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Full-Text Articles in Arts and Humanities
“One Feeling In Such A Solitude”: Representations Of Love And Marriage In The Works Of Mary Wollstonecraft Shelley And Percy Bysshe Shelley, Jenna E. Fleming
“One Feeling In Such A Solitude”: Representations Of Love And Marriage In The Works Of Mary Wollstonecraft Shelley And Percy Bysshe Shelley, Jenna E. Fleming
Student Publications
The early nineteenth century was characterized by a dynamic literary discussion and debate over the nature and effects of human relationships. Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the foremost writers of the period, experimented with and drew conclusions about differing images of marriage within their works. Making use of this public literary genre, the couple engaged in a conversation with one another as they explored and refined their views and judgments of relationships including their own. The title of the paper is taken from the seventh chapter of the third volume of Frankenstein, in which Victor Frankenstein, …
Prometheus's Role Of The Poet, Sarah M. Connelly
Prometheus's Role Of The Poet, Sarah M. Connelly
Student Publications
This essay examines the characterization of Prometheus in the opening speech of Prometheus Unbound, by Percy Shelley, through the lens of Shelley’s “Defense of Poetry” in order to argue Prometheus’ existence as a poet. By giving humanity wisdom and bridging the gap between logic and compassion, Prometheus becomes the point from which imagination, beauty, art, and poetry stems. Prometheus’ role developed into a model of morality and love in contrast to the fear and spite of Zeus, whose influence is reflected in the evils of mankind. Yet, through the torturous reign of Zeus, Prometheus transcends his hate by retracting his …
6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
6. Schiller And Romanticism, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles C. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
Section XII: The Post-Enlightenment Period
To define romanticism is to attempt something which the romantics themselves insist cannot be done. But we can try to identify and then describe it, first pointing out what it is not. One stable element in romanticism has been its consistent rejection of its opposite, classicism. While no great piece of art has ever existed which did not contain elements of both romanticism and classicism, the partisans of these two different points of view have insisted that different emphases made it great. Where classicism emphasised analysis, objectivity harmony, wholeness, meaning, and discipline, romanticism stressed synthesis,subjectivity,disharmony, individuality,suggestiveness. and spontaneity. [excerpt …