Appalachian Studies Commons^™

We Are...Marshall, November 13, 2019, Office Of Marshall University Communications

We Are ... Marshall: the Newsletter for Marshall University 1999-2023

No abstract provided.

Vertical File Index, 1970s-2000, Marshall University Special Collections

Miscellaneous Inventories

Meriam-Webster defines vertical file as, “a collection of articles (pamphlets and clippings) that is maintained (as in a library) to answer brief questions or to provide points of information not easily located.”

Vertical files were very popular in libraries before internet searching as a way to collate like materials found on specific subjects. The Special Collections vertical files contain clippings, pamphlets, articles, booklets and other literature that is too insignificant to catalog. This index serves as a guide to the folders contained within the collection.

The bulk of this collection was curated from the 1970s-2000 and is broken into two …

Mccartt-Jackson, Sarah, B. 1982 (Fa 1290), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1290. Student collection titled “’Clogging’s Just Clogging’: The Richard McHargue Cloggers and Approaches to Vernacular Percussive Dance Study” in which Sarah McCartt-Jackson conducts an interview with Richard McHargue, a clogging instructor from Richmond, Kentucky. The interview contains McHargue’s early dancing memories, clogging terms, and opinions about the contemporary state of clogging. The collection also contains a partial transcript, fieldnotes, interview questions, content index, photographs, and the recorded audio interview on CD.

Brown, Chloe Jo, B. 1991 (Fa 1289), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1289. Student collection titled “Dale Cross: The Art of Flintknapping” in which Chloe Brown examines the commercial, historical, and cultural factors that have influenced the production of arrowheads. Brown interviews Dale Cross, a flintknapper from Burkesville, Kentucky who is renowned for his artistic skills. The paper addresses Cross’ personal aesthetics, flintknapping processes, and his business-related endeavors. The collection includes an academic paper, a transcription, CDs containing the recorded audio interview and photographs, and one of Cross’ arrowheads.

Jameson, Jennifer Michelle, B. 1987 (Fa 1288), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1288. Student paper titled “Finding the Folkways of a Forensic Anthropomorphologist: The Kentucky Yard Art Of Cecil and Bet Ison” in which Jennifer Jameson explores the creative endeavors and identities of two folk artists in Rowan County, Kentucky. Jameson, who conducted her fieldwork over a period of two weeks, examines flower sculptures, upholstered trees, bottle cap murals, beadwork, and other vernacular expressions pieced together by the Isons in their built environment. The paper also discusses the relationships between the Isons and their community, personal aesthetics, educational backgrounds, and connections to broader cultural issues. …

Brennan, Mary Kate (Fa 1284), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1284. Student interview conducted by Mary Kate Brennan with renowned Appalachian poet Jim Wayne Miller. Brennan’s focus throughout the interview is on “the cultural sensitivity and awareness that permeates Miller’s poetry.” Miller also touches on what he considers to be the central themes of his work, the struggles and triumphs of communities within the Appalachian region, and pride in cultural heritage. The collection contains a detailed index, interview summary, transcription, index cards with questions, and a reel-to-reel audio tape of the interview.

Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1258. Student paper titled “Uncle Henry and the Kentucky Mountaineers” in which Elois Thompson details the life and career of “farmer, soldier, boxer, dairy-farm employee, comedian, aircraft factory employee, and hillbilly musician” Henry Green Warren. Thompson describes Warren’s childhood in Green County, his beginnings as a host on a popular radio program, and his time as a musician in several country music bands. Collection contains a draft of the original paper with the editor’s notes and the final copy of Thompson’s paper.

Robert M. Rennick Papers, Robert M. Rennick, Elizabeth Mccombs Rennick

Morehead State University Manuscripts Collections

No abstract provided.

Bourbon County - Place Names, Robert M. Rennick

Robert M. Rennick Manuscript Collection

Place names for Bourbon County, Kentucky.

Rowan County News Subject Index, 1935-1959, Rowan County News (Morehead, Ky.)

Morehead State University Manuscripts Collections

No abstract provided.

I Landed A U.F.O. On Main Street: An Autoethnography Of The Founding Of An Arts Education Organization In Appalachian Kentucky, Elise L. Kieffer Phd

Faculty & Staff Research and Creative Activity

Abstract: The Appalachian region in the southern mid-west has long been the source of stereotyping for dramatic and political affect. Through the course of nine years as a resident in an Appalachian community in south-central Kentucky, the author experienced life as it is lived by the local people. Through the establishment of an art education organization, the author became entwined with local families and became familiar with the origins of many of those stereotypes. Using autoethnography to interpret her experiences, through the lens of academic research, the author will confront the primary issues that surfaced: the acute designation of outsider …

Appalachian Futures Introduction, West Virginia University Libraries, West Virginia University Humanities Center, West Virginia University Reed College Of Media, West Virginia Library Commission, Appalachian State University Libraries, Marshall University Libraries, Arts Monongahela

Exhibit Panels

Appalachian Futures is a look at how people in our region envision a better future for themselves, their communities, and their environment. By thinking about the issues that occupy discussions of Appalachian identity through the eyes of its scholars, writers, workers, and artists, Appalachian Futures wants you to think, “How can optimism about the diversity of our region, our industry and education, our traditional culture, and our most forward-looking arts help us make for better lives?”

Future Of Appalachian Culture, Emily Hilliard, Travis Stimeling, Michael Kline, Carrie Kline, Trevor Mckenzie, Nancy Abrams, Torey Siebart, Chris Haddox, Mehmet Oztan, West Virginia University Press

Exhibit Panels

Appalachia is often associated with its traditional arts and culture, but that does not mean that we are stuck in the past. Local traditions often play a crucial role in galvanizing forward-thinking cultural institutions, involving artists and workers alike in making new futures that are still distinctively Appalachian. This section of the exhibit highlights this kind of work from the West Virginia Humanities Council, Arthurdale Heritage, and more, connecting to a traditional past to new traditions yet to be forged.

The Question, Sharon Ryan

Exhibit Panels

The Question is a project designed to inspire inquiry and respectful discussion about big ideas. WVU Libraries collaborates with The Question to bring relevant interactive elements to the Art in the Libraries exhibits.

thequestion.wvu.edu

Speculative Futures And Futurism In Appalachia, Liz Pavlovic, Jamie Banks, Nicholas D. Bowman, David Smith, Baaria Chaudhary, Ben Babbitt, Jake Elliott, Tamas Kemenczy, Daniel Boyd, West Virginia University Press

Exhibit Panels

What if we thought of Appalachia as futuristic? Could the mountains be the setting for imagining better, maybe weirder, futures? Artists, writers, and game designers have been asking just those questions, speculating through science fiction, fantasy, and magic realism to rethink the ways cultural traditions in wildly creative ways. From folktales to videogames, cryptozoology to underground highways, this section asks what a future Appalachian utopia (or dystopia) might look and feel like?