Appalachian Studies Commons^™

Place And Placelessness: An Ecocritical Approach Towards The Mountain Imagery In Country Music, Siyuan Ma

Electronic Theses and Dissertations

Drawing upon cultural geographer Yi-Fu Tuan’s frame of place and placelessness, this ecocritical project explores how the mountain landscapes serve to construct regional, national, cultural, spiritual, religious, even racialized identities in various human societies. Using the U.S. country music as a primary example, I argue that what country music fundamentally draws from the imagery of the Appalachian Mountains is not the Anglo-Saxon ballad music or pastoral lifestyle of/from the mountains, but the powerful sense of place and placelessness (arguably only) the mountainous scenes are capable to provoke. This exploration serves to illuminate the commonalties between humanities of different cultures and …

Urbanization On The Landscape Of The Old City: An Archaeological Investigation Of Site 40kn223 In Knoxville, Tennessee, Garrett B. Wamack

Masters Theses

In this thesis, I examine the effects of urbanization on the landscape and the people who lived upon it at archaeological site 40KN223 within the Old City in Knoxville, Tennessee. This landscape analysis focuses particularly on the decades from 1850 to 1920 during the birth and growth of the Old City. Amid the rising tides of commercialization, industrialization, and the flood-prone waters of First Creek, residents established a working-class neighborhood on the fringe of a substantial African American community. I examine this neighborhood and the transformation of its immediate landscape to understand how urbanization impacted its transformation, to learn who …

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Plants And People: Foraging To Farming Foodway Transition From Late Archaic To Early Woodland In Western North Carolina, U.S.A., Catherine Linn Herring

Masters Theses

During the Late Archaic to Early Woodland Transition, 3,200 years B.P. [Before Present], some gathering communities in the Eastern Woodlands began to increase their cultivation of plants. While archaeologists have located several sites in the Upper Tennessee River Valley and near the Great Smoky Mountains National Park in Tennessee that explicitly show an increase in plant cultivation, less research has focused on the North Carolina Appalachian Summit Region. This paper uses paleoethnobotanical data and spatial analysis of site locations to explore cultivation and settlement patterns in Jackson and Swain Counties, North Carolina. Data include site locations obtained from the North …

"Our Women Are Made Of The Right Stuff": Gender, Politics, And Conflict In Civil War West Virginia, Amanda Romain Shaver

Theses, Dissertations and Capstones

“’Our Women Are Made of the Right Stuff:’ Gender, Politics, and Conflict in Civil War West Virginia” examines the lives and contributions of white West Virginia women and argues that they were not merely victims of the war, but dynamic participants whose opinions were influential and whose actions determined the ability of both the Union and Confederate armies to wage war in Appalachia. Striking a balance between the antebellum standards of “True Womanhood” and the emerging ideals of the women’s rights movement, West Virginia women became politically engaged in both the statehood movement and the Civil War. They transformed their …

“A Constant Reminder To All”: Remembering Thomas "Stonewall" Jackson In West Virginia, Steven Cody Straley

Theses, Dissertations and Capstones

This thesis argues that Confederate heritage groups leading the Lost Cause Movement in West Virginia promoted Stonewall Jackson, through tactics such as ceremonies, publications, and monuments, to the point where his appeal expanded beyond that of former Confederates and their descendants. During the late 1800s, Confederate supporters in the state formed branches of Confederate heritage organizations and espoused a Lost Cause narrative with Stonewall Jackson as its figurehead. In doing so, they accomplished two things: to integrate the seemingly proUnion West Virginia into Confederate memory, and to gain acceptance of Confederates as full members of West Virginia society. Jackson’s advocates …

A Fat Imposter: The Embodied Intersection Between Race, Body Type And Fatness In Margaret Cho’S Comedy, Julia Cox

Theses and Dissertations--Linguistics

Margaret Cho is a comedic goddess who, in her mockery, serves flaming hot social commentary about race, body image, and fatness. Within this thesis, I used critical discourse analysis to understand how Margaret Cho embodies Asianness, whiteness, and the body types and images prescribed respectively. While working on data analysis, I came across a common media trope of fat women: the use of indexically Southern (United States), Appalachian, and Working class indexicals in speech and lexical items. I connected the ideologies surrounding Southern and Appalachian language to the inequalities that fat women face. This voicing had not previously been written …

Colonialism And Globalism In Two Contemporary Southern Appalachian Novels - Serena (2008) By Ron Rash, And Flight Behavior (2012) By Barbara Kingsolver, Jasmyn Herrell

Undergraduate Honors Theses

In this essay, I investigate how the historic and current economic structures operating in Appalachia from the 1920s to the 2010s are represented in two contemporary Southern Appalachian novels – Serena (2008) by Ron Rash and Flight Behavior (2012) by Barbara Kingsolver. Through the lens of postcolonial theory, I show how Serena represents Appalachia as functioning under the colonial model outlined by Robert Blauner and Helen Mathews Lewis in 1978. Then, still under the theory of postcolonialism, I explore how Kingsolver’s work depicts regional identity in response to a post-colonial environment and the ever-expanding global economy.

Home To Harlan: African American Miners' Children Celebration Of Homecoming, Jessica L. Cushenberry

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

For decades, Harlan County has been studied for its unique characteristics—coal, class, power, and segregation, which have allowed many fields to understand the deeply rooted history of the region. It has become increasingly clear that Harlan County is unlike many other mining regions in the Appalachian area. Harlan County mines developed “model towns” with schools, hospitals, stores and housing for their workers, thus, drawing in migrant workers, native Appalachians, and immigrants. Among these people were African Americans.

African American coal miners’ have been heavily discussed in literature, especially in West Virginia and Alabama. This work focuses on African American mining …

Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh

Senior Honors Projects, 2010-2019

This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of people …

Secret_Menu, Charles K. Mai

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

Roots On The Record, Joaquin P. Cotler

Capstones

Roots on the Record is a podcast featuring musicians and organizers who use their music to promote social consciousness, cultural awareness, and self-empowerment. The first four episodes focus on a black banjo player named Hubby Jenkins, a Brazilian rapper named Eli Efi, a Honduran DJ named De La Ceiba and a Brazilian-American singer/percussionist named Jen Nascimento. They each have a different relationship with music and teaching in their communities.

https://joaquinpcotler.atavist.com/roots-on-the-record

"For Men And Measures" : The Life And Legacy Of Civil Rights Pioneer J.R. Clifford, Connie Park Rice

Graduate Theses, Dissertations, and Problem Reports

In an era historian Rayford W. Logan described as “the nadir of black history,” African Americans confronted growing discrimination, disfranchisement, segregation, and frequent acts of violence, including lynching in the decades before and after 1900. It was an era in which a nation, and its people, violated the basic principles of American democracy. Yet despite the difficulties facing black Americans in those decades, J.R. Clifford, West Virginia’s first black editor and practicing attorney, made significant strides in raising the condition and status of not only black West Virginians, but African Americans across the nation, as a result of his quest …

An Appeal For Racial Justice : The Civic Interest Progressives' Confrontation With Huntington, West Virginia And Marshall University, 1963-1965, Bruce A. Thompson

Theses, Dissertations and Capstones

In 1963, the shock waves of the sit-in movement and the growing black unrest throughout the country reached Huntington. This growing discontent with the status quo of segregation and racial discrimination and the impulse from the sit-in movement for direct, non-violent protest combined to mobilize several students at Marshall University who formed the Civic Interest Progressives (CIP), a biracial civil rights group.