Arts and Humanities Commons^™

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

Lacan And The Algorithm, Clint Burnham

CLCWeb: Comparative Literature and Culture

Exploring the development of algorithms in Lacanian theory, specifically the "R schema" in the 1950s, I argue that psychoanalysis, read through contemporary debates about the "algorithmic cult" of Netflix and other avatars of popular culture, can be said to reveal the inhuman, machinic essence of subjectivity. The etiology of algorithms, mathemes, and other formulae and diagrams in Lacan’s oeuvre has been under-studied, in part because for some readers they are not as attractive as his more bravura flourishes of word play as exegetical excess, and in part because they derive largely from the ‘hard’ structuralist moment of his work in …

Mum00705 Gary Hawkins Multimedia Collection, Danielle N. Townsend

Archives & Special Collections: Finding Aids

Physical and digital files including moving image files, audio, photographs, small manuscripts, and ephemera related to the films Joe and The Rough South of Larry Brown created by filmmaker Gary Hawkins.

The Ilm Industrial Complex: Star Wars And Vfx In The Digital Age, Jane Baldwin

CMC Senior Theses

This paper proposes an expansion of Tom Gunning’s seminal theory of the “cinema of attractions.” Advancements in visual effects (VFX) technologies—such as the rise of George Lucas’ Industrial Light and Magic (ILM) and the advent of the digital age, among others—necessitate a more rigorous, updated understanding of effects as objects of media study. Using the Star Wars franchise as an analytical center, I aim to bring the subfield of effects study closer to compatibility with the ever-evolving VFX landscape.

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …