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Articles 1 - 7 of 7
Full-Text Articles in Art and Design
Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee
Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee
Department of English: Dissertations, Theses, and Student Research
This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …
Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman
Review Of John James Audubon: The Nature Of The American Woodsman, By Gregory Nobles, Matthew Guzman
Department of English: Dissertations, Theses, and Student Research
When we think about American ornithology, John James Audubon is often the first name that comes to mind. As evidence to Audubon’s lasting ability to enrapture readers, it bears repeating that an original Double Elephant Folio of Birds of America sold for an astounding $11.5 million in 2010 (2). Yet, for a man who produced such stunning and memorable visual and literary work on the avifauna of North America, some of the important details of his life and origins have remained highly contested. Even though Gregory Nobles’s new biography is not explicitly tied to the study of the Great Plains, …
Biopolitical Masochism In Marina Abramović’S The Artist Is Present, Jaime Brunton
Biopolitical Masochism In Marina Abramović’S The Artist Is Present, Jaime Brunton
Department of English: Faculty Publications
This essay analyzes The Artist Is Present, Marina Abramović’s heavily mediatized 2010 performance at New York’s Museum of Modern Art, through the lenses of Freudian and Deleuzean concepts of masochism, specifically with respect to how the masochistic tendencies of this performance may be read in the current context of biopolitics. The essay seeks answers to questions of political import that many critical analyses of Abramović’s performance, which focus on details of the performer’s personal history, have not adequately addressed. Drawing on the documentary film Marina Abramović: The Artist Is Present (2012) that follows Abramović through the conceptualization and enactment …
Victorian Counter-Worlds And The Uncanny: The Fantasy Illustrations Of Walter Crane And Arthur Rackham, Amzie A. Dunekacke
Victorian Counter-Worlds And The Uncanny: The Fantasy Illustrations Of Walter Crane And Arthur Rackham, Amzie A. Dunekacke
UCARE Research Products
I will prepare an in-depth examination of the different, often opposing ways illustrators Walter Crane and Arthur Rackham portray elements of fantasy in their fairy tale illustrations. Fantasy in fairy tales became very popular during the “Golden Age of Illustration” in Britain, which lasted from the mid nineteenth century until the First World War. Fantasy served as a form of escapism from the rigidity of Victorian society and the increasingly industrialized culture. In my examination, I will focus on how Crane and Rackham’s separate styles use or abandon elements of fantasy such as the horrific and grotesque, anthropomorphism of animals …
Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman
Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman
SANE journal: Sequential Art Narrative in Education
Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …
Zea E-Books: Open-Access Digital Imprint Of The University Of Nebraska-Lincoln Libraries, Sue Ann Gardner, Paul Royster
Zea E-Books: Open-Access Digital Imprint Of The University Of Nebraska-Lincoln Libraries, Sue Ann Gardner, Paul Royster
University of Nebraska-Lincoln Libraries: Conference Presentations and Speeches
Intended to complement, not compete with, the University of Nebraska Press, Zea E-Books gives a voice to scholars whose works would not meet the financial publication demands of a traditional press.
"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter
"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter
Architecture Program: Faculty Scholarly and Creative Activity
Buildings give an immediate presence to the historical or fictional world, which otherwise is unknown or unfamiliar to the audience. The portrayal of a building’s concrete and specific substance makes the world come alive, although the building itself is a mere segment of the world that it represents. This book will trace the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater, and identify its pedigree in the nineteenth century, where authors, artists, and stage managers used thorough depictions of buildings to effectively feed the audience’s historical …