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Brasilidade In Built Form: Tracing National Identity In Modernist Architecture In Brazil, 1922–1968, Angela Starita

Dissertations

The conceptual framework of Brazilian national identity in built form changed drastically between the 1930s and the 1960s, from the Baroque of colonial-era Brazil to the improvised constructions of the poor. The advocates of these architectural imaginaries were not suggesting that these styles be copied. Instead, they used them as a type of hermeneutic for explicating how Modernism should be deployed in order for it to be authentically Brazilian. The transition from the colonial model to an aesthetics of poverty was a result of a confluence of factors. These included the country’s relatively new struggle to define itself away from …