Art and Design Commons^™

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …

Between : Collaborative Haiku And Picture Postcards 詩情畫意 : 遊走於俳句和明信片之間, Carol Archer, Kit Kelen

Visual Studies Programme : Students’ Monographs

This publication is a joint project between staff and students of Lingnan University Department of Visual Studies, University of Macau Department of English Creative Writing Program and Pearl Jubilee College.

The 125-page book, is the outcome of a pedagogical, cross-disciplinary project that fostered the creativity of, and between, students of Hong Kong and Macau.

創作無障礙 : 一個為讀寫障礙初中生而設的藝術倡導計劃, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

《創作無障礙》是一項兩年的藝術倡導計劃，由東華三院屯門綜合服務中心與嶺南大學視覺研究系合辦，為屯門區有讀寫障礙(dyslexia)的初中學生設計為期一學年共二十節的藝術創作倡導工作坊，目的是為他們提供一處無障礙的創作平台，透過愉悅的創作過程，以及完成作品賦與的滿足感，促進他們認識自己先天的限制與天賦，發掘自己的潛能，肯定自我，增加自信。計劃分兩輪進行，參與計劃的學校共三間，包括東華三院鄺錫坤伉儷中學、中華基督教會譚李麗芬紀念中學和鐘聲慈善社胡陳金枝中學。其中鄺錫坤伉儷中學參與了兩輪的計劃， 譚李麗芬紀念中學參與了第一年、胡陳金枝中學參與了第二年的計劃。兩學年度一共有四十五位(二十九男、十六女)學生完成計劃。

為了增進家長和老師對讀寫障礙的認識，計劃期間先後舉辦了三次有關「創作與讀寫障礙」的座談會，讓主辦機構、學者和藝術倡導者與參與計劃的學生家長和老師分享計劃的理念、過程和成果。三次座談會的氣氛相當熱烈，尤其是最後一次老師的參與和意見，對促進家長和主辦機構的溝通起了很大的作用。藝術倡導者在會上就個別同學在計劃中的表現與他們的家長交換意見， 有助他們了解同學在學習上面對的困難，明白同學的潛能。

兩輪計劃在完結時都籌辦一次展覽，展出計劃中學生創作的話劇表演和藝術作品，讓家長、老師、以至社會人士能夠看到讀寫障礙學生的創意和能力，並加以肯定，使得參與的學生在計劃過程中已經建立的自我和信心，在計劃完結後能夠得到家長和老師持續的鼓勵，日後在生活和學習上幫助他們發展長處，推動他們的動力去面對困難。

Elementary Art And Writing, Mary A. Beningo

Masters Theses

The problem that I researched in today’s art education world is how to correlate elementary art curricula with writing curricula. To investigate this issue I field tested a curriculum module that reflects the contemporary issues of writing in art education. The curriculum module under investigation has been designed to correlate my 5^th grade fine arts curriculum with the homeroom teacher’s 5^th grade language arts curriculum.

During this study I worked with 56 fifth grade students and incorporated four writing projects into their fine arts curriculum: a Character Exploration project, a Black-out poetry project, a surrealistic textured paper collage …

Practices And Attitudes Towards Early User Involvement In Information Symbol Design Process: An Implication For Teaching, Wai Yi, Annie Ng, Kin Wai, Michael Siu, Che Hin, Chetwyn Chan

Practical Social and Industrial Research Symposium

No abstract provided.

The Teacher In The Studio, Molly Alexander

Graduate Student Independent Studies

As a potter and teacher, the author connected her practice in the studio to her practice in the classroom by designing and creating cups for the two-year-old children she teaches. This thesis includes visual documentation of the author's design and production process, an analysis of theory and research, and a personal reflection.

Imagining The Unknown, Angelina Kidd

MFA in Photography and Integrated Media Theses

It is true that there is no scientific proof of life after life or of the human soul. However, I believe there is a soul and that it is energy manifested as light. Our lifetime is a mere pulse when measured against the evolution of earth. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease …

Risd Xyz Spring/Summer 2013: Crisscrossing Cultures | Full Issue, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2013: Crisscrossing Cultures

EVERY YEAR MORE AND MORE PEOPLE ARE TRAVELING TO MORE places throughout the world. And even those who can't afford to travel - some of whom live in the most remote regions imaginable-are getting a better sense of global culture through mobile technology. The world is, in many ways, shrinking.

Yet, true as that may be, it also remains as complex, chaotic, confounding and culturally diverse as ever. If you've traveled to-or better yet, lived in -a part of the world that's very different from where you grew up, you've seen, felt and tasted those differences. "Small" as the planet …

Found In Translation, Francie Latour, Risd Xyz

RISD XYZ Spring/Summer 2013: Crisscrossing Cultures

Four international alumni find a common language between their RISD education and their own rich, evolving cultures. Ng'endo Mukii 05 FAV of Kenya, Anjali Mody 09 ID of India, and architecture/design team Eduardo Sucre BArch 01 and Karina (Schrappe) Sucre BArch 00 of Brazil returned to their native countries to find the cross-cultural lessons and adaptability learned at RISD have proven critical to their success back home.

Border Crossing, Laura Graham, Risd Xyz

RISD XYZ Spring/Summer 2013: Crisscrossing Cultures

Five EHP alumni discover that one year in Rome only whet their appetites for living abroad. Maureen Jeram 93 PT, Jonathan Janson 72 PT, Maryann Fennimore Kranis 00 IL, Kathy Kokkinides BArch 99 and PJ Rountree 08 SC are all professional artists, architects and designers who began their overseas journeys in the Palazzetto Cenci, a 16th-century palazzo in the center of Rome affectionately known as "The Cenci".

Wandergesellen Waltz On, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2013: Crisscrossing Cultures

[Wandergesellen] is a way of life that points to the distant past – to medieval artisans travelling from village to village to practice and perfect their craft, bringing their skills where they were needed most. But for Eugene (Yevgent) Gladun 00 GD, the world of wandergesellen – or German journeymen – is more relevant than ever.

Cultural Context | Risd President, John Maeda, Risd Xyz

RISD XYZ Spring/Summer 2013: Crisscrossing Cultures

"Art and design remind us to look at things from different angles and to value what is unique about ourselves and our culture…". John Maeda, RISD President 2008-12

Together, Science And Art Can Provide Answers In Search For Truth, Carla Poindexter

UCF Forum

As we celebrate the 50th anniversary of UCF this year, we are reminded that the core benefit of an upper-level education is the opportunity to pursue and obtain insight and knowledge over blindness and ignorance.

A Reflection: Art And Science In A Museum Gallery, Kaileena Flores-Emnace

The STEAM Journal

Art education in a public space can be a venue for the blending of art and science. As a Contemporary Art Start educator for the Museum of Contemporary Art (MOCA), Los Angeles, I have experienced the many ways in which transdisciplinary education creates deeper student understanding and engagement. At MOCA we use Visual Thinking Strategies for student tours, a research-based teaching method that invites students to direct gallery discussions. We visit a few artworks for ten to fifteen minutes each to foster critical thinking and encourage students to bring personal knowledge and experience to the conversation.

Steam With A Capital A: Learning Frenzy, David Rufo

The STEAM Journal

A student dipped a brush into a bowl of viscous tempera paint and in a few quick strokes formed thick magenta letters on a large display board. Nearby a handful of students were working together to attach string to paper cups and balloons. Across the room a small group of girls were lying on the floor carefully adding multi-colored text to a poster. Two others created characters out of Popsicle sticks for a puppet show...This is how the integration of Science, Technology, Engineering, Arts, & Math (S.T.E.A.M.) happened with the fourth and fifth graders during the first few weeks of …

Keeping Abreast With Liberal Arts And Science Through Steam, Tanya Rivas, Gregory Knotts

The STEAM Journal

The integrated unit on breast cancer described here includes biological science and visual art standards and was targeted at high school juniors and seniors. The goal was to make a potentially controversial and taboo subject relatable through an art-science approach

Reflections ~ How Stem Becomes Steam, Ruth Catchen

The STEAM Journal

Reflections from designing a STEAM class for high-risk students.

Merging Science And Art: The Bigger Picture, Natasha Hall

The STEAM Journal

It has been stated that artists comprehend and chronicle the completeness of the visible world (Wallach & Bret, 1987), defining Art as the creative expression of knowledge about the visual world. But to what extent does that awareness extend into a scientific appreciation of the world? The acronym STEAM is an abbreviation of Science, Technology, Electronics, Arts and Mathematics. Weaving interactions between Science and Art, have been shown by Clarke and Button (Clarke & Button, 2011), to intensify interconnections between nature, with Landscape, and ultimately with sustainability.

Getting Real About The E In Steam, James Catterall

The STEAM Journal

STEM and STEAM are in the news. Researchers and educators in my field (cognition, art, and creativity) argue reasons for adding the A to STEM. While I visit this below, my focus is elsewhere. In this brief essay, I want to explore the meaning and importance of the E appearing in both STEM and STEAM. What’s engineering doing in this mix? And what are some reasons for affirming the arts when the role of engineering is clarified?

The Artist Avengers: The Power Of Art, Marina Santana, Ashley Dee Abarca

Curricula

No abstract provided.

David Lucas, David Lucas, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.

Lessons In And Out Of School, Mary K. Maloney Johnson

Master of Liberal Studies Theses

What are we saying to children when we leave the creativity to others in a visual environment, infused with “attitude”, snobbery, acquisitiveness and Pollyanna innocence? We’re saying that we approve this message. Visual arts teach media literacy in an atmosphere that implicitly uses vices to secure attention. School experiences cannot compete. Parents and teachers, pleading incompetence, pass undiscerning choices to the next generation. Educational illustration typically amounts to copy-machine ready, poorly drawn, saccharin cartoons. Standards exemplified by the likes of Szyk, Holling and others lie hidden on the shelves. Dismay and consternation over the failure to plumb the depths of …

Voices Of Hope: Designing Social Change, Donald Tarallo

Presidential Fellows Program

Proposal Abstract:

If awarded this fellowship, I will devote my time to employ graphic design toward creating positive social change for youth living in the underprivileged neighborhoods of Providence, Rhode Island. The change my project will embody addresses a paradigm shift taking place in the graphic design community as the focus moves from design as a practice that fuels a market to the awareness that graphic design is a social practice and that it can be vehicle for powerful and sustainable social change. This effort will inform my teaching, resulting in a model for art and design education addressing social …

Graphic And Gutsy, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Some people just can't help themselves. They've got an indefinable restlessness—a drive to do things most people don’t. By the time she was 26, Jessica Walsh GD 08 had pushed the proverbial envelope enough that esteemed designer Stefan Sagmeister (who had been in the business since before she was born) invited her to become a partner in his NYC-based firm.

Yearbook, 2013, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Risd Fact Book 2013, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book 2013. The Fact Book is a summary of institutional data gathered from many areas of the College, compiled to capture the 2012 Fiscal and Academic Year, as well as the beginning of Academic Year 2012-13. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book provides pertinent facts and figures and is made available as a reference to administrators, faculty, staff and students.

Welcome To The Doll House, Francie Latour, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.

Interweaving Media, Chris Quirk, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

Five artists working in wood, glass, clay, metal and fiber collaborate with Pollack’s design team to create a new line of fabrics. Pollack, the NYC textile design firm founded by Mark Pollack 76 TX, embarked on a two-year project with Rachel Doriss 99 TX, to collaborate with five artists and designers working in different media. The goal? To create a line of newly released fabrics—called simply The Makers Collection.

In the end, Pollack selected knit designer Liz Collins 91 TX/ MFA 99 TX in Brooklyn, ceramicist Nathan Craven MFA 08 CR in Roswell, NM, glass artist Katherine …

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Divergent Thinking | Risd President, John Maeda, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

"Innovation happens when convergent thinkers—people who march straight ahead towards a clearly defined goal—combine forces with divergent thinkers, those who may wander professionally but who are comfortable being uncomfortable and who look for what is real. RISD harbors a lot of divergent, agile thinkers. . .". – John Maeda, RISD President 2008-13