keynote speakers, a poster session and curated exhibitions that will intersect with the scholarly program. In addition to the symposium sessions and exhibitions, there will be a series of dynamic pre- and post-conference workshops and study tours to local and regional art institutions and …

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Dotphotozine Issue 6, September 2016, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.

Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch

Musical Offerings

The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. Attaingnant’s …

We Are Cells Living In The World While The World Lives In Us, Tara Law

Electronic Theses and Dissertations

What has been called the Anthropocene epoch is the first period of time in which human activities and technological advances have measurably contributed to climate changes. It is common to live in the shadow of industrial architecture. The landscapes we live in and the changes to our air, soil, and water quality are interconnected. Our bodies are made up of cells moving through the world, but the world also moves through us. I’m interested in how our environment changes us and what we can do to change our environment.

An exploration of book forms and by extension the many forms …

Primate Aesthetics, Chelsea L. Sams

Masters Theses

A cultural, historical, and scientific survey of the phenomena of primate pictorial behavior, presented in a series of interconnected vignettes. What do primates find visually appealing? What is their motivation when creating images? What are the implications for art and for science? By drawing explicit and implicit connections between science, art, case studies, research, and personal narrative, I attempt to weave together what we know, and what we may never be able to know about this complex field.

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.