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Marina Carr's Hauntings: Liminality And The Addictive Society On And Off The Stage, Hillary Jarvis Campos

Theses and Dissertations

This thesis is an examination of the trapped lives of Marina Carr's female protagonists and their relevance to contemporary Irish women. In her six plays from The Mai to Woman and Scarecrow, each of Carr's female protagonists is trapped either in a liminal state, defined by Victor Turner as a phase in a rites of passage process, or in a patriarchal addictive society, defined by Anne Wilson Schaef as a society in which the power is maintained and perpetuated by white males with the help of all members of society including women. Portia (Portia Coughlan), Hester (By the Bog of …