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Full-Text Articles in Art and Design

Costume Design For "Life Is A Dream" By Pedro Calderon De La Barca, Kelsey Looney May 2019

Costume Design For "Life Is A Dream" By Pedro Calderon De La Barca, Kelsey Looney

Theses and Dissertations

The following thesis explains the process used to create and implement the costume design for the production of Life is a Dream produced at the University of Arkansas in the spring of 2018. In this thesis I will detail the process of moving from research, to renderings, to finished costumes. This design process includes a script analysis, inspiration collages, portrait gallery, sketches, renderings, production photographs, and an assessment of the success of the process overall.


Costume Design For Qui Nguyen’S She Kills Monsters, Tanner Neal Mcalpin May 2019

Costume Design For Qui Nguyen’S She Kills Monsters, Tanner Neal Mcalpin

Theses and Dissertations

The following thesis details the process of creating costume designs and implementing them in the production of She Kills Monsters which was produced at the University of Arkansas Black Box Theatre in the Fall of 2018. Throughout this thesis I will explain how the costumes went from initial research and conversations with the director to the final products on the stage. The account of this includes an analysis of the script, collages of photos used for inspiration, portrait gallery, research, rough sketches, renderings with fabric swatches, production photos, and my evaluation of the process as a whole.


Costume Design For Shakespeare's "Macbeth", Melissa Rooney Jan 2019

Costume Design For Shakespeare's "Macbeth", Melissa Rooney

Theses and Dissertations

The following thesis explains the process used to create the costume design for the production of Macbeth produced at the University of Arkansas Global Campus Theatre in the Spring of 2019. Throughout this thesis, I will explain the process by which the costumes went from initial research ideas to sketches and colored renderings and finally to fully realized three dimensional costumes. The design process included in this thesis includes an analysis of the play, inspirational collage, portrait gallery, research, renderings, production images, and an evaluation of the overall process.


Designing A World: A Foray Into Scenography And Settling, Nathan David Ynacay May 2018

Designing A World: A Foray Into Scenography And Settling, Nathan David Ynacay

LSU Master's Theses

This work examines the design process as taught and what was practiced during Louisiana State University’s production of LMNOP the Muzical.

This will examine the design process as typically taught to undergraduate theatre students in all aspects of the discipline. The collaborative nature of the design process as taught to cast members, directors, and production team will be examined. After this examination, the design process for Louisiana State University’s production of LMNOP the Muzical will be used to compare and contrast the actual process with the theory of a collaborative design process. After, there will be an evaluation ...


Dance Disability And Assistive Technology.Pdf, Merry L. Morris Jul 2017

Dance Disability And Assistive Technology.Pdf, Merry L. Morris

Merry L. Morris

This dissertation explores the catalytic relationships between dance, disability, and assistive technology design, foregrounding the ways in which dance practice/theory can provoke a re-imagination of both disability and the assistive device design. The research delves into the ways in which dance practice is ideally situated to continue intervening in negative constructions of disability by intentionally provoking current signifiers which reify the disabled body as dependent, restricted, tragic, static, and powerless. Specifically, I investigate one powerful signifier: the assistive device (e.g., wheelchair, crutch, prosthetic). I seek a critical endeavor into how disability perceptions may be transformed through dance by ...


Chapter Vi A Prototype Intervention- Towards An Embodied Socio-Spatial Design Paradigm.Docx, Merry L. Morris Jul 2017

Chapter Vi A Prototype Intervention- Towards An Embodied Socio-Spatial Design Paradigm.Docx, Merry L. Morris

Merry L. Morris

This chapter is an excerpt from my published dissertation. In the chapter, I propose a new paradigm for thinking about design: Embodied, Socio-Spatial Design (ESD) generated from a dance perspective. I use a Laban Movement Analysis framework to help flesh out this paradigm and I use these ideas to discuss and analyze a unique prototype wheelchair design for use in dance, with application outside of dance as well.


Chapter V Dance And Disability Meet Assistive Technology.Docx, Merry L. Morris Jul 2017

Chapter V Dance And Disability Meet Assistive Technology.Docx, Merry L. Morris

Merry L. Morris

This is an excerpted chapter from my published dissertation. In the chapter, I discuss the ways in which the dance context in intersection with disabled bodies revises notions of assistive technology design. By looking at what dancers and choreographers working within the disability community are doing (or attempting to do) with the assistive device, and foregrounding the agency of the device, as another “body,” new conceptions for what the device can enable rise to the surface. The words of “partnership,” “bodily extension,” and “helper,” were all themes which surfaced in my research defining the device relationship. From a dance lens ...


Lighting Design Proposal For Tom Stoppard's "Rosencratz And Guildenstern Are Dead", Nikolai Eiteneer May 2015

Lighting Design Proposal For Tom Stoppard's "Rosencratz And Guildenstern Are Dead", Nikolai Eiteneer

Nikolai B Eiteneer

Tom Stoppard’s tragicomedy, Rosencrantz and Guildenstern are Dead (1964), earned the early popularity and the world-wide reputation that such a work deserved, booting Tom Stoppard into the limelight as an up-and-coming young writer. The play itself verges on an absurdist style, but due to the realistic nature of the title characters, the audience members find themselves sympathizing with their plight and lack of knowledge though any theatre goer acquainted with the works of Shakespeare, and Hamlet in particular, will know the final outcome of the play. For those not endowed with such knowledge, however, Stoppard gave the end away ...


Love's Labor's Lost: A Scenic Design, David B. Tousley Iii Apr 2015

Love's Labor's Lost: A Scenic Design, David B. Tousley Iii

Student Research and Creative Activity in Theatre and Film

This thesis describes the research and production processes of the set design for the play, Love’s Labor’s Lost by William Shakespeare, performed in the Howell Memorial Theatre, from November 13th through November 23rd at the Johnny Carson School of Theatre and Film at the University of Nebraska. Love’s Labor’s Lost was directed by Melora Kordos. David Tousley acted as the production’s set designer, Sarah Resch designed the lighting, Katie Davis designed the costumes, Lucas Dunwoody designed the sound, Vicki Halverson acted as the props mistress, and Greg Rishoi was the acting technical director ...


Implementation Of Lighting And Projection Into Metamorphoses By Mary Zimmerman, Loren Haynes Jan 2015

Implementation Of Lighting And Projection Into Metamorphoses By Mary Zimmerman, Loren Haynes

University Honors Program Theses

On March 4, 2015, Metamorphoses opened its doors to the public. The cast, crew, and production staff had been working on this masterpiece for many months, but the night was finally here and the production was finished. The end product was a transformative work of art that took the audience through many of the old Greek myths through song and dance and words.

In order to help accomplish this, the lighting and projection elements were designed to accent each story and give the audience a clear sense of place, time of day, mood, and other aspects of the world. This ...


Lighting Design Proposal For Tom Stoppard's "Rosencratz And Guildenstern Are Dead", Nikolai Eiteneer Dec 2014

Lighting Design Proposal For Tom Stoppard's "Rosencratz And Guildenstern Are Dead", Nikolai Eiteneer

Student Scholar Symposium Abstracts and Posters

Tom Stoppard’s tragicomedy, Rosencrantz and Guildenstern are Dead (1964), earned the early popularity and the world-wide reputation that such a work deserved, booting Tom Stoppard into the limelight as an up-and-coming young writer. The play itself verges on an absurdist style, but due to the realistic nature of the title characters, the audience members find themselves sympathizing with their plight and lack of knowledge though any theatre goer acquainted with the works of Shakespeare, and Hamlet in particular, will know the final outcome of the play. For those not endowed with such knowledge, however, Stoppard gave the end away ...


Interpreting, Stephanie Jo Kent May 2014

Interpreting, Stephanie Jo Kent

Doctoral Dissertations

What do community interpreting for the Deaf in western societies, conference interpreting for the European Parliament, and language brokering in international management have in common? Academic research and professional training have historically emphasized the linguistic and cognitive challenges of interpreting, neglecting or ignoring the social aspects that structure communication. All forms of interpreting are inherently social; they involve relationships among at least three people and two languages. The contexts explored here, American Sign Language/English interpreting and spoken language interpreting within the European Parliament, show that simultaneous interpreting involves attitudes, norms and values about intercultural communication that overemphasize information and ...


A Process Of Design: The 25th Annual Putnam County Spelling Bee, Dennis R. Berfield Mr. Jan 2011

A Process Of Design: The 25th Annual Putnam County Spelling Bee, Dennis R. Berfield Mr.

Masters Theses 1911 - February 2014

A collaborative process, when implemented for a theatrical production, not only reinforces a design team's ability to tell a story, it supports a artistically unified design that can be communicated easily to all members of a production team regardless of their production role. The information within this thesis is documentation of a collaborative process between the Scenic Designer and the production team for the University of Massachusetts Amherst Department of Theater's production of The 25th Annual Putnam County Spelling Bee by Rachel Sheinkin with music and lyrics by William Finn. Preliminary design images, model photographs, Autodesk AutoCAD ...


Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad Jul 2010

Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad

Publications and Research

Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.


Elizabethan Costume And Design: A Twelve Step Program, Sara Palmer May 2010

Elizabethan Costume And Design: A Twelve Step Program, Sara Palmer

Honors Projects and Presentations: Undergraduate

The created gown is extremely similar to the original design. The main difference is that I originally had planned for a fabric with purple in the pattern.


From Script To Stage: A Costume Designer’S Perspective, Laura M. Gifford May 2007

From Script To Stage: A Costume Designer’S Perspective, Laura M. Gifford

Senior Honors Projects

In the process of designing the costumes for a show, it is important to understand the psyche of each of the characters. The completion of thorough research can give valuable insight into the characters, as well as details of the setting of the play. A designer then takes this information, in the form of photographs, journals, period documents, and modern analysis and combines it to achieve a unified vision of the play’s environment. They must then work with the director and other designers to present this vision to the audience. This semester, I had the opportunity to explore this ...