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Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway, Mary Killeen
Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway, Mary Killeen
All Master's Theses
The Lost Generation was forced to develop their own principles regarding gender identity in an environment of ever-shifting cultural norms, which called into question all of their predetermined ideas on femininity, masculinity, and the ways in which members of the opposite sex should interact with one another. Although much of their writing is set amid and seems to embrace the evolving social culture of the early twentieth-century, F. Scott Fitzgerald and Ernest Hemingway largely criticize the gender revolution of the 1920s and blame evolving gender roles for the collapse of their generation. Nevertheless, I argue that Fitzgerald’s and Hemingway’s cultural …
The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon
The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon
All Master's Theses
The femme fatale, a quasi-eternal figure of female transgression and retributory violence, has gradually entered popular culture’s symbolic lexicon as representative of mainstream feminism and postmodern femininity. Tracing the development of the femme fatale into a feminist pop culture icon necessitates establishing her sociopolitical status in the late modern era through her presence in Victorian sensational literature. The femme’s translation from the Victorian context to the American mediascape presages her evolving presence in three cinematic eras: classic film noir, neo-conservative retro noir, and millennial neo-noir. Feminist film criticism tends to identify the femme fatale as a protofeminist, a productive transgressor …