Arts and Humanities Commons^™

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis's Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the birth and evolution of the social documentary genre in visual media. It proposes that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. Its review and study of related primary and secondary sources determines that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of the film medium through time, this thesis demonstrates a strong connection between documentary film and …

Thoughts From An Unapologetically Honest Introvert, Amy Michelle Wilson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

My thesis exhibition, titled Thoughts From An Unapologetically Honest Introvert, highlighted our extrovert-centered society and provided introverts with new communication tools to change the social expectation.

Lilies Of The Field: Matthew 6:28, David Versluis

Pro Rege

No abstract provided.

Reflections Of Oppression, Fatemeh Semiari

Theses and Dissertations - UTB/UTPA

This thesis is an investigation into the lives of women living in Iran. I develop a critical framework for understanding it. It is now my understanding that women suffer greatly from the restrictions they are subjected to. I discuss what some of these restrictions are, and how these pressures create turmoil and confusion within some women. The artwork created for my thesis project is a reflection upon the relationship between social proscription and a woman’s desire to express her individuality publicly. The women I portray in my thesis project exhibit a range of emotions such as anger, depression, despair, defeat, …

Refashioning Cordelia, Ophelia, And Juliet: The Strength Of Julia Margaret Cameron’S Suffering Women, Melissa J. Parlin

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Experiencing The Ineffable, Joseph O'Brien

CrissCross

I can recall the first time I learned to take a fish off the hook after catching it. My grandfather and I were fishing in a river near my home in Connecticut, the sun shone off the yellow of a pumpkinseed sunfish's belly. After removing it from the hook, I put it in a five-gallon pail of water. Despite the clarity of the things I do recall, there are those elements of this memory that remain wholly inaccessible to me. I cannot remember whether it was late spring or early autumn, what color my rod was, or if there were …

Photo Essay: The Other Las Vegas, Ronald F. Reynolds

Bridgewater Review

No abstract provided.

Sunset Beach, Nc Photograph, Joe Hiltabidel

Joe Hiltabidel

This photograph was taken on Sunset Beach in the town of Sunset Beach, NC, in 2014. Tonemapping was used to adjust colors.

Paris Mountain @ Sunset, Joe Hiltabidel

Joe Hiltabidel

This photograph was taken atop Paris Mountain in Greenville, SC, in 2014.

Preservationist Aesthetics: Memory, Trauma And The New Global Enclosures, Kate Lawless

Electronic Thesis and Dissertation Repository

My dissertation is a comparative study of the role of memory in four intersecting spheres of contemporary cultural production: (memory) art, (war) photography, (trauma) literature and the (memory) museum. It argues that the sites of memory in this study—including museums of memory and human rights, the famous Sonderkommando photographs and experimental works in conceptual art and literature—are characterized by a preservationist aesthetic, which names the principle of preservation at the heart of new practices of cultural resistance and new forms of enclosure through which social, political and economic exploitation are reframed, as aesthetic problems, in terms of loss and erasure. …

The Lake View Cemetery: Photographs From Cleveland's Historic Landmark, Barney Taxel, Laura Taxel

University of Akron Press Publications

The Lake View Cemetery, founded in 1869, was modeled after the great garden cemeteries of Victorian England and France. Over 107,000 individuals are interred on the sprawling 285 acre expanse that is located four and one-half miles from Cleveland's Public Square. According to a Plain Dealer report in 1870, the cemetery was designed to combine all the attractive features that "nature and true art can produce" to harmonize nature's alphabet-"stone, earth, wood and water." The landscape was laid out with broad avenues and shady walks "near the fountains in view of many a rustic pile [edifice] and quiet grave and …

Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode

Dissertations, Theses, and Capstone Projects

Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …

A Photographer Develops: Reading Robinson, Rejlander, And Cameron, Jonathan R. Fardy

Electronic Thesis and Dissertation Repository

This study examines the historical emergence of the photographer by turning to the writings of three important photographers of the nineteenth century: Henry Peach Robinson (1830-1901), Oscar Gustave Rejlander (1813-1875), and Julia Margaret Cameron (1815-1879). The photographic works of each of these photographers has been the subject of much historical and interpretive analysis, but their writings have yet to receive significant scholarly attention. It is the claim of this study that this archive opens a new set of questions: What did it mean to claim: “I am a photographer” at photography’s advent? How did these individuals come to identify themselves …

Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets

CLCWeb: Comparative Literature and Culture

In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

The Things We Know But Cannot Explain: An Inquiry Into The Nature And Significance Of Artistic Knowledge As A Subset Of The Larger Category Of Tacit Knowledge, David Kemp

Electronic Thesis and Dissertation Repository

This dissertation is an inquiry into the nature and significance of artistic knowledge, as a subset of the larger category of tacit knowledge. Art, both in its production and reception, encompasses many diverse forms of knowledge, so by artistic knowledge I am referring to the intangible components of art that do not conform to traditional notions of codified, propositional or explicit knowledge.

Such forms of qualitative and subjective knowledge are undervalued within our current Western context, which is dominated by a rational, objective and scientific mode of thought. This is primarily due to the impossibility of quantifying such intangible knowledge, …

A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner

Electronic Thesis and Dissertation Repository

What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …

Anatomies Of Melancholy, Lindsy Caitlin Barquist

Graduate Theses and Dissertations

The works presented in "Anatomies of Melancholy" explore the residual affects of pain and trauma through photography. By combining personal stories with documentary photography this body of work conveys a tension between the (in)visibility of pain and the need to speak*. Through the process of spending time with individuals and discussing their personal trauma while making photographs, I hope to acknowledge and even conserve the pain of others. Though the images do not include a narrative of the subjects' pain, they are able to communicate and begin a visual discourse. The raw and emotive images become a platform for the …

Paintings And Photographs, Introduction To "William Wegman", Curtis Carter

Curtis Carter

No abstract provided.

Observance: A Record Of Experiments, Olivia L. Mosley

Undergraduate Theses—Unrestricted

Thesis writing on the work of Olivia Mosley, Bachelor of Fine Arts candidate in Printmaking at Washington University in St. Louis. Engaging with a diverse history of photography and observation through the theoretical writings of Barthes, Berger, Didi-Huberman and others, Mosley conducts a series of visual experiments as part of her art practice in an attempt to expand her visual knowledge. Exploring the concepts of visualization, observation and the role technology plays in both of the aforementioned activities, Mosley’s work is discussed alongside the visual contributions of scientists, artists and hobbyists experimenting with the photographic medium throughout history, including, Wilhelm …

Shtetl, Franklin I. Lieberman

Lawrence University Honors Projects

Shtetl looks at the Jewish community as a whole by focusing on the individuals within it. Jews are an incredibly diverse people. They come from all walks of life and racial backgrounds. Contrary to popular belief, there is no stereotypical Jewish person. Not all Jews are rich, nor do they all have curly dark hair and big noses. By being forced to look at the individuals within the community together, it becomes clear that while all of these individuals are Jewish, and therefore bound to each other because of it, they are all different and break this stereotypical mold.

The Value Of Everything Is Nothing, Jason Dawes

Electronic Theses, Projects, and Dissertations

Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity …

The Origins And Evolution Of Corporate Sponsored Film, Clara Boesch

Honors Theses

Though possibly one of the most extensive genres in cinematic history, corporate sponsored films have been largely untouched by both historians and film critics. This thesis explores the origins and evolution of corporate-sponsored film resulting from the technological and economic climate of the nation from the late 19th century to the mid-20th century. It references the works of a few specialists in the field such as Rick Prelinger and Walter Klein, among others, as well as contemporary publications such as the trade journal Business Screen. In addition, it critically analyzes corporate-sponsored films from the pre-and post‐war periods to identify the …

Something Gained: Translation As Process, Amanda V. Rothschild

Undergraduate Theses—Unrestricted

This statement examines translation as a way to explore the act of painting. Drawing from theories of literary translation as discussed by Walter Benjamin, this essay looks at the ways in which the process of translating an image from a photograph into a painting echoes many ideas that come from the approach of translating between languages. The theme of translation is discussed first through an examination of the role of the photograph in determining the content of the paintings, using Gerhard Richter as a reference. The role of material and the physicality of paint in the translation of a space …

Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow

Masters Theses, 2010-2019

I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …

The Camera Marches To War, Thomas J. Luck

Manuscripts

"Since the United States is engaged in a deadly struggle for its very exsistence, every industry and every man, woman, and child must alter their peace-time operations so as to fit into the war program," declared Paul V. McNutt, Federal man-power commissioner, in a recent speech. Nowhere is the will for readjustments to fit the war program any greater than in industry. The photographic profession has especially made a large contribution to the geared-up production, and the results of these changes may bring about new types of endeavor for the profession.

Lonely Sunflower, Aubrey E. Gedeon

The Mercury

No abstract provided.

Balloon, Abigail A. Campbell

The Mercury

No abstract provided.

Hadzabee Mother And Child, Aubrey E. Gedeon

The Mercury

No abstract provided.

Zebra Longwing, Madeline A. Price

The Mercury

No abstract provided.