Arts and Humanities Commons^™

Everything’S For Sale: The Barmaid As A Figure Of Commodity In A Bar At The Folies Bergère, Erin Quirk

The Confluence

This paper explores the role of the barmaid in relation to commodity in Édouard Manet’s A Bar at the Folies Bergère during the explosion of mass consumption that helped define nineteenth century Paris modernity. Building upon existing scholarship, I explore the figure’s role as a member of the emerging working class female, a possible prostitute and an advertising device, promoting the bar’s goods, along with the experience of the Folies-Bergère to the city’s inhabitants. This paper includes formal and iconographical analysis of the figure in relation to commodity as well as a cultural analysis of how these representations reflect attitudes …

Trapped In Time: Examining The Academy's Temporal Confines In The Works Of James Joyce And Sally Rooney, Alice Condry-Power

English Honors Theses

In this paper, I propose that James Joyce reveals the ways in which artists registered the rising imposition of public time within schools which subsequently contributed to the mechanization of art and an emphasis on original production. Then, Sally Rooney helps us to see that these anxieties are still present in what Ian Kidd has labeled our “culture of speed” (339). Like the literary modernists, we are afraid that humans have been mechanized with the sole motivation of efficient production which leaves no time for creative thought and innovation. In response to these concerns, we have placed a great amount …

Capacious Feminism: Intimacy And Otherness In Mina Loy's Poetry, Elise Ottavino

Electronic Thesis and Dissertation Repository

This dissertation explores Loy’s interest in the “woman’s cause” to interrogate how the poet was recaptured as an early feminist figure by the academy. After Virginia Kouidis “rediscovered” Loy’s work in the 1980s, the poet has been consistently drafted as a central feminist figure despite her lack of commitment to organized feminist movements of her time. This retrospective lens offers a catachrestic view of Loy’s feminism. I use “catachresis” to refer to the slightly inaccurate use of “feminism,” tinted by current perceptions of the term, but also to hint at Loy’s capacious feminine poetics. While the rise of feminist theories …

Claude Mckay's Protest Sonnets, Lily Jensen

Criterion: A Journal of Literary Criticism

The sonnet tradition is rich with change. It is a genre forged in strict conventions: fourteen lines, iambic pentameter, a volta (or even multiple turns), and themes of praise and unrequited love. Because of these rules, sonneteers from Petrarch to Shakespeare, Donne to Rosetti, and Hopkins to Hughes have used this form and bent it to their own personal uses. The sonnet has an intense social, cultural, and political history. This paper analyzes how Claude Mckay both used the conventions of the sonnet tradition and broke from the sonnet tradition in the poems “If We Must Die” and “The Lynching” …

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …

Lost Children: A Postmodern Novella, Seyedeh Mania Mohseni

Electronic Theses and Dissertations

"Lost Children" is a novella written based on common rules of the modern and postmodern detective fiction and how those rules can be replaced by alternatives.

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …

Fragments Of A Writer’S Mind: Virginia Woolf In Her Own Words, Baheya Zeitoun

Theses and Dissertations

This thesis provides a thematic reading of select autobiographical and theoretical works by Virginia Woolf. It utilizes Deleuze and Guattari’s philosophy of the rhizome as a methodological framework. The rhizome does not have a hierarchal structure but is rather interconnected. In the same way, the chapters interweave the multi-disciplinary theoretical approaches to connect the disparate factions of the modernist writer’s mind and life.

The early twentieth century saw the rise of post-suffrage writers with narratives that diverged from male-centric values. Woolf is one of the writers who makes a clear distinction between male and female values by championing women’s experiences …

Queering Up For Battle, Alex Davis

MFA in Visual Art

In this text, I explore the potential for interwar European art to serve as a catalyst for the contemporary Queer rights movement. Drawing on the works of Remy Jungerman, LJ Roberts, michá cardenas, and Joar Nango, alongside the insights of Queer theorists Lisa Duggan and José Esteban Muñoz, I analyze my own artwork and the way I remix elements of both Russian Constructivism and Queer culture.

Amidst the current proliferation of anti-Queer violence and legislation, I highlight the importance of safeguarding Queer spaces and communities. To this end, I collect Queer objects and organize them into an arsenal of triangular …

Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy

Theses and Dissertations

This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.

Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales

Theses and Dissertations

Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.

Gender And Colonialism: An Intergenerational Conversation In African Literature, Khadizatul Kubra

Department of English: Dissertations, Theses, and Student Research

It is thought that African literature tends to be dominated by the masculine-oriented politics that also characterizes African public political life. In some cases, this is true, but there is a feminist movement in Africa, and many African women writers are using global feminist principles and global anti-colonial principles to write a different kind of literature. As a consequence, recent novels such as Yvonne Vera’s Nehanda (1993), set in Zimbabwe, and Petina Gappah’s Out of Darkness, Shining Light (2019), revise past, often male, African writers’ approaches to depicting the genders, even as they also criticize, implicitly or explicitly, still-widespread colonialist …

Abstract And Acknowledgments, Oliver Chandler

GFA Refereed Monographs

An overview of the contents of the book, plus the author’s acknowledgements.

The Postmodern And The Personal In Edna St. Vincent Millay’S Aria Da Capo, Roxanne Rankin

Munn Scholars Awards

Aria Da Capo, Edna St. Vincent Millay’s 1919 play, has thus far been largely ignored in literary criticism. This essay, through a historical survey of Millay’s previous critical reception followed by a close reading of Aria Da Capo, attempts to explain and then bridge this gap in academic scholarship. A postmodernist reading of the play will then illustrate why Millay’s work still confounds scholars today and how Aria Da Capo specifically continues to be relevant more than 100 years after it was first produced.

Sunan Kalijaga: The Birth Of A Self-Actualized Pilgrimage Culture, F. P. Meachem

Independent Study Project (ISP) Collection

Javanese Islam is incredibly unique in its style and practice. Despite boasting a Muslim population larger than the entire Middle East, Indonesia and its Islamic cultural practices are largely unknown in academic circles. This has made an introduction to Islam in the archipelago even more difficult for the rare interested Western reader. Frustratingly, what is lost on the rest of the world is basically second nature to 155 million Javanese Muslims, who learn from their families, schools, and pilgrimages about the Wali Songo, a group of nine semi-mythical figures credited with spreading Islam to Java. When we stop casting …

Guttmann’S Critique Of Strauss’S Modernist Approach To Medieval Philosophy: Some Arguments Toward A Counter Critique, Mari Rethelyi

Journal of Textual Reasoning

No abstract provided.

“This Little Patch Of Earth Is Inexhaustible”: Ernst Ludwig Kirchner And The Outdoors Movements, Erica Evans

Theses and Dissertations

This thesis focuses on the influence of reform movements and hiking and mountaineering organizations on the life and work of Ernst Ludwig Kirchner. I explore how principles of these outdoors movements, including a healthy mind/body connection and rustic lifestyle, inform Kirchner’s works created while living in Davos, Switzerland.

Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro

Theses and Dissertations

This investigation analyzes artworks by Argentinian painters Rogelio Polesello and Ernesto Deira shown in the Argentinian Esso Salon of 1964 and the International Esso Salon the following year in Washington D.C. at the Museum of the Pan American Union (PAU), and the complex networks of internationalization represented therein.

Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Megan Brandow-Faller. The Female Secession: Art and the Decorative at the Viennese Women’s Academy. Penn State UP, 2020. 304 pp.

Brian Britt. Religion Around Walter Benjamin. The Pennsylvania State Up, 2022., Doris Mcgonagill

Studies in 20th & 21st Century Literature

Review of Brian Britt. Religion Around Walter Benjamin. The Pennsylvania State UP, 2022. xvii + 233 pp.

Virginia Woolf: The Bookbinder And The Bibliophile, Geoffrey Bridgman

Dissertations and Theses

The triumph of Virginia Woolf’s career as a novelist is one of the most famous stories of the 20th century. Her career as a publisher of her home-grown Hogarth Press is a little less widely acknowledged. But Virginia Woolf is known to have engaged herself for many hours folding, stapling, sewing and gluing the publications which she and her husband Leonard had tried printing (at least to start) with the small platen press they had set up in their home. What is even less acknowledged is that Virginia Woolf maintained a private practice re-wrapping the books in her own library …

“Decorate The Dungeon With Flowers And Air-Cushions:” Virginia Woolf And War, Claire Dumont

Scripps Senior Theses

Virginia Woolf was particularly interested throughout her career in writing about war, ranging from the perspective of a depressed World War I veteran and his wife in Mrs. Dalloway, a dinner party held during an air raid in 1917 in The Years, an argument for the connections between patriarchal society and war in Three Guineas, and a pageant of British history held before World War II in Between the Acts. Woolf specifically writes of war as it impacts spheres away from the battlefield, in a way that is inherently gendered to her experience as a woman …

“What Do Any Of Us Really Know About Love:” A Discussion Of Irony Within Raymond Carver’S Short Story Cycle What We Talk About When We Talk About Love, Niyonna Johnson

Honors College Theses

With minimalist technique, Raymond Carver manages to accurately depict a depressed working-class America. Current contemporary criticism has focused on the main themes of Carver’s work such as the struggle with identity, alcoholism, disconnection, and domesticity hardships; the one ideal that has seemed to be missing is the irony that lies within the lives of the characters. This paper will analyze, in depth, short stories from a short story cycle of Raymond Carver and detail how their current situations are directly juxtaposed by their occupations and how this benefits the currently discussed themes of his work.

Basic Pitch-Class Set Theory And Twelve-Tone Glossary, Oliver Chandler

GFA Refereed Monographs

An explanation of terms and symbols used throughout the monograph, together with an introduction to basic pitch-class set theory.

Introduction, Oliver Chandler

GFA Refereed Monographs

While the history of the formation of a modern British guitar repertoire around the central figure of Julian Bream is known in broad brushstrokes, we lack a thoroughgoing, technical understanding of the particular idiom that Bream’s composers developed. Important in the nascent stages of the guitar’s modernist evolution, for example, was its relationship to twelve-tone serialism. Through close readings of individual works by Reginald Smith Brindle (El polifemo de oro, 1956), Denis ApIvor (Variations, 1958), Thomas Wilson (Three Pieces, 1961; Soliloquy, 1969), and Richard Rodney Bennett (Impromptus, 1968; Sonata, 1983), I map the …

Bibliography, Oliver Chandler

GFA Refereed Monographs

No abstract provided.

Kitchen Rag: Spaces Of Food, Memory And Conviviality In Modern And Contemporary Art, Emma Deutsch

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.