Art and Design Commons^™

Supplementary Weft On An "Ikat" Isle: The Weaving Communities Of Northwestern Flores, Roy W. Hamilton

Textile Society of America Symposium Proceedings

Among textile enthusiasts, the island of Flores is known primarily for its beautiful warp-ikat cloths. Most of the island's numerous ethno-linguistic groups, including the Ngadha, Nage, Endenese, Lio, Palu'e, Sikkanese, and Lamaholot, produce related yet distinctive textiles within this tradition. It is therefore surprising to find a series of weaving districts, stretching along the northwest coast of the island, where the ikat technique is not used. Instead, weavers in this region produce indigo-dyed textiles decorated with colorful supplementary-weft motifs.

In the ikat districts, sarongs for men and women differ in their patterning and in the names applied to them. In …

The Pomegranate Pattern In Italian Renaissance Textiles: Origins And Influence, Rosalia Bonito Fanelli

Textile Society of America Symposium Proceedings

The term "pomegranate motif" includes a series of vegetal patterns—the pine cone, the artichoke, the thistle, variants of the tree-of-life motif, and, in particular, the lotus and the palmette. These last two patterns were closely studied by Alois Riegl in his 1893 work Stilfragen (Problems of Style). The term itself came into use during the period of historic revivalism in the latter half of the nineteenth century. At that time important design theorists and practitioners such as Owen Jones, William Morris, and Walter Crane dedicated space in their writings with accompanying plates to the reconstruction of Renaissance pomegranate patterns. The …

Cloth As Marriage Gifts: Change In Exchange Among The Lio Of Flores, Willemijn De Jong

Textile Society of America Symposium Proceedings

The exchange of gifts at life cycle ceremonies is one of the most important institutions in Lio society, as in many other societies in Oceania. The life cycle event of marriage and its exchange of gifts is often significant, because important sociopolitical alliances between kin groups are initiated or renewed. In these exchanges, cloth wealth may play a crucial role, especially in ranked societies. Weiner contends that in Samoa "each distribution [of fine mats] is an example of the negotiation and validation of rank and power." Gittinger has pointed out the economic and symbolic value of cloth gifts at marriage …

Ottoman Silks And Their Legacy, Diane Mott

Textile Society of America Symposium Proceedings

During the late Middle Ages and the early Renaissance, luxury silks of Asia that had for centuries trickled into Europe began to enter in large numbers, fueling an appetite for the rich and exotic that was to have a lasting effect on Western textile design. In turn, expanded trade with the Levant carried Western designs and advances in weaving eastward. The Ottoman Empire, standing at the thresholds of Europe and Asia, was perfectly poised to transmit these East-West currents. Weavers in manufactories in the successive Ottoman capitals of Bursa and Istanbul, the western outposts of the Asiatic silk routes, absorbed …

Paj Ntaub: Textile Techniques Of The Hmong, Joyce Smith

Textile Society of America Symposium Proceedings

Narration of the video:

Who Are the Hmong?

What Is Paj Ntaub?

Why Providence?

Zoua V. Lor

Seng Yang Vang

Lee Khang

Chia Vue Moua

What Next?

Ancient Andean Headgear: Medium And Measure Of Cultural Identity, Niki R. Clark, Amy Oakland Rodman

Textile Society of America Symposium Proceedings

From the earliest recorded periods of southern Andean history, distinctive clothing styles have served to identity specific socio-cultural groups and provide clues about cultural origins. Unique environmental conditions, especially present along the arid Pacific coast of South America, have allowed the preservation of a vast archive of usually perishable material. From the far south coast of Peru to the northern desert regions of Chile, textiles, and especially headgear forms were worn to distinguish between the diverse populations who established permanent settlements along the narrow river valleys linking highland regions and the coast.

The south central Andes region has always known …

Ethnic Artists And The Appropriation Of Fashion: Embroidery And Identity In The Colca Valley, Peru, Blenda Femenías

Textile Society of America Symposium Proceedings

"When I'm in Arequipa and I see a lady in embroidered clothes, I always greet her; she's from my land, she's my compatriot. . . . [When I teach embroidery] no matter how much one teaches, the motifs don't come out the same. If there are twenty embroiderers, twenty different motifs come out although they have the same name. It's like, even if you're my brother, we're not the same."

These comments by embroidery artist Leonardo Mejfa neatly express the character of Colca Valley ethnic clothes: simultaneously shared and individual. Similar appearance is important in recognizing a compatriot, but an …

Contact, Crossover, Continuity: Proceedings Of The Fourth Biennial Symposium Of The Textile Society Of America (1994) [Entire]

Textile Society of America Symposium Proceedings

Preface 7

Contact, Crossover, Continuity: Fiber and Garment

Featured Paper: Ancient Near Eastern Fibers and the Reshaping of European Clothing Elizabeth J. W. Barber 9

Wreath and Cap to Veil and Apron: American Modification of a Slavic Ritual Patricia Williams 19

Panel: Textile Transformations and Cultural Continuities in West Africa

Akwete-Igbo Weavers as Entrepreneurs and Innovators at the Turn of the Century Lisa Aronson 31

What’s in a Name: The Domestication of Factory Produced Wax Textiles in Cote d’Ivoire Kathleen E. Bickford 39

Technology and Change: The Incorporation of Synthetic Dye Techniques in Abeokuta, Southwestern Nigeria Judith Byfield 45

The …