Arts and Humanities Commons^™

More Than Plumbing: The History Of Sexual Education In Ontario, 1960-1979, Michelle K P Hutchinson Grondin

Electronic Thesis and Dissertation Repository

During the 1960s and 1970s, Ontario educators were concerned that the “sexual revolution” would encourage youths to engage in sexually promiscuous behaviour, become unwed mothers, and contract STIs. As parents were perceived as unreliable sex educators, school administrators and educators felt compelled to teach traditional sexual values, and the importance of the nuclear family through sexual education. This dissertation analyzes the creation and instruction of sexual education in physical and health education courses throughout the 1960s and 1970s in Ontario. This study provides the first comprehensive discussion of sexual education in Ontario during the sixties and seventies through an examination …

Talking Nonsense: Spiritual Mediums And Female Subjectivity In Victorian And Edwardian Canada, Claudie Massicotte

Electronic Thesis and Dissertation Repository

This study traces the development of mediumship in Canada in the late nineteenth and early twentieth centuries. Especially popular among women, this practice offered them an important space of expression. Concealing their own identities under spiritual possession, mediums ubiquitously invoked well-known historical figures in séances to transmit their opinions on current issues. As such, they were able to promote new ideas to interested audiences without claiming responsibility for their potentially controversial words.

While many studies have been conducted in the United States, Britain, and France regarding the significant role of mediumship in the emergence of women on the political scene, …

Day Of The Woman?: Feminism & Rape-Revenge Films, Kayley A. Viteo

Electronic Thesis and Dissertation Repository

This thesis examines the horror film sub-genre of ‘rape revenge’ for the ways it reflects and helps to constitute broader public debates about women and feminism. In order to do so, it examines two well-known representatives of the sub-genre, Last House on the Left and I Spit On Your Grave. Both of these films were initially made in 1972 and 1978 respectively and were recently remade in 2009 and 2010. This thesis examines both the originals and the remakes of these films within and against their socio-historical context, with a specific focus on dominant discussions about feminism and women taking …