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Articles 31 - 43 of 43

Full-Text Articles in Hip Hop Studies

All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, Matthew K. Carter Sep 2020

All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, Matthew K. Carter

Dissertations, Theses, and Capstone Projects

This dissertation traces the impact of the mixtapes of DJ Screw on the emergence of Houston hip hop culture in the 1990s. The relationship between these “screwtapes” and local culture resists demonstration through conventional modes of representational analyses, due in part to the screwtape’s preponderant use of hip hop tracks that originally represent other places. I suggest that representation itself is the result of the structuring tension emerging from a threefold field of representation of sound, objecthood, and place, and that when a hip hop artist or critic or fan claims to "represent" Houston (or any other constituted and constituting …


Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton Jun 2020

Audio Quality As Content: Everyday Criticism Of The Lo-Fi Format, Elizabeth Newton

Dissertations, Theses, and Capstone Projects

This dissertation examines the matter of authenticity with respect to audio recordings. In the early 1990s, the term “lo-fi” (“low-fidelity”) emerged as a label used to categorize many different types of popular music, indicating widespread fascination with what I call audio quality, the perceived character of an audio recording. I define audio quality as the relationship between content and mediation, which varies greatly by circumstance. My archival research of zines, press releases, and correspondence examines this relationship in three case studies: Wu-Tang Clan, Bratmobile, and Elliott Smith. I posit the lo-fi format as a critical structure that emerged in …


Pleasure Is All Mine, Lola Ogbara May 2020

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …


Basics Of Stepping Club, Hana Pham, Yara Madit Apr 2020

Basics Of Stepping Club, Hana Pham, Yara Madit

Honors Expanded Learning Clubs

Originating in West Africa in the 1500s, step has since evolved into a form of dancing that places emphasis on rhythmic movements and high energy. It is commonly used amongst greek organizations and within schools. This club introduces stepping to older children through activities such as stamina, focus, teamwork, and problem solving.


Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller Apr 2020

Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller

Student Publications

The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and women face in modern society. As a result of a New York City housing crisis, crime, and poverty, hip hop arose as a coping mechanism, as many art forms do; hip hop provided a way for Black men to express their experiences and struggles. Hip hop has been used as a vehicle for self- expression, social views and political views among disadvantaged urban groups (White, 2013). However, it was and still is common for male hip hop artists to sexualize and …


A Hip Hop Episteme: Understanding Hip Hop Culture’S Ways Of Knowing And Expressing Knowledge Through Time Travel And Traditional African And Afro-Diasporic Spirituality, Brandon N. Ekweonu , '20 Apr 2020

A Hip Hop Episteme: Understanding Hip Hop Culture’S Ways Of Knowing And Expressing Knowledge Through Time Travel And Traditional African And Afro-Diasporic Spirituality, Brandon N. Ekweonu , '20

Senior Theses, Projects, and Awards

Perhaps one of my earliest and most interesting Hip Hop experiences occurred early on in my childhood. I remember being in my mother’s bedroom, and I think the lights were off. And I was using my mother’s Sharp CD-C600 Mini Component System with the 3-CD Drawer Changer to play a CD copy of 50 Cent’s Get Rich or Die Tryin’ album that she had purchased for me. I remember being really excited to be playing my favorite song on the album, “In Da Club” (I used to pretend it was my birthday and that 50 Cent was rapping for me, …


Holding Allies Accountable, Gisselle Flores Oct 2019

Holding Allies Accountable, Gisselle Flores

Student Publications

Artists, including Rihanna, Cardi B, and Jay-Z, have turned down the NFL’s offer to perform in the halftime show out of solidarity with Colin Kaepernick , but it was recently announced that Jennifer Lopez and Shakira will be performing in 2020. This has sparked controversy because some are celebrating that there are two Latinas headlining the Super Bowl halftime show for the first time while others do not view this event as a cause for celebration because they believe that J. Lo and Shakira should have boycotted like other artists have. Jennifer Lopez and Shakira have given no prior indications …


Seeking Representations Of Afrocentric Beauty: A Comparative Content Analysis Of Advertisements In Essence Magazine, Roy Phillips Jr. May 2018

Seeking Representations Of Afrocentric Beauty: A Comparative Content Analysis Of Advertisements In Essence Magazine, Roy Phillips Jr.

Journalism Undergraduate Honors Theses

This comparative content analysis will investigate how African American women are depicted in Essence magazine advertisements and seeks to answer the research question: Are the characteristics of advertisements in Essence magazines significantly different when under complete corporate ownership compared to being under primarily African American ownership? The specific goal is to examine the extent to which Afrocentric or Eurocentric depictions are being reinforced, if at all, and to observe if depictions of African American women are shifting or are immobile. To do this, the study will compare advertisements in Essence magazines in 2001, when the magazine was 51 percent Black-owned, …


Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware Jan 2018

Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware

Sociology and Anthropology Faculty Publications

Review of the book, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, by Joseph C. Ewoodzie, University of North Carolina Press, 2017, https://www.uncpress.org/book/9781469632759/break-beats-in-the-bronx/.


Hip Hop Pedagogy As Culturally Sustaining Pedagogy, Melanie L. Buffington, Jolie Day Jan 2018

Hip Hop Pedagogy As Culturally Sustaining Pedagogy, Melanie L. Buffington, Jolie Day

The Melanie Buffington Papers

This paper argues that Hip Hop Pedagogy is a version of Culturally Sustaining Pedagogy and should be a part of art education. Further, we believe that when exploring Hip Hop Pedagogy, teachers need to reference the work of Black female and non-binary artists. After an overview of Hip Hop Pedagogy and Culturally Sustaining Pedagogy, we argue that these approaches should be a consistent part of art education. Through the work of contemporary visual artist and DJ, Rozeal, we offer suggestions for art educators about how they might transition their practice to embrace some aspects of Hip Hop Pedagogy. Specifically, through …


Sonic Jihad — Muslim Hip Hop In The Age Of Mass Incarceration, Spearit Jan 2015

Sonic Jihad — Muslim Hip Hop In The Age Of Mass Incarceration, Spearit

Articles

This essay examines hip hop music as a form of legal criticism. It focuses on the music as critical resistance and “new terrain” for understanding the law, and more specifically, focuses on what prisons mean to Muslim hip hop artists. Losing friends, family, and loved ones to the proverbial belly of the beast has inspired criticism of criminal justice from the earliest days of hip hop culture. In the music, prisons are known by a host of names like “pen,” “bing,” and “clink,” terms that are invoked throughout the lyrics. The most extreme expressions offer violent fantasies of revolution and …


Negrocity: An Interview With Greg Tate, Camille Goodison Jul 2012

Negrocity: An Interview With Greg Tate, Camille Goodison

Publications and Research

No abstract provided.


Tupac Shakur And The Search For The Lost Tribe, Christopher Jacob Marcos Jan 2010

Tupac Shakur And The Search For The Lost Tribe, Christopher Jacob Marcos

Theses Digitization Project

Interviews are analyzed by the author in reference to the music and the poetry of Tupac Shakur in a way that will work to create a space within Hip Hop culture that does not focus on race, class, or region as the basis for inclusion and genuine participation in the culture. In Tupac Shakur's last interview, he calls for a new political party and alludes to the lost tribe metaphor to describe the diversity of backgrounds that he wanted to include. The lost tribe works to include rather than exclude participants of Hip Hop culture. This thesis is an attempt …