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Full-Text Articles in Arts and Humanities
Reembodying, Human Consciousness In The Earth, John Briggs
Reembodying, Human Consciousness In The Earth, John Briggs
CONSCIOUSNESS: Ideas and Research for the Twenty-First Century
For the last 20,000 years or so the dominant mode of human consciousness has been one that divides reality into subjects and objects, and focuses on human desires and needs. This anthropocentric mode of consciousness has invented religions, built civilizations, amassed knowledge, and developed technology and science. It has also disembodied us from the Earth and led to the Anthropocene Era. Still with us is another mode of human consciousness that arguably once existed in a balance with the anthropocentric mode during our long hunter-gatherer, Paleolithic sojourn. This holistic, integrative mode of consciousness experiences the Earth as a mother, and …
Humor And Enlightenment, Part I: The Theory, Peter H. Karlen
Humor And Enlightenment, Part I: The Theory, Peter H. Karlen
Contemporary Aesthetics (Journal Archive)
Part I of this article advances a new theory of humor, the Enlightenment Theory, while contrasting it with other main theories, including the Incongruity, Repression/Relief/Release, and Superiority Theories. The Enlightenment Theory does not contradict these other theories but rather subsumes them. As argued, each of the other theories cannot account for all the aspects of humor explained by the Enlightenment Theory. The discussion is illustrated with examples of humor and explores the acts and circumstances of humor, its literary and artistic expressions, and its physical reactions. Part II shows how the Enlightenment Theory meets challenging issues in humor theory where …
Wilderness, The Wild, And Aesthetic Appreciation, Nicole Hassoun
Wilderness, The Wild, And Aesthetic Appreciation, Nicole Hassoun
Philosophy Faculty Scholarship
Wild nature is a source of wonder and inspiration in part because of its aesthetic value. This paper gives an account of the aesthetic value of wilderness and argues that wild nature is especially likely to give rise to what it will call the transformative aesthetic experience. This account satisfies three criteria John Fisher suggests for a good account of nature’s aesthetic value that might provide reasons for preservation. First, it retains a credible connection with canonical aesthetic theory. Second, it allows us to make a general distinction between our appreciation of nature and art. Third, it avoids the ‘the …