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Full-Text Articles in Arts and Humanities
Post-War Europe: The Waste Land As A Metaphor, Semy Rhee
Post-War Europe: The Waste Land As A Metaphor, Semy Rhee
Senior Honors Theses
This thesis analyzes the mindset of twentieth-century Europe through the perspective of a modern individual that T. S. Eliot creates in his poem The Waste Land. Although The Waste Land is the greatest modernist poem, it is often criticized for its esoteric nature. A thorough examination of the poem is useful in understanding and appreciating Eliot’s masterful demonstration of the modernist philosophy. This study analyzes the poem in light of the definition of modernism and the poem’s metaphorical nature. It also aims to reconcile the two most confusing elements of the poem—its allusive content and fragmented structure—to the design …
In The Colonies, Nicolas A. Sansone
In The Colonies, Nicolas A. Sansone
Masters Theses 1911 - February 2014
In the Colonies is a work of fiction. It tells the story of a young German harpist, C––, who is seduced into a life of luxury by a venal American, Sansone. She is invited to spend a year at his artists’ colony, where she works on composing a transcendent work of music and, in the process, realizes that she has lost sight of the material realities around her. Ultimately, she comes to realize that her single-minded pursuit of an ideal Beauty has driven her away from the very ideals she aspired to in the first place.
Tristan Tzara’S Poetical Visions: Ironic, Oneiric, Heroic, Ruth Caldwell
Tristan Tzara’S Poetical Visions: Ironic, Oneiric, Heroic, Ruth Caldwell
Studies in 20th & 21st Century Literature
Tristan Tzara is most often associated with Dada, a movement whose influence has often been overlooked. However, Tzara stands out among his peers because of his extensive production of poetical works associated not only with Dada but surrealism and beyond. In all of these texts we see a constant refusal to be complacent about artistic endeavor or the world around us. His Dada texts launch an attack on language by the use of irony and a tension of the text against itself. This internal tension becomes the struggle depicted in his surrealistic epic, L’Homme approximatif, an unfulfilled search for …
Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman
Spectacular Shadows: Djuna Barnes's Styles Of Estrangement In Nightwood, Erica Nicole Bellman
CMC Senior Theses
This paper examines Djuna Barnes's Modernist masterpiece, Nightwood, by exploring the author's particular styles of writing. As an ironist, a master of spectacle, and a visual artist, Barnes's distinct stylistic roles allow the writer to construct a strange fictional world that transcends simple categorization and demands close reading. Through textual analysis, consideration of how Barnes's characterization, and engagement with key critical interpretations lead to the conclusion that Nightwood's primary aim is to present the reader with an image of his or her own individual estrangement.
Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff
Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff
Theses : Honours
This thesis examines the poetry of Lola Ridge as a form of alternative Modernism. Poet, editor, anarchist, Lola Ridge is largely an unknown identity in Modernist discourses. Primarily recognised as a social justice poet, her work has been viewed through a traditional Modernist lens and excluded to the periphery as ‘sentimental’. This thesis argues that Ridge personally and professionally exceeds these categories. She modelled a practice of engagement in her personal life by actively participating in rallies and protests against injustice, and living in poverty in solidarity with the poor, giving her work an authenticity worth investigating. Her poetry provides …
"Wallace Stevens And The New York School", Alan Filreis
"Wallace Stevens And The New York School", Alan Filreis
Alan Filreis
The essay explores cross-influences between Wallace Stevens and the New York School aesthetic.