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Full-Text Articles in Arts and Humanities
El Impacto De "Viernes" En La Poesía Venezolana, William Martínez
El Impacto De "Viernes" En La Poesía Venezolana, William Martínez
World Languages and Cultures
This essay presents a historical review of the poetic production in Venezuela in the 30's and 40's. It reviews the role that "Viernes," a poetic group, had in developing the modern literary movements in Venezuelan literature. The impact that several members of the group had while in and then later after their departure from the group is examined. Equally, the poetic influences inherited by the group, both national and international, are discussed. Finally, the essay deals with the dissolution of the group and its impact in the literature of Venezuela and Latin America after World War II.
The Supreme Fiction: Fiction Or Fact?, Gregory Brazeal
The Supreme Fiction: Fiction Or Fact?, Gregory Brazeal
Gregory Brazeal
The article makes a case for giving up the quest to identify Wallace Stevens’ “supreme fiction.” The poet hoped to usher in the creation of an idea that would serve as a fictive replacement for the idea of God, known to be fictive but willfully believed. His hope has remained unfulfilled. By the poet’s own explicit standards, the supreme fiction does not appear in any of his poems, nor in his poetry as a whole, nor in poetry in general. The very idea of a supreme fiction may depend, at least in part, upon a problematic conception of belief drawn …
Wallace Stevens' Philosophical Evasions, Gregory Brazeal
Wallace Stevens' Philosophical Evasions, Gregory Brazeal
Gregory Brazeal
How could thought ever benefit from being formed in poetic language rather than philosophical prose? This essay attempts to clarify a single, relatively narrow respect in which poetry can perform philosophical work that prose, as such, cannot: the evasion of philosophical dogmatism through Stevensian qualification. What Helen Vendler in an early essay calls Stevens’ “qualified assertions,” and what Marjorie Perloff calls Stevens’ “ironic modes," are the basic techniques of Wallace Stevens' anti-dogmatic art.