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Full-Text Articles in Arts and Humanities
Contextualized Discipleship: A Catalyst System For The Xxi Century, David Rangel
Contextualized Discipleship: A Catalyst System For The Xxi Century, David Rangel
Doctor of Ministry Projects and Theses
The reality for the Christian churches in the U.S. is that congregations are declining in attendance. Local churches are being closed every year, and the people called Christians are decreasing in their discipleship practices more than in previous years. However, the reason for this disgraceful reality is not because people have stopped attending church; rather, it is because there are now fewer Christians. Unfortunately, churches in their effort to make disciples prefer to buy a curriculum that, in the end, does not reflect the needs and realities of their own context. More than ever, the Christian industry in the U.S. …
Separating God's Two Kingdoms: Regular Baptists In Maine, Nova Scotia, And New Brunswick, 1780 To 1815, Ronald S. Baines
Separating God's Two Kingdoms: Regular Baptists In Maine, Nova Scotia, And New Brunswick, 1780 To 1815, Ronald S. Baines
Electronic Theses and Dissertations
The trans-national Regular Baptist tradition in the northeastern borderlands of Maine, Nova Scotia, and New Brunswick grew rapidly from 1780 to 1815. The spiritual imperatives of this Calvinistic group with its commitment to believer’s baptism of adults and closed communion churches made them distinctive, and a central argument here is that the worldly implications of “Two Kingdom” theology, founded on the strict separation of religious and civil realms, was central to Regular Baptists’ success in the region in this period. Three leading ministers whose actions as authors, itinerants, and as organizational leaders receive especially close attention: Maine-based ministers Daniel Merrill …
Music And Communal Division During The French Wars Of Religion, Cameron G. Wade
Music And Communal Division During The French Wars Of Religion, Cameron G. Wade
Honors Theses
This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …