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Feminism

Journal of Religion & Film

Religion

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Full-Text Articles in Arts and Humanities

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire Mar 2021

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …


I Love Dick, William L. Blizek Feb 2017

I Love Dick, William L. Blizek

Journal of Religion & Film

This is a film review of I Love Dick (2017), directed by Jill Soloway.


“He Who Kills The Body, Kills The Soul That Inhabits It”: Feminist Filmmaking, Religion, And Spiritual Identification In Vision, Carl Laamanen Apr 2016

“He Who Kills The Body, Kills The Soul That Inhabits It”: Feminist Filmmaking, Religion, And Spiritual Identification In Vision, Carl Laamanen

Journal of Religion & Film

In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12th-century mystic Hildegard, through its narrative and formal techniques, encouraging the audience to share in Hildegard’s visionary experiences. The film does so in an explicitly feminist way, drawing upon unconventional visual and sonic aesthetics to highlight the power and authority of Hildegard’s spiritual experiences. In particular, Vision’s use of music and sound points toward a conception of feminine spirituality that values the …