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Feminism

2008

Georgia State University

Articles 1 - 2 of 2

Full-Text Articles in Arts and Humanities

The "New Woman" On The Stage: The Making Of A Gendered Public Sphere In Interwar Iran And Egypt, Fakhri Haghani Nov 2008

The "New Woman" On The Stage: The Making Of A Gendered Public Sphere In Interwar Iran And Egypt, Fakhri Haghani

History Dissertations

During the interwar period in Iran and Egypt, local and regional manifestation of tajadod/al-jidida (modernity) as a “cultural identity crisis” created the nationalist image and practice of zan-e emrouzi-e shahri/al-mar’a al-jidida al-madani (the urban/secular “New Woman”). The dynamics of the process involved performance art, including the covert medium of journalism and the overt world of the performing arts of music, play, and cinema. The image of the “New Woman” as asl/al-asala (cultural authenticity) connected sonnat/al-sunna (tradition) with the global trends of modernism, linking pre-nineteenth century popular forms of performing arts to new genres, forms, and social experiences of the space …


Romaine Brooks: Embracing Diversity, Ronda Lea Ensor Apr 2008

Romaine Brooks: Embracing Diversity, Ronda Lea Ensor

Art and Design Theses

While the majority of literature written in regard to artist Romaine Brooks has focused on her portraiture of cross-dressing women, I intend to focus on other aspects of her oeuvre which are often neglected. Therefore, I will examine works depicting women produced or exhibited by Brooks during the years 1910 and 1911 when her output was at its most varied. I have divided these works into four different categories: nudes, interior scenes, balcony scenes, and portraits. These paintings prove that while Brooks painted in a traditional fashion, she also subtly challenged the role of women in art and society.