Arts and Humanities Commons^™

Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu

Markets, Globalization & Development Review

Somewhere between meaningful discourse about female agency and the commercial interests of a problematic doll franchise lies Mattel's box office hit film Barbie, directed by Greta Gerwig. In a script-flipping interpretation of the real-world patriarchy, it catapults itself into overdue discussions about gender norms, objectification, and the pursuit of Westernized beauty ideals. While it may have introduced liberationist theories to a new generation of women, ultimately it is a film bound by cognitive dissonance. This paper will delve into the profit-making protagonist at the center of its story and argue the film's underlying incompatibility with diversity, feminism, and social …

’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan

Journal of Feminist Scholarship

In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups …

Swerf Necropolitics: Three Sites Of Feminist Mistranslation And The Politics Of Feminist Exclusion, Aaron Hammes

Journal of Feminist Scholarship

The acronym SWERF, or Sex Work(er) Exclusive Radical Feminism, and its attendant ideologies brings up a number of questions and potential schisms for the enterprise of feminist thought more broadly. This inquiry examines what it means for feminism to exclude, what the excluders believe is gained by protecting certain boundaries around which identities and practices are included, and the ideological foundations and consequences of this thinking. SWERF logics are understood as mistranslations of the radical potentialities of feminism, clustered around three sites: exclusion (against bodily autonomy) , equivocation (between sex work and labor trafficking), and misrepresentation (of the sex worker …

Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan

Journal of Feminist Scholarship

In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …

The Digital Age: Our Feminist Echo Chamber, Amanda H. Nguyen

Journal of Feminist Scholarship

No abstract provided.

If I Knew What My Mother Was Going Through. Book Review. Not Dead Yet: Feminism, Passion, And Women's Liberation. Edited By Renate Klein And Susan Hawthorne, Dana Vitalosova

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

“Ain’T My Mama’S Broken Heart”: The Mothers And Daughters Of Hillbilly Feminism, Alyssa Dewees

Journal of Feminist Scholarship

The women of country music have long defied the genre's patriarchal associations and used their music as a platform for subversive social messages about gender inequality, and in the past several decades, the country music establishment has grown more willing to alter its image and accommodate these feminist themes. Because country music is marketed and understood by many of its fans as a representation of a lifestyle, this shift in expectations for women’s social roles and possibilities in the genre has an impact on the women who identify themselves with the particular rural, down-home image country music aims to define. …

The Poetics Of Pakistani Patriarchy: A Critical Analysis Of The Protest-Signs In Women’S March Pakistan 2019, Amer Akhtar, Selina Aziz, Neelum Almas

Journal of Feminist Scholarship

The Pakistani variant of Women’s March Aurat March celebrated its second year in March 2019. The current study focuses on the issues raised by the participants during Aurat March 2019 to define patriarchy from a Pakistani-out-on-the-street feminist struggle. It analyses the protest signs, slogans, messages, and concerns raised through banners in the march. The paper attempts to offer a unique perspective on Pakistani patriarchy by analyzing the voice of the women instead of any theorization or enactment of the voice. It employs visual and textual methods to understand the view of the participants and finds that the participants of the …

Andrea Revised: Andrea Dworkin: The Feminist As Revolutionary By Martin Duberman, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …

Black Feminism: Switching The Script On Traditional Feminist Narratives, Monee Reis

Senior Honors Projects

MONEE REIS (Gender and Women’s Studies, Africana Studies) Black Feminism: Switching the Script on Traditional Feminist Narratives

Sponsor: Kathleen McIntyre (Gender and Women’s Studies, Honors Program)

I developed a 300-level undergraduate course aimed at exploring the history of Black feminism. This idea came to me after reading Audre Lorde’s 1984 article “Age, Race, Class, and Sex: Women Redefining Difference.” Lorde detailed the various ways Black women’s contributions to feminism are underrepresented in the overarching historical narrative. Lorde’s 1980s activism and feminist scholarship ultimately influenced legal scholar Kimberlé Crenshaw to coin the term intersectionality in 1989. Intersectionality, the multiple ways that …

Disability, Neurodiversity, And Feminism, Hannah Simpson

Journal of Feminist Scholarship

This position statement explores the overlap between feminist and disability studies as a strand of intersectional feminism, with particular attention to the graduate school and early career context.

Young Women In Chilean Politics: Political Participation Among Students At The University Of Viña Del Mar, Julia Ludovici

Senior Honors Projects

Chilean women face inequality in political participation. There is a large gap in gender representation in Chilean politics, despite the election of a woman to the presidency—twice. Feminist theory has long been at play in Chilean academia, and my research builds upon some of the basic propositions of feminist theory: the patriarchy and oppression of women, and the double standards faced by women in their private vs. public lives. Michelle Bachelet’s presidency, along with the recent “quota law,” both provide historical and present-day context to the issues faced by women and their political participation. Based on the data collected by …

Walking Alone At Night, Amanda L. Grattan

Senior Honors Projects

One in four women face sexual abuse before the age of eighteen. One in five women are survivors of rape. With college campus rape allegations coming forward and being reported in mainstream and social media, the conversation about sexual assault and rape is extremely relevant and college students are taking a stand.

Emma Sulkowicz, a senior at Colombia University, took a firm stand when she developed a performance piece where she carried around the dorm room mattress, which she was raped on. Her story made it’s way to the mainstream media, including the cover of …