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Feminism

Claremont Colleges

Continental Philosophy

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Full-Text Articles in Arts and Humanities

Unveiling The Unseen: A Feminist Exploration Of Consciousness And Empowerment Among Homeless Women Through Consciousness-Raising, Scarlett Liu Jan 2024

Unveiling The Unseen: A Feminist Exploration Of Consciousness And Empowerment Among Homeless Women Through Consciousness-Raising, Scarlett Liu

CMC Senior Theses

Homeless women have been forgotten subject matter in the study and practice of feminist consciousness and consciousness-raising efforts. However, they grapple with the compounded challenges of both gender and homelessness within an oppressive societal structure. This thesis therefore seeks to conceptualize the consciousness of women, and particularly homeless women, in a feminist lens. Specifically, this thesis explores the Othering of women’s consciousness through the intellectual lineage of Simone de Beauvoir and Hegel, and emphasizes the role of material circumstances in shaping consciousness-raising efforts. Then, this thesis examines two unique struggles faced by homeless women – survival sex and homeless motherhood. …


Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman Apr 2013

Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman

Scripps Senior Theses

At the nexus of the seemingly disparate art-theoretical topics of color and the female nude is a critical consideration of phenomenology in both one of its most basic senses—as the first-person experience of perceived phenomena—and as a larger philosophical position which, through its abstraction of perception to subject-object relationships, implicates the painted figure. Specifically, this paper conflates the phenomenology of color with the transcendental phenomenology of Edmund Husserl and Maurice Merleau-Ponty in investigating empathy. Structured as a dialectic, it establishes the most prominent views of both color and the female nude—the nude as a symbolic figure, color as perceptual experience—before …