Arts and Humanities Commons^™

Embroidering Mexico: Feminine Spaces, Dechados And The National Space, Regina Perez Kamel

Theses and Dissertations

Mexican dechados consisted of pieces of cloth were women and girls would practice and record needlework. It was a practice rooted in western tradition where they were known as samplers. Given that dechados were objects that were made within feminine spaces they illuminate how gender is constructed through space, and how those gendered spaces generate different ways of knowing.

As the majority of Mexican dechados correspond to the nineteenth century, a period of national construction, this study questions the role that the domestic space played in the establishment of the Mexican nation. It proposes that although displaced and subservient to …

The Impact Of Global Crises On Women: The Case Of Covid-19 In Egypt, Nour A. Dokhan

Theses and Dissertations

Any global crisis is expected to affect every human being, but for women it is always twice as hard. In the case of Covid-19, women are more affected across every domain, from social protection to health, simply because if their gender. This research explores the impact of Covid-19 on women, both economically and socially, with the focus on the case of Egypt. It explores the systematic gender inequalities in the economic, social, and health spheres using cases from previous crises, and how this gender inequality and vulnerability has resulted in much worse consequences of Covid-19 than that of men. The …

Balance Check, Anne Louise Hilenski

Theses and Dissertations

This novel-length work of fiction seeks to explore the world of women’s elite gymnastics and the way it invites glory as much as it invites sacrifice, mental fortitude, physical pain, and suffering. When gymnast Rachel Wallerstein secures four gold medals at the World Championships a year before the 2008 Olympic Games in Beijing, her destiny as an American Olympic hero is preemptively written into the history books. What happens in the gym stays in the gym, but not for long, as the ever-present approach of the Olympics casts light on the cracks in her parents’ seemingly perfect marriage. On the …

Transgressive Migrations: Gender Roles, Space, And Place In American Novels, 1900-1999, Selena Gail Larkin

Theses and Dissertations

In this dissertation, I examine how gender roles combine with changes in space and place to affect women protagonists in twentieth-century American literature. I argue that as these characters migrate, the (self-)perception of their identities shift. Particularly, their outward performances as well as their internal awareness change. My analysis concentrates on the novel genre because of specific characteristics—plot, characterization, and narration. The chosen literary works on which I focus are The Grapes of Wrath (1939), Quicksand (1928), Their Eyes Were Watching God (1937), The Dollmaker (1954), and Under the Feet of Jesus (1996).

Concepts that I …

Foxy Ladies And Badass Super Agents: Legacies Of 1970s Blaxploitation Spy And Detective Heroines, Carlie Nicole Todd

Theses and Dissertations

The presentation of Black femininity in Blaxploitation spy and detective films like Cleopatra Jones (1973), Foxy Brown (1974), and Get Christie Love! (1974) – depicting powerful, independent, and multidimensional characters – was a sharp departure from the derogatory images of African American women in film prior. These films also included some of the first Black spy and detective film heroines – Foxy Brown, Cleo Jones, and Christie Love – that portrayed a “serious” female detective or government agent as the main protagonist and center of the film’s action. These Blaxploitation heroines were unique in how their characters departed from prior …

Ordinary Power: Frontier Sentimentalism And Cultural Perceptions Of Gender In The Nineteenth-Century West, Erin Elizabeth Hastings

Theses and Dissertations

This thesis will examine nineteenth-century women and their primary role in the cultural formation of frontier sentimentalism. White, middle class women primarily moved west with their husbands and families, initially to the Midwest in the early nineteenth century, and were continuing to settle in the Great Plains and further west by the end of the century. The first generation of women who migrated west were the pioneers of frontier sentimentalism, but it prevailed in successive generations of westering women. This thesis will argue that in the formation of their own form of sentimentalism, nineteenth-century women were at the heart of …