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Full-Text Articles in Arts and Humanities
Woman Flytrap, Brianna Jo Hobson
Woman Flytrap, Brianna Jo Hobson
Student Theses and Dissertations
Woman FlyTrap is a short story zine collection that explores the topic of sexual violence through the perpetrator and victim relationship with an explicit lens. Replete with cultural and entomological themes and motifs, Woman Flytrap seeks to remind survivors that we are not alone. In our bodies or in our lives. Neither in the world. There are over a million insects to every human, proving that there is strength in numbers. All five stories in the collection present different abstracts: revenge, transformation, justice, healing, body image, self-harm, mourning, etc. There is also a playlist and a section about the author. …
The Miss America Pageant Should Restore Prioritizing The Evening Gown Segment, Keishel Williams
The Miss America Pageant Should Restore Prioritizing The Evening Gown Segment, Keishel Williams
Capstones
Evening gown in pageants, as in society, has always represented a woman's way of expressing her personality and femininity through fashion. Miss America's attempt to stop requiring evening gowns implies that wearing formal gowns does not equate to being a modern, empowered woman.
Instead of attempting to erase the evening gown as an outdated part of a modern woman’s wardrobe, the Miss America pageant should restore the original gown segment and use this opportunity to reshape America’s perspective on how modern women can choose to wear gowns and still be empowered.
https://keishelawilliams.wordpress.com/
The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest
The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest
Dissertations, Theses, and Capstone Projects
Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …
Betty Friedan And Juliet Mitchell: Critiques Of Ideology And Power, Jennie Eagle
Betty Friedan And Juliet Mitchell: Critiques Of Ideology And Power, Jennie Eagle
Dissertations, Theses, and Capstone Projects
My thesis attends to a common thread of critique in two founding documents of “second-wave” feminism: Betty Friedan’s The Feminine Mystique (1963) and Juliet Mitchell’s “Women: the Longest Revolution.” I am interested in the ways in which both foundational texts de-naturalize male supremacy by defining it as ideological. The concept of ideology as employed by three notable social theorists – Marx’s concept of a social mythology disseminated by ruling elites to uphold various forms of hierarchy, operating through internal contradictions; French communist Louis Althusser’s concept of a social practice disseminated by the institutions of civil society; and Michel Foucault’s identification …
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Dissertations, Theses, and Capstone Projects
Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …
Introduction: The 1970s, Shelly J. Eversley, Michelle Habell-Pallán
Introduction: The 1970s, Shelly J. Eversley, Michelle Habell-Pallán
Publications and Research
Introduction to special issue, "The 1970s," of WSQ (Women's Studies Quarterly), edited by Shelly Eversley and Michelle Habell-Pallán.
Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan
Introduction: The Sexual Body, Shelly J. Eversley, Jennifer L. Morgan
Publications and Research
Introduction to the special issue, "The Sexual Body," edited by Shelly Eversley and Jennifer L. Morgan.