Arts and Humanities Commons^™

A Darwinian Feminist Analysis Of Margaret Atwood's The Handmaid's Tale, Morgan N. Petersen

University of New Orleans Theses and Dissertations

Margaret Atwood’s The Handmaid’s Tale presents a dystopian world in which women have lost all individualism and have been reduced to breeding machines. This paper analyzes the patriarchal characteristics of The Handmaid’s Tale by using a Darwinian feminist theory to understand the evolutionary psychological root of male control of women in the narrative. Additionally, this in-depth reading relies on David Geary’s analysis of male and female mating dynamics and Barbara Smuts’ study of the evolution of patriarchy in humans to further give evidence to the evolutionary root of Gilead’s patriarchy. The men of Gilead control women through creating a fundamentalist …

Mise En Place, Amie M. Geistman

University of New Orleans Theses and Dissertations

Mise en Place is a collection of essays that chronicles the author's experiences working as the lone female line cook in the culinary boy's club of professional restaurant kitchens. These essays follow the author's descent into a wild love affair with food, the burnout and gender dynamics associated with the job, and how she navigates the passion and the stress that the kitchen brings out in her.

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

Complicating The Narrative: Labor, Feminism, And Civil Rights In The United Teachers Of New Orleans Strike Of 1990, Emma Long

University of New Orleans Theses and Dissertations

In 1990, over 3,000 of 4,500 New Orleans public school teachers refused to enter their classrooms over a contract dispute with their employer, the Orleans Parish School Board. For three weeks, teachers picketed while the negotiating team for their union, The United Teachers of New Orleans, worked to reach a contract agreement. Using interviews with striking teachers and union leaders, this paper aims to tell this story from their perspective. The interviews shed light on the ways that minorities and women used UTNO, with the incorporated ideologies and strategies of civil rights and feminism, as a platform to combat economic, …

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

University of New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

Toni Morrison’S Depiction Of Beauty Standards In Relation To Class, Politics Of Respectability, And Consumerism In Song Of Solomon, Karen Jensen

University of New Orleans Theses and Dissertations

In Song of Solomon, published during a transitional moment in the history of U.S. feminism, Toni Morrison portrays the destructive forces of hegemonic female beauty standards, materialism, and consumerism in a Midwestern African-American community from the 1930s to the 1960s. She reveals a hierarchy in which men define standards of beauty and respectability that enforce white bourgeois ideals. Focusing on five female characters, this thesis examines this hierarchy; the agents who maintain it; and the ways in which it affects female characters who accept and/or reject it. While one of the characters, Hagar, perishes in her attempt to live …