Art and Design Commons^™

Tejiendo Imágenes. Homenaje A Victòria Solanilla Demestre, Catalina Simmonds Caldas , Editora, Marina Valls I García , Editora

Zea E-Books Collection

A collection of 35 essays in honor of the retirement of Prof. Victòria Solanilla Demestre, a renowned and respected scholar of the pre-Columbian culture and iconography of the Americas.

SUMARIO — Miquel-Àngel Sànchez i Fèrriz: El porqué de este homenaje a la Dra. Victòria Solanilla Demestre • Catalina Simmonds Caldas: Un pensamiento sin fronteras • Luz Adriana Alzate Gallego: «A lomo de piedra»: rescatando una gran colección lítica • Denise Y. Arnold: Los textiles andinos teñidos por amarras, el motivo del punto en el rombo y su patrón de difusión: Felinos, serpientes y el cultivo del maíz en un mundo …

Artist Talk With Kelly Church, Kruizenga Art Museum, Lisa Barney

Kruizenga Art Museum Posters

A poster for the 2021-2022 Armstrong Lecture given by artist Kelly Church on Thursday, October 28, 2021, related to the exhibition Native American Art: Recent Acquisitions from the Kruizenga Art Museum. The exhibition was held September 10–December 11, 2021.

The Fabric Of Gifts: Culture And Politics Of Giving And Exchange In Archaic Greece, Beate Wagner-Hasel

Zea E-Books Collection

When the Greek leader Agamemnon took for himself the woman awarded to Achilles as his spoils of battle, the warrior’s resulting anger and outrage nearly cost his side the war. Beyond the woman herself was what she symbolised — a matter of esteem rather than material value. In Archaic Greece the practices of gift giving existed alongside an economy of market relations. The value of gifts and the meanings of exchange in ancient societies are fundamental to the debates of 19th-century economists, to Marcel Mauss’s famous Essai sur le don (1923-4), and to the definition of experiential value by modern …

Precolumbian Textile Conference Viii / Jornadas De Textiles Precolombinos Viii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents: Preface — Lena Bjerregaard & Ann Hudson Peters

Archaeological textiles – Textiles arqueológicos – Textiles archéologiques: • 1, Recontextualizando el patrimonio arqueológico: los textiles paracas descubiertos por Engel en Cabezas Largas — Jessica Lévy Contreras • 2, Two-headed serpents and rayed heads: Precedents and reinterpretations in Paracas Necropolis imagery — Ann H. Peters • 3, Representaciones textiles en los iconos de la litoescultura Tiwanaku: significado y distribución — Carolina Agüero & Arturo Martínez • 4, Middle Horizon textiles from Chimu Capac, Supe Valley, Peru — Amy Oakland • 5, Una prenda triangular con plumas en la colección del museo …

Paper Sculptures: Planes With Movement, Elizabeth Adams Thomas

P-12 Lesson Plans

In this art lesson for K-3 students will consider how flat planes can be combined to make interesting compositions in both two and three dimensions and practice building their paper sculptures from flat planes.

Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert

Zea E-Books Collection

This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …

The Precolumbian Textiles In The Roemer- And Pelizaeus-Museum Hildesheim, Germany, Lena Bjerregaard

Zea E-Books Collection

Along the coast of Peru is one of the driest deserts in the world. Here, under the sand, the ancient Peruvians buried their dead wrapped in gorgeous textiles. As organic material keeps almost forever when stored without humidity, light and oxygen, many of the mummies excavated in the last hundred years are in excellent conditions. And so are the textiles wrapped around them. Their clear colors are still dazzling and the textile fibers in good condition. Textiles were highly valued objects in ancient Peru – used for expressing status and diverse messages in these non-literate but highly organized and very …

Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.

National Society Of Colonial Dames Monroe Committee Textile Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Collection transferred to Textile Museum.

Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andie Near, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019.

Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.

Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents:

Introduction — Lena Bjerregaard and Ann Peters

Mexico

1. Mesoamerican Archaeological Textiles: An Overview of Materials, Techniques, and Contexts — Laura Filloy Nadal

2. Urdimbres enlazadas de Mesoamérica. Textil de la Cueva del Gallo, Morelos, México — Patricia Ochoa Castillo & Rosa Lorena Román Torres •

3. Los textiles procedentes del actual estado de Guerrero, México: una revisión a su estudio desde la perspectiva arqueológica y etnohistórica — Elizabeth Jiménez García

4. Classic Textiles from Cueva del Lazo (Chiapas, Mexico). Archaeological context and conservation issues — Davide Domenici & Gloria Martha Sánchez Valenzuela

5. Textiles y otros materiales arqueológicos …

#Yarnbombqc, Augustana College, Rock Island Illinois

2017-2018

#YarnBombQC brought the sculptor Carol Hummel the the Quad Cities to work with our communities to create crocheted, site-specific, community-based public art on trees in three locations: Augustana College, the Figge Art Museum, and Longfellow Liberal Arts School. This project, like much of the art by Hummel, draws diverse sectors of communities together in a positive, celebratory way to help create major pieces of art for the people, by the people. Well over 100 community members participated by creating crocheted circles, which the artist and her assistants stitched together and installed on the trees. Participants included students from Augustana College, …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Zea E-Books Collection

The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods.

This volume contains 35 chapters, divided into five sections: • Textile terminologies across the ancient Near East and the …

Precolumbian Textiles In The Ethnological Museum In Berlin, Lena Bjerregaard, Torben Huss

Zea E-Books Collection

The Ethnological Museum in Berlin, Germany, houses Europe’s largest collection of PreColumbian textiles—around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum’s holdings – by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book’s second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as fully as possible, …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Asanoha, Alyssa Chin

Pattern Research Project

2017 Pattern Research Project

Alyssa Chin - Asanoha

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Alyssa Chin, VCU Interior Design BFA 2020, selected the Asanoha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Asanoha is a traditional pattern of Japan and its …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Herringbone, Seylar Pring

Pattern Research Project

2017 Pattern Research Project

Seylar Pring - Herringbone

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Seylar Pring, VCU Interior Design BFA 2020, selected the Herringbone pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“The herringbone pattern dates back to Roman times, where …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Seigaiha, Boya Yu

Pattern Research Project

2017 Pattern Research Project

Boya Yu - Seigaiha Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Boya Yu, VCU Interior Design BFA 2020, selected the Seigaiha pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work

“The seigaia wave is a pattern of layered …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Zigzag, Matthew Toscano

Pattern Research Project

2017 Pattern Research Project

Matthew Toscano - ZigZag (pattern)

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Matthew Toscano, VCU BFA 2020, selected the “Chevron Black” pattern by Tina Raparanta for Spoonflower for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“My sample of ‘Chevron …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Shippo Tsunagi, Emilie Krysa

Pattern Research Project

2017 Pattern Research Project

Emilie Krysa - Shippo Tsunagi Pattern

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Emilie Krysa, VCU Interior Design BFA 2020, selected the Shippo Tsunagi pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“[The] Shippo pattern originates from Japan …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Acanthus, Hongyi Zhu

Pattern Research Project

2017 Pattern Research Project

Hongyi Zhu - Acanthus

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Hongyi Zhu, VCU Interior Design BFA 2020, selected the Acanthus pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Acanthus is a type of plant that [is] widespread …

From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Photography by the Kruizenga Art Museum, Tom Wagner, and Curatorial Assistance/WorldBridge Art, Inc. Produced by Storming the Castle Pictures (StCP) for the Kruizenga Art Museum as a catalogue for the exhibition, "From Beyond the Stars," August 29 - December 16, 2017.

Cows - Clean Ocean Wave Sculpture, Kim Bernard

Artist in Residence: Kim Bernard

Description and images from Kim Bernard's University of New England Artist in Residence fall semester 2016 culminating project. Kim worked with UNE students and faculty to gather ocean debris and weave it into a permanent art installment at UNE's Arthur P. Girard Marine Science Center.

Indigo Dying With Amy Deveau's Chemistry Class, Kim Bernard

Artist in Residence: Kim Bernard

Description and images from one of Kim Bernard's class "drop-ins" during her fall semester 2016 time as the University of New England Artist in Residence. Kim met with Professor Amy Deveau's chemistry class to integrate the process of dying with indigo into their subjects.

Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun

Undergraduate Research Posters

Through art exhibitions in Beijing, China and Richmond, Virginia, Reviving project 01 aims to help promote/ revive a craft technique in Qinghai, China that is disappearing due to the urbanized surroundings.

American artist were invited to collaborate with people from Qinghai to make new pieces incorporating original crafted pieces.

Nō Theater Costume (Karaori), Risd Museum, Anais Missakian, Michelle Liu Carriger

Channel

18th - 19th Century

Man's Sash (Patka), Risd Museum, Brooks Hagan, Mallica Kumbera Landrus

Channel

ca. 1700-1750

Interweaving Media, Chris Quirk, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Five artists working in wood, glass, clay, metal and fiber collaborate with Pollack’s design team to create a new line of fabrics. Pollack, the NYC textile design firm founded by Mark Pollack 76 TX, embarked on a two-year project with Rachel Doriss 99 TX, to collaborate with five artists and designers working in different media. The goal? To create a line of newly released fabrics—called simply The Makers Collection.

In the end, Pollack selected knit designer Liz Collins 91 TX/ MFA 99 TX in Brooklyn, ceramicist Nathan Craven MFA 08 CR in Roswell, NM, glass artist Katherine …

Transnational Ikat: An Asian Textile On The Move, Susan Rogers, Hana Carey, Patricia Giglio, Martha Walters

Exhibit Catalogs

Ikat is a ‘textile on the move’ today: moving across borders from Southeast Asia to different parts of the world, moving from ritual use to American fashion wear and other marketplace forms, moving from Asian villages to international museum and art collecting circuits.

Over 40 of these remarkable textiles, both in their deeply ceremonial forms and in their vibrantly commercialized versions, were displayed for exhibition in the Iris and B. Gerald Cantor Art Gallery at the College of the Holy Cross. The exhibition focuses on ikats from eastern Indonesia, Sumatra, Sulawesi, and Malaysia’s Sarawak state.

Curator Susan Rodgers (anthropology, Holy …

Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono

Art Faculty Books and Book Chapters

"Tyrian purple. Lamp black. Lead white. Cadmium yellow. Ultramarine blue. The materiality of color, as it is often discussed, has a fixed quality. Pigments and dyes derived from many natural substances-minerals, earths, plants, and animals-have stable optic qualities. Lapis lazuli can be reliably counted upon to be blue. Dyes made from cochineal consistently fall within a certain range at the red end of the spectrum. Similarly, we might expect that the green feathers of a bird such as the Festive Parrot (Amazona festiva), after molting, would be replaced by equally green plumes. As the excerpt above suggests, from …