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Articles 1 - 30 of 42
Full-Text Articles in Arts and Humanities
Can Marketing Transcend Entrenched Gender Biases?, Thinh Nguyen
Can Marketing Transcend Entrenched Gender Biases?, Thinh Nguyen
Markets, Globalization & Development Review
Through a feminist lens, Maclaran and Chatzidakis (2022) challenge conventional assumptions about gender, emphasizing its performative nature shaped by social practices rather than inherent traits. This commentary extends analyses of key themes such as gender performativity, the male gaze, and subject-object binaries within marketing. It critiques how marketing strategies reinforce existing power imbalances and systemic biases rooted in historical narratives. The writing also reflects on media interpretations of gender issues through films like 'Turning Red' and 'Barbie'. By contextualizing gendered marketing within broader societal frameworks, this writing contributes to ongoing dialogues in media studies, sociology, and gender studies, highlighting the …
Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu
Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu
Markets, Globalization & Development Review
Somewhere between meaningful discourse about female agency and the commercial interests of a problematic doll franchise lies Mattel's box office hit film Barbie, directed by Greta Gerwig. In a script-flipping interpretation of the real-world patriarchy, it catapults itself into overdue discussions about gender norms, objectification, and the pursuit of Westernized beauty ideals. While it may have introduced liberationist theories to a new generation of women, ultimately it is a film bound by cognitive dissonance. This paper will delve into the profit-making protagonist at the center of its story and argue the film's underlying incompatibility with diversity, feminism, and social …
’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan
’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan
Journal of Feminist Scholarship
In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups …
Translation, Weather, And Erasure In Bhanu Kapil’S Schizophrene, Flore Chevaillier
Translation, Weather, And Erasure In Bhanu Kapil’S Schizophrene, Flore Chevaillier
Journal of Feminist Scholarship
For Bhanu Kapil, the drafting process of writing involves the translation of non-linguistic realities into storytelling, the nature of which must leave room for the performative experience that shapes writing. In Schizophrene (2011), Kapil engaged in adventitious composition processes when she sealed her manuscript in a Ziploc bag and threw it in the garden to spend months outdoors in the Colorado winter. The text, full of gaps created by the erased parts of the “winterized” manuscript, documents schizophrenia in diasporic Indian and Pakistani communities. The decaying process of the book that created a void in her writing also impacts the …
Swerf Necropolitics: Three Sites Of Feminist Mistranslation And The Politics Of Feminist Exclusion, Aaron Hammes
Swerf Necropolitics: Three Sites Of Feminist Mistranslation And The Politics Of Feminist Exclusion, Aaron Hammes
Journal of Feminist Scholarship
The acronym SWERF, or Sex Work(er) Exclusive Radical Feminism, and its attendant ideologies brings up a number of questions and potential schisms for the enterprise of feminist thought more broadly. This inquiry examines what it means for feminism to exclude, what the excluders believe is gained by protecting certain boundaries around which identities and practices are included, and the ideological foundations and consequences of this thinking. SWERF logics are understood as mistranslations of the radical potentialities of feminism, clustered around three sites: exclusion (against bodily autonomy) , equivocation (between sex work and labor trafficking), and misrepresentation (of the sex worker …
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …
A Gamer Girl's Account On Interacting With Feminism In Video Games, Nicole M. Dowell
A Gamer Girl's Account On Interacting With Feminism In Video Games, Nicole M. Dowell
Journal of Feminist Scholarship
No abstract provided.
The Digital Age: Our Feminist Echo Chamber, Amanda H. Nguyen
The Digital Age: Our Feminist Echo Chamber, Amanda H. Nguyen
Journal of Feminist Scholarship
No abstract provided.
A Local Lens On Global Media Literacy: Teaching Media And The Arab World, Katharina Schmoll
A Local Lens On Global Media Literacy: Teaching Media And The Arab World, Katharina Schmoll
Journal of Media Literacy Education
The globalization and transnationalization of media use have facilitated access to voices from the Arab world. Students and teachers in Western higher education can make use of these voices within and outside the classroom to enhance students’ knowledge of the region and challenge Eurocentric imaginations of the ‘Other’. Yet to ensure students engage with these Arab sources in a meaningful way, media literacy is key. Drawing on and challenging a framework of global critical media literacy, this article argues that media literacy is grounded in time and space, meaning an effective teaching of global media literacy skills supposes an awareness …
If I Knew What My Mother Was Going Through. Book Review. Not Dead Yet: Feminism, Passion, And Women's Liberation. Edited By Renate Klein And Susan Hawthorne, Dana Vitalosova
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
Bong Joon Ho, Okja (2017): Wounding The Feelings, Nagehan Uzuner
Bong Joon Ho, Okja (2017): Wounding The Feelings, Nagehan Uzuner
Markets, Globalization & Development Review
Okja is a cute fictitious pig which is created in the laboratory as a solution for the meat industry to prevent hunger, which is one of the important problems of our contemporary century and the near future of the humanity. This pig-like, depicted as an ecological food source of the industrial society, is commodified for the mediation of the spheres within the society. Okja, as a film, falls within the intersections of food industry, feminism, orientalism, mediatization and globalization concepts. I try to understand and redefine the movie through contradictions such as East-West, women-men, good-evil. The review reexamines multiple interacting …
“Ain’T My Mama’S Broken Heart”: The Mothers And Daughters Of Hillbilly Feminism, Alyssa Dewees
“Ain’T My Mama’S Broken Heart”: The Mothers And Daughters Of Hillbilly Feminism, Alyssa Dewees
Journal of Feminist Scholarship
The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define. …
Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson
Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson
Journal of Feminist Scholarship
The Beat master narrative suggests that all Beats ignored racism; the feminist wave model suggests that there was no feminist activism between the first and second wave of feminism and no attention to the intersection of race and gender prior to the third wave. Both models discount and in the process erase the efforts by Beat writers Bonnie Bremser and Hettie Jones who challenged racism and sexism before the more visible civil rights and feminist movements of the 1960s. Employing Milton Bennett's Developmental Model of Intercultural Sensitivity to analyze the intercultural/interracial attitudes present in Bonnie Bremser’s Troia and Hettie Jones’ …
The Poetics Of Pakistani Patriarchy: A Critical Analysis Of The Protest-Signs In Women’S March Pakistan 2019, Amer Akhtar, Selina Aziz, Neelum Almas
The Poetics Of Pakistani Patriarchy: A Critical Analysis Of The Protest-Signs In Women’S March Pakistan 2019, Amer Akhtar, Selina Aziz, Neelum Almas
Journal of Feminist Scholarship
The Pakistani variant of Women’s March Aurat March celebrated its second year in March 2019. The current study focuses on the issues raised by the participants during Aurat March 2019 to define patriarchy from a Pakistani-out-on-the-street feminist struggle. It analyses the protest signs, slogans, messages, and concerns raised through banners in the march. The paper attempts to offer a unique perspective on Pakistani patriarchy by analyzing the voice of the women instead of any theorization or enactment of the voice. It employs visual and textual methods to understand the view of the participants and finds that the participants of the …
Andrea Revised: Andrea Dworkin: The Feminist As Revolutionary By Martin Duberman, Phyllis Chesler
Andrea Revised: Andrea Dworkin: The Feminist As Revolutionary By Martin Duberman, Phyllis Chesler
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
Sexual Violence, Traumatic Memory, And Speculative Fiction As Action, Kate Rose
Sexual Violence, Traumatic Memory, And Speculative Fiction As Action, Kate Rose
Dignity: A Journal of Analysis of Exploitation and Violence
Starhawk’s speculative novel City of Refuge (2015) depicts rape trauma and its consequences in a dystopian society that is the logical conclusion of patriarchy. French psychiatrist Muriel Salmona’s research on how traumatic memory contributes to inequality and how reconstructing narrative can heal survivors places her similarly at the intersection of story and activism. City of Refuge is a literary experiment focused on survivors of institutionalized sexual assault, while Salmona’s work maps consequences of traumatic memory linked to childhood sexual violence. The basic tenet of narrative medicine that life experience affects mental and physical health coincides with Salmona’s critique of how …
Crazy Rich Asians: Exploring Discourses Of Orientalism, Neoliberal Feminism, Privilege And Inequality, Devi Vijay
Crazy Rich Asians: Exploring Discourses Of Orientalism, Neoliberal Feminism, Privilege And Inequality, Devi Vijay
Markets, Globalization & Development Review
In this review of Crazy Rich Asians (2018), I examine elements of orientalism, neoliberal feminism, privilege and inequality that layer the film. Specifically, I interrogate the film’s American inflection of orientalism, surfacing a constant duel between essentialized Asian and American values, where what is American eventually wins out. Independent, entrepreneurial women are integral to this narrative of global capitalist accumulation. Yet, as the East meets the West in the globalized consumptive spaces of the super-rich, inequalities in the United States and Singapore are either repackaged under the myth of meritocracy, or conveniently erased. While the film demarcates a new Hollywood …
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler
Dignity: A Journal of Analysis of Exploitation and Violence
In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …
Intersectionality In The Contemporary Women’S Marches: Possibilities For Social Change, Sujatha Moni
Intersectionality In The Contemporary Women’S Marches: Possibilities For Social Change, Sujatha Moni
Journal of Feminist Scholarship
The Women’s Marches of January 2017 and 2018 were some of the largest mass demonstrations in history. They represent an important stage in the American feminist movement in its current iteration. Unlike the first and second waves of the movement, which were led by privileged class cisgender white women, the leadership of these marches includes women of color who have brought a vision of intersectionality and diversity to the marches. Banners covering a wide range of issues including reproductive choice, #MeToo, equal pay, Black Lives Matter, LGBTQ rights, and support for immigrants, became the hallmark of these marches. Is the …
Against All Odds: A Legacy Of Appropriation, Contestation, And Negotiation Of Arab Feminisms In Postcolonial States, Hoda Elsadda
Against All Odds: A Legacy Of Appropriation, Contestation, And Negotiation Of Arab Feminisms In Postcolonial States, Hoda Elsadda
Journal of Feminist Scholarship
Arab feminists have always faced challenges related to the burden of colonialism, accusations of westernization, isolation from their cultural heritage, and elitism, but the biggest challenge of all has been the fact that their activism and their entire lives have all been in the context of authoritarian postcolonial states. This article engages with a persistent challenge to Arab feminists that questions their impact, their awareness of their cultural and societal problems, and undermines their achievements over the years. It constructs a narrative of what feminists have achieved against all odds, within the constraints of authoritarian postcolonial states that have politically …
Introduction To Feminism And The Academy Today: A Graduate Forum, Kara Watts, Heather Turcotte
Introduction To Feminism And The Academy Today: A Graduate Forum, Kara Watts, Heather Turcotte
Journal of Feminist Scholarship
No abstract provided.
Disability, Neurodiversity, And Feminism, Hannah Simpson
Disability, Neurodiversity, And Feminism, Hannah Simpson
Journal of Feminist Scholarship
This position statement explores the overlap between feminist and disability studies as a strand of intersectional feminism, with particular attention to the graduate school and early career context.
Abuse Or Be Abused: Traumatic Memory, Sex Inequality, And Millennium As A Socio-Literary Device, Kate Rose
Abuse Or Be Abused: Traumatic Memory, Sex Inequality, And Millennium As A Socio-Literary Device, Kate Rose
Dignity: A Journal of Analysis of Exploitation and Violence
This article applies the research of French psychiatrist Muriel Salmona to literary analysis of Stieg Larsson’s protagonist, Lisbeth Salander, in the Millennium trilogy (The Girl with the Dragon Tattoo, 2008; The Girl Who Played with Fire, 2009; The Girl Who Kicked the Hornet’s Nest, 2010). It suggests that Larsson’s novels may be useful in raising awareness of childhood sexual abuse, through reading neglected signs linked to the neurology of traumatic memory. In the tradition of Nordic noir novels, hyperboles in Salander’s sensationalized identity serve to magnify and bring to light a misunderstood social problem. The article …
Precarious Responsibility: Teaching With Feminist Politics In The Marketized University, Lena Wånggren
Precarious Responsibility: Teaching With Feminist Politics In The Marketized University, Lena Wånggren
Journal of Feminist Scholarship
One of the most pressing characteristics of the neoliberal restructuring of academia, together with increased managerialism, performativity measures, and a “customer service” approach, is the casualization or precarization of academic work. Casualization entails a fragmentation of academic work, where academics are forced to move between workplaces on hourly-paid and fixed-term contracts, often doing their job without access to resources such as an office, training, or paid research time. While a number of feminist scholars have investigated the ways in which feminist academics negotiate the ever-increasing mechanisms of individualization, ranking, and auditing of their work, this article focuses on the precarious …
"We Sick": The Deweys As Women's Willful Self-Destruction In Toni Morrison's Sula, Kathleen Anderson, Gayle Fallon
"We Sick": The Deweys As Women's Willful Self-Destruction In Toni Morrison's Sula, Kathleen Anderson, Gayle Fallon
Journal of Feminist Scholarship
Toni Morrison explores the complexities of race, gender, and matrilineal influence in Sula. Although much recent feminist criticism has addressed the operations of race and gender in the novel, this essay provides the first developed examination of Morrison’s strategic use of three diminutive boys, all named “dewey,” to emphasize the willfully self-destructive tendencies of the novel’s female characters. Burdened with their community’s limiting idealizations of femininity and motherhood, the women of Sula practice various forms of self-harm in an effort to develop and proclaim their holistic, autonomous selves. The deweys’ mischievous childhood games foreshadow the consequences of female self-harm, but …
Reclaiming The Streets: Investigating Female Experience Of Cinematic Urban Violence, Angelica De Vido
Reclaiming The Streets: Investigating Female Experience Of Cinematic Urban Violence, Angelica De Vido
Journal of Feminist Scholarship
The spatial ideologies and narrative tropes of gendered victimhood, which are designed to induce fear and anxiety, are routinely employed to govern and restrict female access to and experience of urban spaces—both in cinematic depictions and in the real world. This paper explores how such tropes are challenged and rewritten in three screen narratives based in urban landscapes: London in Happy-Go- Lucky (2008), Paris in Amélie (2001), and New York in Sex and the City (1998–2004). Contrary to the ideologies of fear that routinely dominate urban narratives, I will argue that the texts under discussion instead display the city as …
Emancipating The Passive Muse: A Call For A Feminist Approach To Writing Biographies On Historical Women, Ina C. Seethaler
Emancipating The Passive Muse: A Call For A Feminist Approach To Writing Biographies On Historical Women, Ina C. Seethaler
Journal of Feminist Scholarship
This essay analyzes two popular biographies on historical women to interrogate how a focus on gender has shaped the genre: Nancy Ruben Stuart’s The Muse of the Revolution: The Secret Pen of Mercy Otis Warren and the Founding of a Nation (2008) and Jung Chang’s Empress Dowager Cixi: The Concubine Who Launched Modern China (2013). I argue that biographers who perpetuate gender stereotypes miss a momentous opportunity during the current life writing boom in the United States to educate readers on women’s social, cultural, and political contributions worldwide. In proposing that feminist-informed biographies are more accurate, complete, and make social …
The Evil Of Banality: On The Life And Death Importance Of Thinking By Elizabeth Minnich, Kathleen Barry
The Evil Of Banality: On The Life And Death Importance Of Thinking By Elizabeth Minnich, Kathleen Barry
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey
Not Mine Alone, Nor Mine To Own: Some Reflections On The Young Girl, Jacqueline Mabey
Journal of Feminist Scholarship
This essay looks at the role of the young girl in the curatorial practice of Jacqueline Mabey. Mabey reckons with the young girl as the signifier of a spectrum of mutable cultural signifieds and young girls as subjects on their own terms in the two exhibitions under review, Miss World and Utopia Is No Place, Utopia Is Process. In doing so, she recognizes a shift in motivations from an interest in what the young girls mean as a narcissistic reflection to how she could work in service of the development of young girls.
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco
Journal of Feminist Scholarship
Contemporary artists Más Rudas Collective (MRC) were active in San Antonio, Texas, from 2009 to 2016. This essay looks to primary source documents from preceding decades and keystone exhibitions of Chicana/o art to articulate MRC’s position in a network of art production and curatorial activity that takes Chicana/o identity as a conceptual framework and/or departure point. Specific examples of MRC members’ reappropriations of Mexican, Mexican American, and Chicana/o cultural elements are analyzed and considered as “weaponizations” against cultures of body shaming and misogyny. Their approach is compared to that of other artists and curators in order to highlight the variety …