Art and Design Commons^™

Digital Illustration: The Costume Designer’S Process For East Tennessee State University’S Spring Dance Concert 2012, Christine Michele Waxstein

Electronic Theses and Dissertations

This paper's objective is to document the research and developmental processes of creating East Tennessee State University's Spring Dance Concert 2012 costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks to put it all together. Incorporating digital technology into the rendering process saved time, expenses, …

Hi, Magic Closet, Tell Me What To Wear!, Si Liu, Tam Nguyen, Jiashi Feng, Meng Wang, Shuicheng Yan

Computer Science Faculty Publications

In this demo, we present a practical system, "magic closet," for automatic occasion-oriented clothing pairing. Given a user-input occasion, e.g., wedding or shopping, the magic closet intelligently and automatically pairs the user-specified reference clothing (upper body or lower body) with the most suitable one from online shops. Two key criteria are explicitly considered for the magic closet system. One criterion is to dress properly, e.g., compared to suit pants, it is more decent to wear a cocktail dress for a banquet occasion. The other criterion is to dress aesthetically, e.g., a red T-shirt matches better with white pants than with …

Ip Protection Of Fashion Design: To Be Or Not To Be, That Is The Question, Xinbo Li

IP Theory

No abstract provided.

Samplers, Sewing And Star Quilts: Changing Federal Policies Impact Native American Education And Assimilation, Lynne Anderson

Textile Society of America Symposium Proceedings

Illustrating the U.S. federal government's changing policies on the assimilation of Native American children is the role of needlework instruction in the schooling of Indian girls. Described and discussed are three examples of 19th and 20th century policy, with emphasis on the textiles resulting from those policies. Early 19th century policy supported mission schools for Indians. Learning to sew was a valued domestic skill in 19th century female education, culminating in the making of a needlework sampler. This focus was adopted in mission schools, illustrated by Christeen Baker's 1830 sampler stitched at the Choctaw Mission School in Mayhew, Mississippi. Shortly …

The Parenthetical Notation Method For Recording Yarn Structure, Jeffrey C. Splitstoser

Textile Society of America Symposium Proceedings

Until now, describing yarn structure has been more art than science, especially for complex yarns and cordage like those encountered at Cerrillos, a Paracas (ca. 900-100 B.C.E.) site in the Ica Valley of Peru, where yarns and cordage frequently involve multiple colors, sub-structures, and materials (e.g., Image 1). My early attempts at describing yarn structures using notation were essentially undecipherable to others. Likewise, narrative methods proved too wordy and no less confusing. (For instance, a narrative description of the structure of specimen 2001-L185-B1654- S001, a rope-like yarn pictured in Images 2 and 3, would be: Twelve Z-spun-singly-ply yarns Ztwisted with …

Faytullayeva, Shamira A. (Fa 584), Manuscripts & Folklife Archives

FA Finding Aids

Finding Aid only for Folklife Archives Project 584. Illustrated paper by Shamira A. Faytullayeva titled “A Great Tailor in My Family.” This illustrated project describes the economic benefits of the tailoring skills of a Russian emigrant, Samisiya Faytullayeva. Samisiya’s mother taught her to sew when she was a child, and the skill has provided an income for her family in the years since her husband’s death and their subsequent immigration to the United States. This project was submitted for the 2011 Folklife Archives Award competition at Western Kentucky University.

English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Dale Moore

Graduate Theses and Dissertations

This paper will explore the connections of clothing and identity in the sixteenth century. The fit and construction of clothing can be directly related to how a person is perceived, or indeed, how one perceives one's self. Henry VIII (1491-1547) of England will be compared and contrasted with Matthäus Schwarz (1496-1574), a commoner from Augsburg, Germany. Tudor will represent how identity can be created for others, particularly through legislation and courtly life; while Schwarz' own words will assist in the exploration of the identity of the individual.

Balenciaga: The Man, The Enigma, The King Of Couture, Sara Block

Honors Theses

Cristóbal Balenciaga (1895-1927) began his life as the son of a fisherman and a seamstress in a small Spanish fishing village, and ended his life in Paris as the undisputed king of high fashion. Many photos of his couture creations and articles written about his fashions by journalists and critics still exist today, along with many structural and stylistic innovations that Balenciaga introduced and other designers have since conscripted and adapted for their own work. However, apart from his clothing, little is known about the life of the notoriously mysterious and press-shy man, and the little that is known about …

2012 Program Booklet, Rhode Island School Of Design

Collection (annual runway show) 2007-2017

Official Collection 2012 Program distributed at the event.

Designing And Producing Citrine: A Reflective Essay On Designing A Fashion Collection And My Personal Fashion Philosophy, Samantha E. Davis

Honors Capstone Projects - All

After four months of extensive creative research and material sourcing, a 6-piece spring/summer ready-to-wear fashion collection came into creation to celebrate the modern woman. Bold, graphic, versatile, and feminine describe both the collection and the woman of today who balances discipline and a vivacious passion for life and humanity. All-natural textile fibers of silk, cotton, and various laser cut leathers were utilized to create the collection of day-to-evening wear constructed by Samantha Davis.

The Importance Of Wedding Rituals In Human Societies, Courtney Snow

Undergraduate Research Conference

Symbolic interaction is the best explanation as to why, despite regional differences, modern style wedding dresses have similarities between cultures. Women of the world acknowledge and respect the traditions styles of their ancestors and try to incorporate some hint of tradition into their weddings. However, due to popular culture and style trends many of the wedding dresses from around the world use symbolism and detail to achieve the perfect balance between modern and time-honored.

Textile Society Of America Newsletter 24:2 — Spring 2012, Textile Society Of America

Textile Society of America Newsletters

Textiles and Politics: Textile Society of America 13th Biennial Symposium, September 19-22, 2012, Washington, DC
From the President
TSA Member News
Textiles and Cultural Context: Ecuadorian Artesanía Vendors and Transnational Markets
The Mola: Imagery of Culture and Politics
Taiwan Aboriginal Textiles: Translations and Transformations: Background of Yushan Tsai's Exhibition
Book Reviews
Textile Community News
Featured Collection: Denver Art Museum Textile Art Department Expansion
Call for Papers
Calendar: Conferences & Symposia
Exhibitions: United States
Exhibitions: International
Lectures, Workshops, Tours

Creating Original Garments Using Couture Sewing Methods, Nicole S. Eckerson

Masters Theses

As part of my research, I examined the techniques and methods used in couture sewing from the past to the present, drawing inspiration from historical couture garments by designers Charles Worth (19th century designer) and Charles James (20th century designer). The four pieces I drew inspiration from include Charles Worth and Bobergh’s evening gown (1861), Charles Frederick Worth’s evening gown (1883), and Charles James’s “Butterfly” ball gown (1954) and “Swan” ball gown (1954). These designers were chosen based on their use of structure and form throughout their pieces. After researching couture sewing methods and using the gowns mentioned above for …

Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono

Art Faculty Books and Book Chapters

"Tyrian purple. Lamp black. Lead white. Cadmium yellow. Ultramarine blue. The materiality of color, as it is often discussed, has a fixed quality. Pigments and dyes derived from many natural substances-minerals, earths, plants, and animals-have stable optic qualities. Lapis lazuli can be reliably counted upon to be blue. Dyes made from cochineal consistently fall within a certain range at the red end of the spectrum. Similarly, we might expect that the green feathers of a bird such as the Festive Parrot (Amazona festiva), after molting, would be replaced by equally green plumes. As the excerpt above suggests, from …

2012 News, College Of Education And Human Development

Family and Consumer Sciences News

• Dietetics Program Reaccredited
• Faculty Member Appointed to Certified Family Life Educator Advisory Board
• Faculty Member in Dietetics Published
• Family Studies Faculty Present at Symposium
• Graduate Student Ambassador Announced
• Interior Design Students Collaborate to Redesign Kanley Chapel
• Manley Conducting Research
• Frazier Receives Grant from the North Central Regional Center for Rural Development
• FCS 5340 Consumer Behavior in the Fashion Environment
• Manley Awarded Grant
• Webber Article Published
• Zinser Visits Siberia
• National Council on Family Relations Chooses Book
• Colleagues International Working with the U.S. Department of State
• Commercial Interiors Design Challenge
• Dannison Completes Program Review
• Blaisure Co-Authors, Serving Military Families in the 21st …

Counterfeits, Copying And Class, Ann Bartow

Law Faculty Scholarship

Consumers who want to express themselves by wearing contemporary clothing styles should not have to choose between expensive brands and counterfeit products. There should be a clear distinction in trademark law between illegal, counterfeit goods and perfectly legal (at least with respect to trademark law) "knockoffs," in which aesthetically functional design attributes have been copied but trademarks have not. Toward that end, as a normative matter, the aesthetic features of products should not be registrable or protectable as trademarks or trade dress, regardless of whether they have secondary meaning, just as functional attributes of a utilitarian nature are not eligible …

Tradition And Humour: The Academic Dress Of The University Of Glasgow, Neil K. Dickson

Transactions of the Burgon Society

The University of Glasgow was founded in 1451. It is the second oldest university in Scotland and the fourth oldest in the UK (after Oxford, Cambridge and St Andrews). By the end of the sixteenth century Scotland had five universities, compared with England’s two. This situation continued for more than two hundred years: it was only in the nineteenth century that England finally caught up with Scotland. So perhaps one might expect that Scotland would have a long, continuous and colourful history of academic dress. However, as we shall see, that is not the case. The reason can be expressed …