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Bridging The Works Of Horace, Catullus, Ovid, And Haydock, George Bishop Haydock
Bridging The Works Of Horace, Catullus, Ovid, And Haydock, George Bishop Haydock
Honors Theses
I wrote this thesis to explore the metrical poetry of Horace, Catullus, and Ovid, as well as my own poetry and short fiction. I parsed the Latin poems, word-by-word, and provided literal translations, as well as idiomatic translations of selected poems by Horace and Ovid. In order to link these translations to my short story, Into the Last Good Fight, I wrote three metrical poems that synthesize the themes, concepts, and structures of my story with the themes, concepts, and structures of the Latin poems. To provide an even stronger link between the Latin portion of my thesis and the …
You Saw You See: Wrestling With And Learning To Trust God Through 1st And 2nd Samuel A Collection Of Poems, Paul Stack
You Saw You See: Wrestling With And Learning To Trust God Through 1st And 2nd Samuel A Collection Of Poems, Paul Stack
Honors Theses
This collection of poems reflects my engagement with the stories and themes in 1st and 2nd Samuel, including forgiveness, God’s will and promises, sin, relationship between man and God, and transformation (I also respond to Psalm 51, in which David responds to events in 2nd Samuel). My engagement involves reinterpretation of Biblical passages, connections to modern contexts and personal stories, and getting inside the stories and moments of Biblical characters such as Samuel, Hannah, Saul and David. Other modern poets doing similar work, like Mark Jarman and John Berryman, explore similar themes but do not focus on 1st and 2nd …
Le Moi Double: Les Inconscients (Post)Coloniaux Chez Césaire Et Breton, Emma A. Krosschell
Le Moi Double: Les Inconscients (Post)Coloniaux Chez Césaire Et Breton, Emma A. Krosschell
Honors Theses
This thesis analyzes the poetic works of two French-speaking surrealist poets of the twentieth century, Aimé Césaire and André Breton. Despite their common point of surrealism, Césaire and Breton's poems differ because of their identities in a society afflicted by Western colonization. Using the literary theories of postcolonialism as a perspective for the analysis of Breton and Césaire's poems, I show that both men have a double consciousness based on the complicated influence of a colonizing society. Literary criticism of postcolonialism examines individual identities in colonial societies in relation to their symbolic position as "colonist" or "colonized." Césaire, a Martinican …