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Full-Text Articles in Arts and Humanities
'I Am Rooted, But I Flow': Virginia Woolf And 20th Century Thought, Emily Lauren Hanna
'I Am Rooted, But I Flow': Virginia Woolf And 20th Century Thought, Emily Lauren Hanna
Scripps Senior Theses
My thesis is about Virginia Woolf’s novels, Mrs. Dalloway, The Waves, and To the Lighthouse. I examine these novels in relation to the theories of Henri Bergson, William James, and Sigmund Freud, and the groundwork of Modernism. I relate Woolf's use of water imagery and stream of consciousness technique to Bergson’s theory of “la durée,” or psychological, subjective time, James’ “stream of consciousness” theory in psychology, and Freud’s theory of the “oceanic” feeling of religious experience.
T.S. Eliot's Anti-Modernism: Poetry And Tradition In The European Waste Land, John Bedecarré
T.S. Eliot's Anti-Modernism: Poetry And Tradition In The European Waste Land, John Bedecarré
CMC Senior Theses
This thesis hopes to contribute to a reconciliation of the apparent conflict between Eliot's conservative outlook and his formally innovative poetry. I do not advocate stripping Eliot of his modernist label. I would rather amend the term "modernism." This qualification is important because the modernist label carries connotations that simply do not do justice to Eliot. For example, the label implies that modernists wanted to move forward, away from the past. Eliot wanted to move backwards, partly because he felt other artists had left the past behind. In an essay introducing the early twentieth-century modernists, the Norton Anthology of British …
Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman
Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman
CMC Senior Theses
This paper examines Djuna Barnes's Modernist masterpiece, Nightwood, by exploring the author's particular styles of writing. As an ironist, a master of spectacle, and a visual artist, Barnes's distinct stylistic roles allow the writer to construct a strange fictional world that transcends simple categorization and demands close reading. Through textual analysis, consideration of how Barnes's characterization, and engagement with key critical interpretations lead to the conclusion that Nightwood's primary aim is to present the reader with an image of his or her own individual estrangement.