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Full-Text Articles in Arts and Humanities
Don Quijote: Una Esmerada Crítica De La Sociedad Aún Valiosa En Nuestros Días (Don Quixote: A Detailed Critique Of Spanish Society), Jeremy W. Bachelor
Don Quijote: Una Esmerada Crítica De La Sociedad Aún Valiosa En Nuestros Días (Don Quixote: A Detailed Critique Of Spanish Society), Jeremy W. Bachelor
Faculty Scholarship – Spanish
El tema del presente trabajo trata sobre Don Quijote, una crítica de Cervantes sobre la sociedad española de su época. El objetivo principal de la investigación es analizar lo que precisamente criticaba Cervantes y cómo esa crítica de la realidad española se hizo patente en la novela. Los objetivos incluyen el análisis de la estratificación socioeconómica de la sociedad, la descripción de la transición del feudalismo a las fases iniciales del capitalismo, una explicación del sistema principal de valores de la sociedad en el contexto de la transición y un análisis del papel de la Iglesia y de las …
Forgiveness And Literature, Michael Fischer
Forgiveness And Literature, Michael Fischer
English Faculty Research
Imagine a community where constructive dialogue across political, class, and other differences is rare. Threatened by disagreement, individuals cluster together with like-minded believers, often egging one another on into taking even more extreme positions, usually against their ideological opponents. Sources of information are selected to ratify existing views instead of challenging them. Shielded from external perspectives, individuals stay stuck in anger, opposition, and resentment, recycling grievances against their enemies and spinning out fantasies of revenge.
Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner
Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner
Faculty Publications
This paper argues that Victorian Shakespeare burlesques reveal an alternate literary history: a movement away from private, novelistic consciousness toward collaborative performance. Many materialist scholars fault post-Romantic critics for casting Shakespeare as a psychological realist and reading his plays as if they were novels. The burlesque treatment of Hamlet’s soliloquies, however, suggests a contrary trajectory, challenging the equation of Shakespearean character with psychological reflection. Rather than inaugurating a tradition of interiority, Hamlet’s soliloquies generate social speech in works like Gilbert’s Rosencrantz and Guildenstern, inviting audience participation. The burlesque imperative also inflects novels like Dickens’s Great Expectations, turning the …