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Full-Text Articles in Arts and Humanities

Persona Criticism And The Death Of The Author, Cheryl Walker Jan 1991

Persona Criticism And The Death Of The Author, Cheryl Walker

Scripps Faculty Publications and Research

The difficulty with doing biographical criticism today is that the figure of the author has increasingly come under attack, almost as if the author's portrait, which at one time routinely accompanied critical works, were being atomized, dissolved in an acid bath of scorn and distrust. Though "death of the author" critics have made a number of important points about the rigidity and naiveté of certain earlier forms of biographical criticism, I find that in my own practice I am loath to give up all vestiges of the author. The strategy I have chosen is what I would call persona criticism, …


Feminist Literary Criticism And The Author, Cheryl Walker Jan 1990

Feminist Literary Criticism And The Author, Cheryl Walker

Scripps Faculty Publications and Research

In the course of this essay I wish to reopen the (never fully closed) question of whether it is advisable to speak of the author, or of what Foucault calls "the author function," when querying a text, and I wish to reopen it precisely at the site where feminist criticism and post-structuralism are presently engaged in dialogue. Here in particular we might expect that reasons for rejecting author erasure would appear. However, theoretically informed feminist critics have recently found themselves tempted to agree with Barthes, Foucault, and the Edward Said of Beginnings that the authorial presence is best set aside …


Richard Brautigan: Youth Fishing In America, Cheryl Walker Jan 1972

Richard Brautigan: Youth Fishing In America, Cheryl Walker

Scripps Faculty Publications and Research

Richard Brautigan is an epiphenomenon in American literature. He seems to represent some sort of insubstantial alternative. While the academy of letters reads Beckett, Borges, and Nabokov, the kids read Brautigan...His appeal consists primarily in an irrepressible optimism (probably the brand of a woodsy Pacific Northwest background), a style flashing with artifice, and a total disregard for effete university culture. Mr. Brautigan is not himself the product of American higher education or of much formal training of any kind. Furthermore, his fund of simplicity and optimism is a relief for some from the profound despair of writers like Beckett. To …