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Articles 1 - 24 of 24
Full-Text Articles in Arts and Humanities
Steele Prairie Dawn, James C. Schaap
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Sharon L. Corwin
In the early decades of the twentieth century, the pursuit of efficiency came to dominate instances of industrial and artistic production: the engineering consultants Frank and Lillian Gilbreth attempted to visualize a language of minimal waste, while Precisionist art achieved its own aesthetic of efficiency. This essay examines the Precisionist project alongside the discourses of the rationalized factory and suggests a relationship between the formal economy of Precisionism and the rhetoric of scientific management. For Precisionist art and the Gilbreths' time-motion studies, the representation of efficiency ultimately entailed the elision of artist and worker as producers of labor.
Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard
Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard
English Faculty Publications
Photographs can approach the elegance of paintings, but reproductions can show the distortion of photographs - so The Tragic Muse (1890) suggests, complicating critical understandings of James and visual art. Dramatizing artists' fidelity, James resists assuming that families, races, and genders provide similar options. Fidelity in art can mean 'infidelity' in life, lead to 'adulterated' reproductions, and impugn understandings of inherited and performed identities - concerns which resurface in The American Scene (1907) when James contemplates immigrant populations and in A Small Boy and Others (1913) when a family daguerreotype becomes evidence of his own fidelity.
Lorna Simpson, Review, Niamh Ann Kelly
Tygr 2003: A Literary & Art Magazine, Jill Forrestal, Deborah Bentley
Tygr 2003: A Literary & Art Magazine, Jill Forrestal, Deborah Bentley
TYGR: Student Art and Literary Magazine Archives (1985-2017)
TYGR is the student art and literary magazine for Olivet Nazarene University.
Taking In: The Best Of Aib Photography 2003, Aib Students
Taking In: The Best Of Aib Photography 2003, Aib Students
Taking In
Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …
Salt Lake Tabernacle Interior Photograph: Sabbath School Union Jubilee, July 1875, Ronald W. Walker, Richard Neitzel Holzapfel, James S. Lambert
Salt Lake Tabernacle Interior Photograph: Sabbath School Union Jubilee, July 1875, Ronald W. Walker, Richard Neitzel Holzapfel, James S. Lambert
BYU Studies Quarterly
Most early photographs of the Salt Lake Tabernacle depict a huge, architecturally curious building with relatively few adornments on its exterior or interior. Its oddity sparked the delight of many and the chagrin of many more, causing some travelers and observers to remark that it resembled a large turtle that had lost its way in the desert. However, any disagreement about the exterior of the tabernacle would be mediated by the view of the interior—Mormons and non-Mormons, residents and tourists alike agreed that in its first years the inside seemed gloomy and bare. One visitor described entering the Tabernacle as …
Fiction Fix 01, Sarah Howard, Nate Eldon, Robert Orndorff, Shannon Mcleish, Darren Longley, Robert Panaro, Melissa Gollegly, M. J. Howe, Melissa Milburn, Amy Quincy
Fiction Fix 01, Sarah Howard, Nate Eldon, Robert Orndorff, Shannon Mcleish, Darren Longley, Robert Panaro, Melissa Gollegly, M. J. Howe, Melissa Milburn, Amy Quincy
Fiction Fix
No abstract provided.
Imagining La Capital: Photography And La Chica Moderna, Mexico City, 1933, Ageeth Sluis
Imagining La Capital: Photography And La Chica Moderna, Mexico City, 1933, Ageeth Sluis
Ageeth Sluis
No abstract provided.
Untitled, Rich Lebedda
The Disembodied Spirit, Bowdoin College. Museum Of Art
The Disembodied Spirit, Bowdoin College. Museum Of Art
Museum of Art Exhibition Catalogues
Exhibition catalog: Bowdoin College Museum of Art, Sept. 25-Dec. 7, 2003; Kemper Museum of Contemporary Art (Kansas City, Mo.), Mar. 5-May 23, 2004; Austin (Texas) Museum of Art, Sept. 11-Nov. 28, 2004
Includes essays by Tom Gunning and Pamela Thurschwell.
Beyond Thirst: The Dimensions Of Drink, Bowdoin College. Museum Of Art, Caitlin M. Nelson, Christine L. Paglia
Beyond Thirst: The Dimensions Of Drink, Bowdoin College. Museum Of Art, Caitlin M. Nelson, Christine L. Paglia
Museum of Art Exhibition Catalogues
"This brochure accompanies an exhibition of the same name at the Bowdoin College Museum of Art from April 17 through June 15, 2003"--Page 2 of cover
Zephyr: The Fourth Issue, Zephyr Faculty Advisor, Matthew Bibeau, Andrew Shuttleworth, Tiffany Cherry, Lisa Curtiss, Angela Dobson, Lindsay Ellis, Jaedra Emery, Stephanie Fournier, Anne Hardy, Judith Haug, Kristen Mcelheny, Paula Scilipoti, Charissa Wong, Kristie Worster
Zephyr: The Fourth Issue, Zephyr Faculty Advisor, Matthew Bibeau, Andrew Shuttleworth, Tiffany Cherry, Lisa Curtiss, Angela Dobson, Lindsay Ellis, Jaedra Emery, Stephanie Fournier, Anne Hardy, Judith Haug, Kristen Mcelheny, Paula Scilipoti, Charissa Wong, Kristie Worster
Zephyr
This is the fourth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
Untitled, Mark Riddle
Untitled, Mark Riddle
Untitled, Ty Brumback
Untitled, Whitney Johnson
Street Photography: An Approach To Strangers: Casual, Close And Personal Encounters, Flavia M. Schuster
Street Photography: An Approach To Strangers: Casual, Close And Personal Encounters, Flavia M. Schuster
Theses : Honours
Street photographers can either camouflage or reveal their identities to the strangers they photograph. By choosing to remain anonymous, photographers often create images in which only their subjects are exposed. By unveiling their identities however, they often create images in which their interaction becomes evident in the resulting images. Casual Encounters looks at the mechanisms employed by photographers that choose to remain anonymous in contrast to the myth of the flâneur. Close Encounters looks at the mechanisms employed between strangers to deal with their daily interactions in urban environments. Personal Encounters serves to explain my own approach to the strangers …
Untitled, Chris Rice
Untitled, Ty Brumback
Untitled, Mark Riddle
Untitled, Jessica Baratta
Untitled, Ty Brumback
Le Numéro Barbette: Photography And The Politics Of Embodiment In Interwar Paris, Amy Lyford
Le Numéro Barbette: Photography And The Politics Of Embodiment In Interwar Paris, Amy Lyford
Amy Lyford
No abstract provided.