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Articles 1 - 21 of 21
Full-Text Articles in Art and Design
Time's Body Of Evidence: An Interdisciplinary Look At Health And Aging, Wright State University Art Galleries
Time's Body Of Evidence: An Interdisciplinary Look At Health And Aging, Wright State University Art Galleries
Exhibition and Program Catalogs
A catalog for an exhibition examining the aspects of aging and health and featuring the work of nine artists. The exhibition ran from September 9 through October 15, 2006 and featured works in a variety of mediums including bronze sculpture, oil on canvas, video, and more.
Dynamic Force, Motion, And Life In Digital Design., James Michael Livingston
Dynamic Force, Motion, And Life In Digital Design., James Michael Livingston
Electronic Theses and Dissertations
The purpose of this paper is to explore specific works that I have created as it relates to digital art and design. My works include abstract, organic objects that exist within surrealistic environments. First, I explain the dynamics of the imagery that has emerged from my career in broadcast television, my coursework in the Department of Art and Design at East Tennessee State University, and the works of fantasy, surreal, and abstract artists. In conclusion, the images discussed impose an idea of abstraction and surrealism with a sense of force, motion, life, and dynamic action.
Taking In: Aib Photography 2006, Aib Students
Taking In: Aib Photography 2006, Aib Students
Taking In
This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …
Expression Through Memory And Material, Saird Gallagher
Expression Through Memory And Material, Saird Gallagher
Inquiry Journal 2006
No abstract provided.
The Long Road Behind, John Paul
The Long Road Behind, John Paul
Digressions: Literary & Art Journal
No abstract provided.
Faith, Omar Lopez
Faith, Omar Lopez
Memorial Mountain Quilt, Mary Nehring
Memorial Mountain Quilt, Mary Nehring
Morehead State University Art Collection
A large quilt created in 2006 by artist Mary Nehring commissioned by Morehead State University. There are several names on the sides of the quilt that are a result of donations. Most of the names come from the library's staff at the time. This quilt hangs above the right side of the circulation desk.
Memorial Mountain Quilt, Mary Nehring
Memorial Mountain Quilt, Mary Nehring
Morehead State University Art Collection
A large quilt created in 2006 by artist Mary Nehring commissioned by Morehead State University. There are several names on the sides of the quilt that are a result of donations. Most of the names come from the library's staff at the time. This quilt hangs above the left side of the circulation desk.
Parachute Play, Stephen Tirone
Parachute Play, Stephen Tirone
Morehead State University Art Collection
A very large sculpture of a man holding a cloth blanket with a small child. The cloth is missing, but should sit upon the bronze framework that the two people are holding.
Beauty Heard, Stephen Tirone
Beauty Heard, Stephen Tirone
Morehead State University Art Collection
A bronze sculpture of a woman playing a violin by artist Stephen Tirone. She is sitting on a bench with her violin case behind her. This piece was commissioned in 2006 and is a part of Stephen Tirone's Sculpture Concourse.
Learning To See, Stephen Tirone
Learning To See, Stephen Tirone
Morehead State University Art Collection
A bronze sculpture commissioned in 2006 of a woman holding a miniature sculpture of "Learning to See." This piece is a part of Stephen Tirone's "Sculpture Concourse".
2006 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Michael Brakke, Joe Fyfe
2006 Artist In Residence Biennial (Exhibition Catalogue), Sam Yates, Michael Brakke, Joe Fyfe
Ewing Gallery of Art & Architecture
The presence of acclaimed artists—who have lived and worked in major cultural centers across the country—enhances the educational opportunities for both undergraduate and graduate students enrolled in the University of Tennessee School of Art. With daily contact over the course of a full semester, resident artists develop a unique relationship with the student body which complements the creative stimulation offered by guest lecturers and the School of Art’s faculty. Representing diverse ethnic, cultural, educational, and professional backgrounds, these resident artists introduce another layer of candor and a fresh artistic standard for the students who, though early in their formal art …
26: School Of Art Faculty (Exhibition Catalogue), Sam Yates, Paul Lee
26: School Of Art Faculty (Exhibition Catalogue), Sam Yates, Paul Lee
Ewing Gallery of Art & Architecture
This exhibition featured the work of current professors in the University of Tennessee School of Art.
Exhibiting faculty were: Emily Ward Bivens, Michael Brakke, Sally B. Brogden, Jason S. Brown, Marcia Goldenstein, Baldwin Lee, Paul Lee, Whitney Edward Leland, Wade Lough, Sarah Lowe, Beauvais Lyons, Norman Magden, Frank Martin, Tom Riesing, Deborah Shmerler, Jered Sprecher, Carolyn Staples, Patricia Tinajero-Baker, David Wilson, and Sam Yates.
Also included in the catalogue are art history faculty members: Alexis L. Boylan, William J. Dewey, Timothy W. Hiles, Dorothy Metzger Habel, Amy Neff, and Suzanne E. Wright.
Mysterious Pleasures: The Art Of F. Clark Stewart (Exhibition Catalogue), Sam Yates, Frederick Moffatt
Mysterious Pleasures: The Art Of F. Clark Stewart (Exhibition Catalogue), Sam Yates, Frederick Moffatt
Ewing Gallery of Art & Architecture
This catalogue was published to accompany the exhibition Mysterious Pleasures: The Art of F. Clark Stewart displayed at the UT Downtown Gallery in 2006.
F. Clark Stewart was faculty member in the School of Art teaching painting and drawing.
Untitled, John Paul
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Kinetic Imaging Publications and Presentations
The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf between a screening and an exhibition, the theater and the art gallery. There is a subtle maturity and movement in the animation art world that not only continues but also extends the often-overlooked legacy of independent animation while engaging the conceptual dialogue of contemporary art. This tradition of an art aesthetic is passed from the early inventors who fashioned the necessary tools and images. The myriads of techniques and concepts evidenced throughout this history inform the current practitioner, just as digital technology and the …
Trust, Omar Lopez
Untitled, Michael Marrow
Prints And The Courtly World Of Mozart, University Of Richmond Museums
Prints And The Courtly World Of Mozart, University Of Richmond Museums
Exhibition Brochures
Prints and the Courtly World of Mozart
January 28 to April 29, 2006
Joel and Lila Harnett Print Study Center
Introduction
In celebration of the 250th anniversary of the birth of Wolfgang Amadeus Mozart (Austrian, 1756-1791), the exhibition explores the courtly world of the composer through prints of the period - from images of concerts and performances, to portraits of the composer, to scenes that capture the costumes and social mores of the day.
Selected from the collection of the Joel and Lila Harnett Print Study Center, University of Richmond Museums, artists include Johann Wolfgang Baumgartner (German, 1712-1761), François Boucher …
Duchamp And Pragmatics, Kiam Loong Daniel Lai
Duchamp And Pragmatics, Kiam Loong Daniel Lai
Theses, Dissertations and Culminating Projects
There is a correspondence between the mechanism of visual communication in Duchamp’s art and the principles of pragmatics in linguistics. The process from Duchamp’s intended meaning encoded in his art to the correct interpretation on the part of the addressee is similar to the process in which intended meaning encoded in speech being accurately decoded by the addressee. This is because the correct interpretation in both processes involves inferences. Be it language or art, to fully understand the intended meaning of a statement, an addressee must first understand the natural meaning known as entailment; and subsequently uncover the unnatural, but …