Arts and Humanities Commons^™

Reframing Space: Religion, History, And Memory In The Early Documentary Film Of The Yugoslav Space, Milja Radovic

Journal of Religion & Film

This paper examines cinematic representations of religion and religious communities in the early cinema of the Yugoslav space. This paper introduces the readers to the rich heritage of the cinema of the Yugoslav space by providing 1) the first study of the representations of religion and the concepts of faith in the early film, and 2) novel approaches in reading religion and history through film. Film is used as a primary rather than supplementary source in historical research on diverse religious and ethnic communities in this part of the Balkan Peninsula. This is the first study that investigates the importance, …

Żółty Dom: A Digital Archive Of A Grandmother’S Legacy, Hailey Stessman

Theses/Capstones/Creative Projects

Archives, as separate entities and as a practice, have been used as a means to preserve and conserve pieces of history across a range of subjects. Physical artifacts, personal photography, or important classified documents may be included within these capsules of the past. Prolific individuals have had their lives collected, organized, and stored away in such minute detail for the ease and accessibility of public use. Not only does the precise organization aid easy research, but it also lends to the art of storytelling. One can trace an individual’s legacy from their childhood to their final breath by exploring their …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander

Journal of Religion & Film

This article explores ways in which film expresses “internal history” in the context of Muslim cultures. As such, it enquires how film can work as both Islamic art and historical contemplation. The films discussed here, Nacer Khemir’s Wanderers in the Desert and Muhammad Rasoulof’s Iron Island, inhabit and explore the borderline between imagination and reality. The films in question offer an imaginal interspace between “modern” and “traditional” worlds. As such they open up critical perspectives on the meaning of history. What follows is a discussion of how each film offers a window onto differing perceptions of time, and what …

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy

Journal of Religion & Film

This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The relationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary …

Ham Sŏkhŏn And The Rise Of The Dynamistic Philosophy Of History In Korea, Halla Kim

Philosophy Faculty Publications

The purpose of this paper is show the systematic significance and function that the concept of history has in Ham Sokhon’s philosophy. Even though he was not the first philosopher of history in modern Korea, Ham enthusiastically presented and argued for the dynamic operation of the goal (telos) and force which he calls “Ssi-al”—the anonymous grassroots in the context of Korean history. In particular, the notion of suffering plays an important role in his teleological thinking, not by imposing a pessimistic outlook but rather as an integral part of the historical mission assigned to the Korean people. In the second …

A Call To Redefine Historical Scholarship In The Digital Turn, Jason A. Heppler, Douglas Seefeldt, Alex Galarza

Criss Library Faculty Publications

This is a collaboratively-written call for the American Historical Association to appoint a task force to survey the profession as to the place of digital historical scholarship in promotion and tenure and graduate student training and to recommend standards and guidelines for the profession to follow. This document is a product of many of the exciting changes discussed below. It began at a session atTHATCamp AHA 2012 that included graduate students, tenured and non-tenured faculty, and librarians. These participants and others continued their conversations at the physical conference and afterwards on the web. Additional signatures and edits in the …

A History Of Alexander On The Big Screen, Jeanne Reames

History Faculty Publications

Oliver Stone’s Alexander arrived in theaters on November 24, 2004 – one of two big-budget films slated to deal with the life and times of the conqueror. The other, to be directed by Baz Luhrmann and produced by Martin Scorsese, will not begin shooting until 2005. And despite Luhrman’s protests that his film will go forward, the general mood in Hollywood seems to be “wait and see.” In addition to these two high-profile Alexander projects, a small, independent film about Alexander’s youth, Alexander the Great of Macedonia, produced by Ilya Salkind (known best for Superman), was filmed and slated to …

Omaha's Riot In Story And Picture, Educational Publishing Company

Digitized Books

No abstract provided.

The Kingdom Of Afghanistan: A Historical Sketch, George Passman Tate

Books in English

An account of Afghanistan, the races, tribe and their relationship with their neighboring countries. The map of Afghanistan included in this book is intended as a key to the positions of the more important localities mentioned in the text and the country situation with its neighbors.

The Shahzada's Visit To Great Britain, 1895 : A Selection Of Articles From English Periodical Literature, With Summaries In Persian., The Queen: The Lady's Newspaper & Court Chronicle

Documents and Reports

News coverage of the Afghan prince, Shahzada Nasrullah's visit to Great Britain by the British publications. Photocopies articles accompanied by commentary in Persian, bound in one volume.

With The Kurram Field Force, 1878-79, James Andrew Sutherland Colquhoun

Books in English

Description of the Kurram Valley--Preparations for the Campaign--Advance of the force from the Peiwar Kotal--The action of the Peiwar Kotal, and events to 1st January 1879--Expedition to the Khost Valley, and events in January 1879--Preparations for the advance to Cabul

Survey Operations Of The Afghanistan Expedition: The Kurram Valley, Gerald Martin, Captain

Books in English

A narrative report of the proceedings of the survey party attached to the Kurram Valley field force. Published in: Proceedings of the Royal Geographical Society and monthly record of geography; No. 10 (October 1879), p. 617-645

The Kabul Insurrection Of 1841-42, Vincent Eyre

Books in English

Written by Major-General Sir Vincent Eyre, edited by Colonel G. B. Malleson.

Revised and corrected from Lieutenant Eyre's original manuscript. Previously published under title : The military operations at Cabul, which ended in the retreat and destruction of the British Army, January 1842.