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Articles 1 - 5 of 5

Full-Text Articles in Art and Design

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow May 2023

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …


Shifting Sands., Rachid Tagoulla May 2021

Shifting Sands., Rachid Tagoulla

Electronic Theses and Dissertations

Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …


Thinging : Powerful Objects., Tammy M. Burke May 2019

Thinging : Powerful Objects., Tammy M. Burke

Electronic Theses and Dissertations

The works in "Thinging” are inspired by desire, the genuine and the false, systems of real and perceived values, the quest for immortality, the allure of things, our use of them to make ourselves, and imagining pasts and futures via objects. The following concepts are threaded through the work: cathexis, ritual as a value builder, collections, hoarding, display, object history, exchange, use, and sign values, and vibrant materiality. At the heart of my investigation is the quest to examine the origins of object power, and by what measures it can be evaluated: value from belief, market value, and something perhaps …


Trace., Kcj Szwedzinski May 2019

Trace., Kcj Szwedzinski

Electronic Theses and Dissertations

Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …


North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb Dec 2018

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.