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Modernism

Modern Literature

University of Massachusetts Amherst

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Full-Text Articles in Arts and Humanities

Between The Visual And The Verbal: An Aesthetic Of Open Wounds In Post-Traumatic Experience Of The Iran-Iraq War (1980-1988), Maryam Ghodrati Sep 2021

Between The Visual And The Verbal: An Aesthetic Of Open Wounds In Post-Traumatic Experience Of The Iran-Iraq War (1980-1988), Maryam Ghodrati

Doctoral Dissertations

Trauma theory of the 1990s pioneered by Cathy Caruth, Shoshana Felman, and Geoffrey Hartman has been criticized by postcolonial scholars such as Irene Visser, Michael Balaev, and Stef Craps for being neglectful of the trauma of the colonial world in adopting a deconstructivist approach and psychologization of experiences of trauma. This antagonism between the traditional and postcolonial trauma theory has resulted in even deeper isolation of the human subject at the center of this argument. In my research, I highlight the reality and materiality of traumatic suffering in the shared realm of the human body to suggest a need for …


The Flight From Despair: A Translation And Critical Exploration Of Hagiwara Sakutarō'S Zetsubō No Tōsō, Samik N. Sikand Jul 2015

The Flight From Despair: A Translation And Critical Exploration Of Hagiwara Sakutarō'S Zetsubō No Tōsō, Samik N. Sikand

Masters Theses

The text that I have translated below, and for which the paper that precedes it is a critical introduction, is Hagiwara Sakutarō's Zetsubō no Tōsō, a collection of 204 aphorisms which I have translated as The Flight from Despair. My introduction concentrates on Sakutarō's use of the aphoristic form in order to show how he both follows and subverts the genre's conventions. First, I concentrate on the author's goal to tackle the "everyday" matters of life through his text rather than intellectual abstractions. I also bring attention to the concision of Sakutarō's style and the protean nature of …


In The Colonies, Nicolas A. Sansone Jan 2012

In The Colonies, Nicolas A. Sansone

Masters Theses 1911 - February 2014

In the Colonies is a work of fiction. It tells the story of a young German harpist, C––, who is seduced into a life of luxury by a venal American, Sansone. She is invited to spend a year at his artists’ colony, where she works on composing a transcendent work of music and, in the process, realizes that she has lost sight of the material realities around her. Ultimately, she comes to realize that her single-minded pursuit of an ideal Beauty has driven her away from the very ideals she aspired to in the first place.