Arts and Humanities Commons^™

A Lens On National Parks Past And Present: Bringing Conservation And Climate Change Into Collective Focus, Megan Phillips

Senior Honors Projects, 2010-2019

My Honors Capstone Creative Project, A Lens on National Parks Past and Present: Bringing Conservation and Climate Change into Collective Focus, examines the effects of climate change in Joshua Tree National Park, Glacier National Park, Assateague Island National Seashore, and Shenandoah National Park through the research of historical photographers who documented the parks in the past, interviews with key figures on the subject at each park, and my own photographic documentation of the parks. I was awarded James Madison University’s 2018 College of Visual and Performing Arts Undergraduate Research Grant to travel and pursue my proposed research and photographic documentation …

Shift; Explorations In A Changing Sense Of Self, Tara J. Ott

Masters Theses, 2010-2019

In my art practice I am exploring how my “sense of self” changes as both the external and internal factors continue to shift throughout the stages of my life. I have centered on two main themes: personal experiences connected to gender that are based on the female body and changes in the formation of social identity in relation to others who are part of my life. My work mainly revolves around self-portraiture and reflections of my life, usually expressed through photography, video, painting and sculptural installations. In some bodies of work, however, I have used other women or people from …

Inner Sound: Contemporary Abstract Photography In The Wet-Plate Collodion Process, Brian Barger

Masters Theses, 2010-2019

My work is Neo-Romantic in nature. This description implies a rejection of all that is tedious, mundane, and ugly in the modern world, in favor of looking to history, nostalgia, and mystery for inspiration. I intend for the work to be dreamlike and evocative of fantasy, to be poetic rather than prosaic, and to be beautiful rather than purposeful.

To this end, I am investigating abstraction in photography through the use of the wet-plate collodion process. The work is intended to reference spirituality and the subconscious, through the use of the abstraction of nature and natural forms, using the inherent …

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses, 2010-2019

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …

Immersion, Jennifer M. Tremblay

Masters Theses, 2010-2019

The focus of this paper is on a body of work created between 2014 and 2015. This series, titled Immersion, deals with the pollution of a local body of water, Blacks Run, and with my own bodily illnesses that occurred during this time period. Using large-scale cyanotypes, video, and large format photography I explore the attitudes that lead to environmental pollution and reference my own struggle with depression and anxiety.

My work examines traditional gendered views of the landscape and female figure, and the intersections and interactions between these two ‘bodies’. By using my illness as a way to …

Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow

Masters Theses, 2010-2019

I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …

Capturing A Complex Moment: Pictorial Representations Of The Shenandoah Valley In The Mid-Twentieth Century, Angela Lee Walthall

Masters Theses, 2010-2019

This thesis includes the work, research, and findings that culminated from a non-traditional project that revolved around the processing and analysis of the William Garber Photograph Collection, which is housed in Special Collections of Carrier Library at James Madison University. After processing the photograph collection according to standard archival practice, I analyzed the images to make conclusions about life in the Shenandoah Valley during the post-World War II era. As I delved further into the photographs, I became increasingly aware of three trends: rural modernization, the prevalence of white supremacy, and an emphasis on tourism in the region. Secondary work …

Self / Center, Jason J. Anderson

Masters Theses, 2010-2019

The act of photographing myself has had a profound effect on my personal healing after surviving a suicide attempt in the winter of 2008. Coming to the end of my rope after years of trying ex-gay therapy and countless bullying in the workplace and from others left me with a fragmented self that was collapsing. It was through the reawakening and rebuilding of myself that I began to photograph myself as a means of therapy and closure. My work has consistently dealt with the elements of faith and sexuality and the problems that one goes through in attempting to reconcile …

Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild

Masters Theses, 2010-2019

The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.

Incognesia, Holly George

Masters Theses, 2010-2019

A monograph for the MFA Thesis Exhibition for Holly George, exhibited in Sawhill Gallery in Duke Hall April 5, 2010 - April 10, 2010. The title of the exhibition, Incognesia, is indicative of the artist's process of mapmaking. It is a fusion of other words, an invention based on fact but nevertheless on the verge of fantasy. Like each word in Lewis Caroll's poem, "Jabberwocky," the title calls multiple meanings to mind. It utilizes the Latin incognitae, meaning "unknown," but also references its later cartographic usage of "undiscovered" lands. While the suffix, -nesia, links to a series of islands such …