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Full-Text Articles in Arts and Humanities
Gabriella: Gender Gap And Discrimination Experienced By Women Employees In The Filmmaking Sector, Janelle G. Gutierrez, Carla R. Isip
Gabriella: Gender Gap And Discrimination Experienced By Women Employees In The Filmmaking Sector, Janelle G. Gutierrez, Carla R. Isip
DLSU Senior High School Research Congress
The gender gap issue continues to be prevalent in varying sectors in the Philippines even in the midst of the COVID-19 pandemic. This study aims to highlight women’s experiences in the filmmaking sector of the art industry working in an online set-up and to also clearly show its effects to their target audience, which is the working-class sectors in the Philippines through a short mockumentary film. Data was collected from six participants, men and women who are between 20 to 50 years old and have worked part-time or full-time in the filmmaking industry in the last 10 years. The results …
Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff
Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff
Capstone Showcase
Finding the intersection between feminist theory and fandom theory, this paper analysis how women are regarded within a fandom community by their peers and how they are dismissed in a societal context. This paper specifically compares what is "accepted" by society about young women being a fan of a boy band versus an adult man as a fan of a sports team.
Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino
Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino
Graduate Research Symposium (GCUA) (2010 - 2017)
This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …