Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane

Electronic Thesis and Dissertation Repository

This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa …

Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois

Electronic Thesis and Dissertation Repository

This dissertation conjoins the two most dominant trends in the secondary criticism of Samuel Beckett today: the philosophical and historicist approaches to his work. It explores how the Reign of Terror that erupted during the French Revolution acts as a traumatic catalyst for key developments in modernist literature and continental philosophy of which the philosophical writing of Alain Badiou, the literary-critical writing of Maurice Blanchot, and the literary-narrative writing of Beckett are perhaps the most exemplary expressions. The overarching thesis that this dissertation defends is that Beckett’s post-war prose work in The Unnamable and Texts for Nothing is overshadowed by …

A Modernism Against Maestros: Horacio Quiroga And The Transnational Automaton, Jacqueline Fetzer

All Theses

In this paper I will explore the possibility that Horacio Quiroga's regional treatment of modernist themes is more than a creole adaptation or mimicry of the European maestros, instead placing Quiroga in dialogue with an international framework of contemporary texts that explore conflicting attitudes towards modernity through dark portrayals of science and technology. I focus on Quiroga's 1910 novella El hombre artificial (The Artificial Man), a text with an amalgamation of themes and plot devices that have caused the work itself to be dismissed for being of 'poor quality.' Yet these themes and formal features integrally connect Quiroga's novella to …

Dirk Van Hulle. Modern Manuscripts: The Extended Mind And Creative Undoing From Darwin To Beckett And Beyond. London: Bloomsbury, 2014. Xiii + 271 Pp., Anna E. Hiller

Studies in 20th & 21st Century Literature

Review of Dirk van Hulle. Modern Manuscripts: The Extended Mind and Creative Undoing from Darwin to Beckett and Beyond. London: Bloomsbury, 2014. xiii + 271 pp.

Larson Powell. The Technological Unconscious In German Modernist Literature: Nature In Rilke, Benn, Brecht, And Döblin. Rochester: Camden House, 2008. 256 Pp., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Larson Powell. The Technological Unconscious in German Modernist Literature: Nature in Rilke, Benn, Brecht, and Döblin. Rochester: Camden House, 2008. 256 pp.