Arts and Humanities Commons^™

How A Balanced Christian Message In Film Can Inspire Christ-Like Transformation, Makayla Marrin Jacobs

Masters Theses

This thesis will attempt to examine the need for a balanced Christian message in film and how everyday acts of the Christian faith can inspire Christ-like transformation within society. This thesis will also explore the importance of developing faith and spiritual disciplines through the creative screenplay, All Hail the Hoodlums. Throughout history, living as a faithful Christian and practicing spiritual disciplines can appear to go directly against society’s natural flow as belief in a Creator oppose man’s selfishness and sinful nature. Seemingly, society at large currently projects that believing in a Monotheistic and Triune God and having a deep personal …

Tim Foster's Regenerative Craft Website, Tim Foster

WWU Honors College Senior Projects

This portfolio website explains and contextualizes Tim Foster's Fairhaven Interdisciplinary concentration in Regenerative Design, Ecological Solutions and Craft through design and writing. Website link: https://timfoster.webflow.io/

Cornucopia, Patrick Hargraves

School of Art, Art History, and Design: Theses and Student Creative Work

I navigate the uncertain times we live in by creating positive, playful sculptures because focusing on joy is not only possible in times of hardship, I believe it is necessary in order to thrive. I go through life with a watchful reverence, finding beauty and hope in the abundance of life in the natural world. Using this inspiration, I reinvent and intentionally exaggerate landscapes and plant forms in clay with a freeing sense of whimsy. My fantasized pieces are an invitation to extend imagination to the joyous moments in the world around us, and to return to an innocent sense …

I Poked You Where We Were Connected, Sophia Ruppert

School of Art, Art History, and Design: Theses and Student Creative Work

Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are …

Brown, Chloe Jo, B. 1991 (Fa 1289), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1289. Student collection titled “Dale Cross: The Art of Flintknapping” in which Chloe Brown examines the commercial, historical, and cultural factors that have influenced the production of arrowheads. Brown interviews Dale Cross, a flintknapper from Burkesville, Kentucky who is renowned for his artistic skills. The paper addresses Cross’ personal aesthetics, flintknapping processes, and his business-related endeavors. The collection includes an academic paper, a transcription, CDs containing the recorded audio interview and photographs, and one of Cross’ arrowheads.

Ft-Art Foundations, Dominique Tanks

Course Outlines

No abstract provided.

Ft-Guitar Basics, Fernando Arcos

Course Outlines

No abstract provided.

Ft-Skilled Arts, Manuel Jimenez

Course Outlines

No abstract provided.

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

A Synthesis Of Structures, Patrick Kingshill

School of Art, Art History, and Design: Theses and Student Creative Work

I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.

Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and …

Michio Iwao Interview, Grace Johnson

Asian American Art Oral History Project

Bio: Michio Iwao is one of four sons of the parents Kotama and Tomonosuke Iwao. He is known as an Asian American craftsperson that was born on July 12, 1922 in Suisun City, California. During World War II Michio and his family were relocated and held at the Gila River Internment Camp also known as Trulock. This stay lasted from 1942 to 1945 under the War Relocation Authority. This Japanese Internment camp inspired Iwao to spend his idle time learning how to make bird pins. This was the start of Iwao becoming a craftsperson.

Dana Weiser Interview, Julia Boucher

Asian American Art Oral History Project

Bio: Education: University of Colorado at Boulder, B.A in Fine Arts, May 2001. Penland School of Crafts, Attended August2001-May 2001, woodworking and blacksmithing. School of the Art Institute of Chicago, B.F.A, Ceramics, May 2003 & Post-Baccalaureate Certificate, Ceramics May 2004 University of California at Los Angeles, M.F.A in Ceramics, June 2007 & M.A in Asian American Studies, December 2016.

Awards: National Scholastic Art Award in Ceramics, 1997. D’Arcy Hayman Award, 2005. Laura Andreson Scholarship, 2006. Elizabeth Heller Mandell Memorial Scholarship, 2006. Laura Andreson Scholarship, 2007. Finalist in Artist Runway.com, 2008.

Exhibitions: National Scholastic Art Exhibition, Corcoran Museum, Washington DC, …

Sarah Nishiura Interview, Larry Villanueva

Asian American Art Oral History Project

Bio: Sarah Nishiura grew up in Detroit and now lives in Chicago, where she makes paintings, drawings, prints and quilts. She learned to sew from her mother and learned to love geometry from her father. From her grandparents, who were great builders, painters, stitchers, weavers and gardeners, she learned that making things is one of the greatest imperatives, privileges and pleasures in life.

Thinking And Making: Art And Craft In Library Of Congress Classification, Rochelle Smith

Library Philosophy and Practice (e-journal)

Why are art and craft so widely separated in the Library of Congress Classification (LC) System? All classification systems give insight into worldviews prevalent at the time they were created, and library systems are especially illustrative of the cultures and cultural moments which shaped them. The separation of art and craft in LC, in N and TT respectively, compared to their collocation in LC’s contemporaries, Dewey Decimal Classification and Cutter’s Expansive Classification, suggests divergent views of the arts within librarianship, illuminating American views on the relative definitions of art and craft from the mid-nineteenth through the early twentieth centuries.

The Bone Folder By Ernst Collin (2nd Ed.), Peter D. Verheyen, Ernst Collin

Libraries' and Librarians' Publications

DER PRESSBENGEL / THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. The family and bindery of W. Collin were Court Bookbinders in Berlin from the mid 1800 until the "liquidation" of the …

The Art And Craft Of Radio Documentary: Some Australian Accents., Siobhan A. Mchugh

Faculty of Creative Arts - Papers (Archive)

No abstract provided.

Contemporary Art, Craft And The Audience Management Report, Jennie A. Lawson

Faculty of Creative Arts - Papers (Archive)

No abstract provided.

The Bone Folder By Ernst Collin, Peter D. Verheyen

Libraries' and Librarians' Publications

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER By Ernst Collin, translated and introduced by Peter D. Verheyen Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

An Evolving Tradition: Andoa Pottery Of The Ecuadorian Amazon, Joe Molinaro

Art and Design Faculty and Staff Scholarship

No abstract provided.

Pottery Of The Ecuadorian Amazon, Joe Molinaro

Art and Design Faculty and Staff Scholarship

No abstract provided.