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Full-Text Articles in Art and Design
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi
Lawrence University Honors Projects
“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.
Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue, Alexis R. Bernstein
Sublime Memories: Bones As A Medium For Cyanotype Printing And Indigo Dying; The Strength Derived From Connection To The Environment; And The Power Of The Color Blue, Alexis R. Bernstein
All College Thesis Program, 2016-2019
This project attempts to portray how connections to the environment provide strength and opportunities for growth. By printing cyanotype images of landscapes and plant life on bones, my work links the ecological world with a representation of mortality. The symbolism of bones provide concepts of strength and life, while the symbolism of blue evokes emotions of distance and longing that create a dreamy memory-inspired image quality throughout the series. The historic processes of cyanotype printing and indigo dying were successfully modified for the medium of bones, allowing both artistic techniques to work together in harmony.
Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr.
Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr.
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Works from my project, Mapping Nebraska, a drawn, stitched and digitally imaged cartography of the state (physical and psychological) where I live were exhibited in 2017 at the International Quilt Study Center & Museum in Lincoln, Nebraska in an exhibition, Regarding Nebraska, coinciding with the sesquicentennial of Nebraska statehood. As stated in the exhibition:
“I map the state where I live and document an internal and external landscape. I work with cloth and with piecing and quilting because of their references to human scale, human touch and human occupation. With image and stitch I communicate the beauty and diversity of …