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Articles 1 - 3 of 3
Full-Text Articles in Art and Design
Impact Of Forest Management Techniques On Bats With A Focus On The Endangered Indiana Myotis (Myotis Sodalis), Jermey J. Sheets
Impact Of Forest Management Techniques On Bats With A Focus On The Endangered Indiana Myotis (Myotis Sodalis), Jermey J. Sheets
All-Inclusive List of Electronic Theses and Dissertations
Understanding how forest management practices impact bats is important for maintaining a diverse bat community; rare species, especially the federally endangered Indiana myotis (Myotis sodalis) need special consideration. Bats play an important role in the environment because they prey on insects, especially pest species, and conservation of viable foraging and roosting habitats is critical. Positive and negative aspects of the implementation of forest management techniques are discussed for each bat species. Bats were sampled using mist nets at four locations in Morgan-Monroe and five locations in Yellowwood State Forests twice during each summer 2006-2008. Netting locations were adjacent to or …
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond
Art Faculty Books and Book Chapters
Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond
Art Faculty Books and Book Chapters
On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …