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Art and Materials Conservation

2018

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Full-Text Articles in Art and Design

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb Dec 2018

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.


Textile Society Of America Newsletter 30:2 — Fall 2018, Textile Society Of America Oct 2018

Textile Society Of America Newsletter 30:2 — Fall 2018, Textile Society Of America

Textile Society of America Newsletters

Letter from the Editor

Letter from the President

TSA News
Welcome New TSA Board Members
Our Focus on Diversity: Vision Statement
R. L. Shep Ethnic Textile Book Award
Diedrick Brackens Honored with 2018 Brandford/Elliott Award

International Report
Featured Exhibitions
Centre for Heritage, Arts and Textile (CHAT)
Opportunity
The University of North Texas to Close Fibers Program by Spring 2019

TSA Symposium
The Social Fabric: Deep Local to Pan Global in pictures
TSA Members' Exhibition
Reports from Student & New Professional Awardees

A Long-Delayed Professional Conversation

Book Reviews
Art, Honor, and Ridicule: Fante Asafo Flags from Southern Ghana
Polychromatic Screen Printing …


Toxins In The Collection: Museum Awareness And Protection, Nellie Slocum Aug 2018

Toxins In The Collection: Museum Awareness And Protection, Nellie Slocum

Museum Studies Theses

The purpose of this thesis is to discuss museum policies regarding toxic materials used in the creation of an object or added to it as a preservation or pesticide technique. After surveying different museums, it has been found that many museums are unaware of what parts of their collections contain toxic materials. Because of this unfamiliarity with the danger these materials might pose, many museums to not have policies in place regarding them. Toxins in collection items may pose a threat to museum staff who are working with them on a day to day basis. Toxic materials are prevalent in …


Los Productos Textiles De Los Andes Sur-Centrales: Guía Ontológica Centrada En La Región Aymara-Hablante, Denise Y. Arnold Jun 2018

Los Productos Textiles De Los Andes Sur-Centrales: Guía Ontológica Centrada En La Región Aymara-Hablante, Denise Y. Arnold

Textile Research Works

El presente libro ofrece una organización ontológica de los productos textiles andinos. A nivel mundial, los museólogos están dando cuenta de la utilidad de este recurso para estructurar sus colecciones de objetos y para vincularlas con datos de respaldo (registros, catálogos, dibujos, fotos, etc.). Una ontología es una especificación explícita de una conceptualización, que proporciona una estructura y los contenidos que codifican las reglas implícitas de una parte de la realidad, en este caso del dominio textil. Aquí presentamos una representación del conocimiento del dominio textil centrada en las ‘formas’ textiles, por decir los tipos de prendas (ahuayo, acso, unco, …


Murmur/Murmuro, Paola M. Di Tolla May 2018

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.


Atlanta: Reconstructing A Fractured History, Clayton Odom May 2018

Atlanta: Reconstructing A Fractured History, Clayton Odom

Bachelor of Architecture Theses - 5th Year

Today we live in a world where the development of our cities has resulted in the destruction of historical and magnificent architecture that stood as monumental symbols of human achievement and evolution. This has been a problem for Atlanta in which the foundations of the city's architectural heritage and legacy has been destroyed as a result of Atlanta's fragmented development over time, leaving the city's architectural legacy and history in a state of fragmented ruin. For Atlanta, it is important to restore this lost architectural heritage by reconstructing the memory of the city's destroyed architectural icons by recreating and reassembling …


Craft Production And Sociocultural Context: A Case Study Of Nasa Werregue Coiled Basketry In Colombia, Cindy Cordoba Arroyo May 2018

Craft Production And Sociocultural Context: A Case Study Of Nasa Werregue Coiled Basketry In Colombia, Cindy Cordoba Arroyo

LSU Master's Theses

According to the Alliance of Artisan Enterprise from the Aspen Institute, the existence of the artisan enterprise is valuable for native communities since it creates jobs and preserves ancient techniques (Aspen Institute, 2012). The design and development of the Werregue (Astrocaryum Standleyanum) coiled basket is a source of income for indigenous communities in Colombia. This research uses a case study method which employed semi-structured interviews with fifteen skilled Nasa Werregue coiled basketmakers, to analyze the sociocultural characteristics, design, production, and market in Werregue coiled basketry in the Pacific region of Colombia within two research settings, Cali and the …


Unmaking As Making, Viola Bordon May 2018

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.


Strange Woods, Song Park May 2018

Strange Woods, Song Park

Graduate School of Art Theses

I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am directed by my sense of sight to investigate and know something. I like to challenge myself to visualize things that do not already have a visual representation. It has been frustrating for me to create images of women, and I have experienced a deep ambivalence in response to the different images of women I have encountered. The socially and culturally constructed images of women that I have internalized and those that have developed from my own …


The Conservation Treatment And Technical Examination Of A German Impressionist Painting, Sara Kornhauser May 2018

The Conservation Treatment And Technical Examination Of A German Impressionist Painting, Sara Kornhauser

Art Conservation Master's Projects

This project details the conservation treatment of the painting Sommergluth (1893) by Hans (Johann Wilhelm) Olde, which was owned by the Albright-Knox Art Gallery. Imaging and scientific analysis is used to identify the materials and techniques used by the artist, helping inform the treatment steps. The painting’s most severe condition issue was flaking and cleaving paint along with copious amounts of dirt embedded in an unvarnished paint film with heavy impasto. The research and findings from this project have art historical value for the little-known German artist, with this project being the first known in-depth study. The stabilization and treatment …


Development And Marketing Of A Repurposed Textile Product For Homeless Individuals In Northwest Arkansas, Mckenna Whitaker, Beau Broyles, Lindsey Stone May 2018

Development And Marketing Of A Repurposed Textile Product For Homeless Individuals In Northwest Arkansas, Mckenna Whitaker, Beau Broyles, Lindsey Stone

Apparel Merchandising and Product Development Undergraduate Honors Theses

Growing concerns over waste disposal methods have led to a greater focus on recycling efforts in the textile industry. Second only to the oil industry, the textile industry continues to be one of the most wasteful among leading businesses around the world and determining ways to repurpose fashion materials could be a reasonable solution to this growing problem (Dobilaite, V., Mileriene, G., Juciene, M., & Sacevičienė, 2017). In addition to alleviating disposal issues, repurposed materials could serve the humanitarian needs of local communities, and even more importantly, could specifically benefit homeless populations. The purpose of this project was to design, …


A Sumitography: A Listing Of Postage Stamps Celebrating Contributions To Civil And Human Rights By Martin Luther King Jr. And Associates, Lillie R. Jenkins Apr 2018

A Sumitography: A Listing Of Postage Stamps Celebrating Contributions To Civil And Human Rights By Martin Luther King Jr. And Associates, Lillie R. Jenkins

Perkins Faculty Research and Special Events

This "sumitography" (from Latin "sumit" means postage stamp) is a listing of postage stamps celebrating contributions to civil right and human rights by Martin Luther King Jr. and associates. In addition to USA postage stamps, this listing includes stamps from other nations, including Cuba, Ghana, Sweden, Turks & Caicos Islands, and others. Also included are postage stamps honoring King associates--in the struggle for civil and human rights, Mohandas K. Gandi, Rosa Partks, A. Philp Randolph, and Malcolm X.


Perspectives Of Italian Fresco: Creation And Conservation, Sarah Linder Apr 2018

Perspectives Of Italian Fresco: Creation And Conservation, Sarah Linder

Mahurin Honors College Capstone Experience/Thesis Projects

The purpose of this study is to survey the history of Italian fresco technique and tradition and modern conservation practices employed to preserve works. Fresco, a medium used by masters, such as Michelangelo, is a method of painting directly onto wet plaster. This method incorporates pigment and surface as one. This project analyzes the most prevalent examples of traditional fresco found in Pompeii and nearby villas in Boscoreale, Italy. Since their discovery, these locations have undergone and continue to exist under varying conservation projects. In order to further the study of modern conservation techniques, I attended the Ortolan Studio in …


Textile Society Of America Newsletter 30:1 — Spring 2018, Textile Society Of America Apr 2018

Textile Society Of America Newsletter 30:1 — Spring 2018, Textile Society Of America

Textile Society of America Newsletters

Letter from the Senior Editor

Letter from the Editor

Letter from the President

TSA News:
From the Nomination Committee
Slate of Candidates

TSA "Meet Up" at the Textile Museum, Washington, DC

R. L. Shep Ethnic Textile Book Award 2017 Nominees

Textile Society of America 30th Anniversary
A Personal Connection to TSA

Call for Submissions: Textile Month

RE: Gender Bend: Women In Wood, Men at the Loom

Coping with the Perils from Apparel

Book Reviews
Women Artisans of Morocco: Their Stories Their Lives
From Tapestry to Fiber Art: The Lausanne Biennials, 1962-1995
Inside the Royal Wardrobe: A Dress History of Queen …


Hall Of Heroes, Corey Hinds Mar 2018

Hall Of Heroes, Corey Hinds

Forces

Collin College Spring Creek Library. Size: 19 x 25 in Type: Charcoal and Graphite on paper. A detailed illustration of the main entrance of the Spring Creek Library. The original photograph was taken on my phone. Art piece took roughly 8 hours.


Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten Feb 2018

Henry Setter: An Artist's Meditation On Song Of Songs, University Of Dayton. Marian Library, Johann G. Roten

Marian Library Art Exhibit Guides

Exhibit guide written by Father Johann Roten, S.M., about the works of Henry Setter.


Digital Techniques For Documenting And Preserving Cultural Heritage, Anna Bentkowska-Kafel, Lindsay Macdonald Jan 2018

Digital Techniques For Documenting And Preserving Cultural Heritage, Anna Bentkowska-Kafel, Lindsay Macdonald

Collection Development, Cultural Heritage, and Digital Humanities

This book is a publication of Arc Humanities Press and is available open access on OAPEN. After March 31, 2022, this title will no longer be available on ScholarWorks at WMU.

In this unique collection the authors present a wide range of interdisciplinary methods to study, document, and conserve material cultural heritage. The methods used serve as exemplars of best practice with a wide variety of cultural heritage objects having been recorded, examined, and visualised. The objects range in date, scale, materials, and state of preservation and so pose different research questions and challenges for digitization, conservation, and ontological …


Devorah, Jackson Siegal Jan 2018

Devorah, Jackson Siegal

Senior Projects Spring 2018

In Devorah, I sought to deliver an image to a text I could only engage with through removal. Unable to read the original Yiddish memoir written by my great grandmother, Devorah Schneider, I relied on a translation. Upon realizing that a photograph of the world couldn’t properly illustrate the experiences I was reading, I decided to expose photographic paper beneath an empty enlarger, one with no negative. As the blank projections bled, grew, shrunk and glowed in my darkroom, I began to build an abstract language in dialogue with Devorah’s words.

The project began when I decided to engage with …


Chilean Arpilleras: Writing A Visual Culture, R. Darden Bradshaw Jan 2018

Chilean Arpilleras: Writing A Visual Culture, R. Darden Bradshaw

Textile Society of America Symposium Proceedings

This paper highlights a recent inquiry into the contemporary visual culture of the Chilean arpillera from a cross-global perspective. This art form derived from political, social, and economic conditions of the times yet contemporary manifestations do not address these origins. Arpilleras, historically created in the home and sewn by hand, are constructions in which bits of discarded cloth and burlap were used to compose pictorial narratives. The art form arose in Chile during a period of intense political oppression. This manifestation of women’s fiber art has and continues to serve as both seditious and reconstructive forms of visual culture. While …


The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh Jan 2018

The Future Of Textiles: Disruption And Collaboration, Susan Brown, Matilda Mcquaid, David Breslauer, Suzanne Lee, Anais Missakian, Abby-George Erikson, Salem Van Der Swaagh

Textile Society of America Symposium Proceedings

The textile field, while not “local” in the geographic sense, is a community: a group of people with a shared language, history, and practices that date back thousands of years. As deeply-rooted as those materials and practices are, textiles is also an area that has historically experienced enormous disruptions due to changing technology and globalization. In the 21st century, we are undergoing something like a second Industrial Revolution. Advances in digital and robotic technologies and shifting labor markets are driving a revolution in where and how things are made. Global climate change, lack of food security for much of …


Whitework: The Cloth And Call To Action, Sonja Dahl Jan 2018

Whitework: The Cloth And Call To Action, Sonja Dahl

Textile Society of America Symposium Proceedings

In the newly independent colonies of the American Northeast, styles of white-on-white quilting and embroidery became popular among women coming of age. Considered the epitome of their needleworking skills, whitework required patience, time, focus, precision, and a steady hand. Such detailed stitchwork on pure white cotton-then a booming industry in the American South-prepared these young women to make homes that were meaningful, full of symbolism and care. Drawing analogy between these historic textiles and current movements for decolonization and anti-racism, this talk expands the term Whitework to function as a call to action, for both myself and other white-identified scholars …


Shipibo-Conibo Textiles 2010-2018: Artists Of The Amazon Culturally Engaged, Nancy Gardner Feldman Jan 2018

Shipibo-Conibo Textiles 2010-2018: Artists Of The Amazon Culturally Engaged, Nancy Gardner Feldman

Textile Society of America Symposium Proceedings

This paper considers the intersection of processes of making and cultural memory as contemporary Shipibo artists design, produce, and exchange of their contemporary textiles and art. One sees a continuation of traditional collaborative social networks both in Peru’s deep Amazon region and in new Shipibo communities of Pucallpa and Lima. In cities, they create new artistic networks and expressions of art in ceremony. In these artworks, one sees how Shipibo relationship to the natural world, the forest, plants, animals, and waters reflects deep spiritual beliefs, wisdom, and community knowledge. Shipibo communities in 2017 face ever-expanding challenges from intrusions into their …


A Virgin Martyr In Indigenous Garb? A Curious Case Of Andean Ancestry And Memorial Rites Recalled On A Christian Body, Gaby Greenlee Jan 2018

A Virgin Martyr In Indigenous Garb? A Curious Case Of Andean Ancestry And Memorial Rites Recalled On A Christian Body, Gaby Greenlee

Textile Society of America Symposium Proceedings

The notion of “social fabric” has deep resonance in the Andes, where woven textiles have long been entwined with gestures of political alliance, marriage, or rituals marking key transitions in the life cycle. Within the life cycle pre-Conquest, what is more, textiles were heavily implicated in that most poignant of transitions-from life to death. Yet in the Andes, death did not remove one from the life cycle. The deceased remained present and active participants in communal life, seen as potent advocates for the next generation, consulted as oracles, and regularly re-dressed in traditional woven textiles. After the Spanish-Catholic conquest, however, …


Threads, Twist And Fibre: Looking At Coast Salish Textiles, Liz Hammond-Kaarremaa Jan 2018

Threads, Twist And Fibre: Looking At Coast Salish Textiles, Liz Hammond-Kaarremaa

Textile Society of America Symposium Proceedings

Coast Salish textiles are: remarkable for their quality; unusual in the fibres used; notable in their designs; singular in the innovative processes used to manufacture them. Salish textiles were determined by geography, shaped by trade, and influenced by colonization. That the textile tradition has survived is a reflection of the prestige they hold and the importance of the textiles in the Coast Salish culture. Relatively unknown and underappreciated, the older textiles deserve to be looked at with fresh eyes and modern methods that bring to light the outstanding abilities of the Coast Salish women in the creation of these important …


Shepherds And Shawls: Making Place In The Western Himalayas, Jennifer Hoover Jan 2018

Shepherds And Shawls: Making Place In The Western Himalayas, Jennifer Hoover

Textile Society of America Symposium Proceedings

Cars weave through the flocks of the Gaddi shepherds as they travel from the plains to high altitude deserts, winding along roads lined with shops selling Kullu shawls. In these ways and more, textiles are the face of the northern Indian state of Himachal Pradesh. Yet dominant discourses position both the shepherds and weavers of the region as the last hold-outs of endangered traditions. These discourses continue colonial-era assumptions of rural artisans as “primitives” in need of either protection from encroaching industrialization or motivation to modernize. Academic writings, popular visual representations, and government policies also reinforce monolithic identities of herders …


Kasb-E-Hunar (Skilled Enclave), Adil Iqbal Jan 2018

Kasb-E-Hunar (Skilled Enclave), Adil Iqbal

Textile Society of America Symposium Proceedings

Kasb-e-Hunar (Skilled Enclave) is a sensory film showing a visual documentation of Shu (woolen cloth) making a short interviews with an elderly artisan community for the village of Madaklasht. It invites the audience to engage with the past and present and seeks to provoke conversations about the future and the responsibilities we have, given past mistakes. The film was made over three weeks of anthropological fieldwork in Shishi Koh Valley, Chitral, Northern Pakistan. The film investigates the cultural significance of woolen craft skills, exploring memories relating to handiwork, and the challenges of globalization. It shows the value of traditional skills …


Weaving Authenticity: Artesanías Or The Art Of The Textile In Chiapas Mexico, Addison Nace Jan 2018

Weaving Authenticity: Artesanías Or The Art Of The Textile In Chiapas Mexico, Addison Nace

Textile Society of America Symposium Proceedings

During my six months in Chiapas, I worked for the weaving cooperative Mujeres Sembrando la Vida (MSV), a partner organization to Natik. Natik works with grassroots organizations in Mexico and Guatemala with a focus on economic development and education. MSV is a cooperative of sixty women weaving from the municipality of Zinacantán1 founded by Doña Magdalena and currently run by her two daughters Yoli and Xunka. Zinacantán is a Tzotzil Mayan village in the highlands of Chiapas, Mexico. Chiapas has the highest population of indigenous people and is also the poorest state in Mexico with a poverty rate of 75.7 …


Ties That Bind: Finding Meaning In The Making Of Sacred Textiles, Janet Pollock Jan 2018

Ties That Bind: Finding Meaning In The Making Of Sacred Textiles, Janet Pollock

Textile Society of America Symposium Proceedings

I was a novice weaver when I began constructing a Rakusua-Buddhist ceremonial garment-as an initiation into a spiritual community in my hometown. Years later, in the Jewish Museum in Amsterdam, I was drawn to an early 19th century Tallit Katan, a ritual silk undergarment that had been made for a Jewish poet who later converted to Christianity. I had just inherited my father-in-law’s prized collection of silk neckties. He was a troubled man who had embraced his faith late in life. Those ties became the weft for three works-a handwoven tallit, a woven timeline, and a small keepsake for …


Other People’S Clothes: The Second-Hand Clothes Dealer And The Western Art Collector In Early Twentieth-Century China, Rachel Silberstein Jan 2018

Other People’S Clothes: The Second-Hand Clothes Dealer And The Western Art Collector In Early Twentieth-Century China, Rachel Silberstein

Textile Society of America Symposium Proceedings

In Chinese culture, as in many other cultures, new clothes were a powerful symbol of prosperity and beginnings. Yet, with the development of the Qing economy, the second-hand clothes seller (guyi) thrived alongside the pawnshop business to occupy a vital role in the wider system of clothing provisioning: enabling the poor a means of covering their bodies, the privileged an opportunity to liquidate value in clothing possessions, and pretenders a chance to dress their way into different social roles. At the end of the nineteenth century, this established clothing system encountered seismic change, as Western dress systems were introduced, imperial …


Nd’Awakananawal Babijigwezijik Wd’Elasawawôganôl: “We Wear The Clothing Of Our Ancestors”, Vera Longtoe Sheehan Jan 2018

Nd’Awakananawal Babijigwezijik Wd’Elasawawôganôl: “We Wear The Clothing Of Our Ancestors”, Vera Longtoe Sheehan

Textile Society of America Symposium Proceedings

When thinking of Native American people, a typical image is of tanned people with long dark hair wearing leather and furs in the distant past, but that is not an accurate depiction of the Abenaki people or their textiles. As an Abenaki scholar, artist, and educator, my research into the textile traditions of the Abenaki people includes archaeological evidence, primary resources, and oral history interviews. Abenakis themselves have different ideas of what it traditional because textile and fiber arts evolved over many millennia throughout N’dakinna, the Abenaki homeland which once encompassed Vermont, New Hampshire, northern Massachusetts, and parts of New …