Arts and Humanities Commons^™

Hail Mother, Sydney Walters

CGU MFA Theses

My work disrupts two kinds of power: gender roles in religious practices, and the perceived power of a ritual object. Constructions of gender and power are thrown onto a stage and cast in a sincere parody that ultimately liberates underrepresented people to perform with agency.

My larger-than-life figures examine who holds power in religious institutions. The figures challenge the intelligibility of their identity because she/they are dressed in religious regalia. In Western Catholicism, maleness is the pre-requisite for priesthood. These church leaders are distinguished by wielding specific religious regalia: i.e. the Ring of the Fisherman, Episcopal gloves, and globus crucigur. …

“An Unquiet Soul”: Despair And Doubt Of God’S Benevolence In The Novels Of Charlotte Brontë, Heidi Zameni

CGU Theses & Dissertations

As a nineteenth-century writer, Charlotte Brontë lived during a tumultuous time of

challenges to previously incontrovertible mores, leading to a refashioning of societal beliefs and attitudes. Challenges to the Church of England, such as the split by the newly formed Free Church of Scotland and an increase in Dissent, disputes against the historical accuracy of the Bible, the loss of nature as a source for spiritual replenishment, and political and economic strife permeated the lives of the Victorians. All institutions within the British system—law, medicine, prisons, civil service, army—were subject to challenges during this period. The criticism led to a …

Virginity, Elizabeth, And The Power Of Persona: Examining The Shift Of Queen Elizabeth's Image In The 1570s-1580s Where She Replaced The Virgin Mary, Defeated The Spanish And Became Immortal, Abigail Sorkin

Scripps Senior Theses

Why did Queen Elizabeth I portray herself as the Virgin Queen? Why were both elements, virgin and queen, essential to her longevity and her success? Scholars have traditionally argued that Elizabeth’s persona as the Virgin Queen is a result of the end of her last marriage negotiation in the mid 1580s as it was now clear she would never marry and remain childless. However, considering the religious and diplomatic implications of this image, this interpretation not only seems too simplistic, it neglects the ways Elizabeth deliberately represented herself in a way that would appeal to her public. The Virgin Queen …

La Terreur Insidieuse : Une Relecture De La Logique De L'Esclavage Dans Ourika, Joslyn Gardner

Pomona Senior Theses

Slavery is commonly characterized by its exceptional violence. La Terreur insidieuse reveals how the physically brutal domination associated with slavery was transformed and reconfigured into a form of benevolence in the novel, Ourika, by Claire de Duras. It has generally been accepted by critics, such as Joan DeJean, Françoise Massardier-Kenney, and Adeline Koh that le Chevalier de B “saved Ourika from the terrible fate of slavery” (Massardier-Kenney 191). However, I argue that Ourika was not rescued from captivity, rather she experiences a benign form of domination, cruelty shrouded as love, which works to render her docile.

I first explore …