Arts and Humanities Commons^™

Freedom Within Convention: A Cooperative Analysis Of The Zhuangzi And A Thousand Plateaus, Giacomo Coppola

Student Publications

The Zhuangzi, a foundational text in Classical Chinese philosophy, presents a notion of ideal humanity that involves a seemingly paradoxical relationship between a liberated existence and the barriers that restrict it. To achieve ideal humanity, one must confront the boundaries and attachments that have coalesced into a web of socio-physical conventions and developed dominion over human thought and action. This paper aims at shedding some light on this tension by offering a comparative analysis of the Zhuangzi and A Thousand Plateaus by Gilles Deleuze and Felix Guattari in terms of their conceptions of ideal humanity. While an abundance of time …

The Obligation Of Promises, Toan Tran

Legacy Theses & Dissertations (2009 - 2024)

In my dissertation I discuss the historical and philosophical significance of the commonplace moral phenomenon of promising and I lay out the essential features of a promise. I claim that promises have five features; they produce a moral obligation, they are directed toward another individual who holds the right to demand action and is the one wronged in case of failure, they are successful only if there is uptake, and finally that they are self-imposed. My discussion of the puzzle created by these features starts in David Hume and extends into David Owens. The need to resolve this puzzle in …

Full-On Stating, Robert J. Stainton

Robert J. Stainton

The Virtues Of Dissoi Logoi, Victor Ferry

OSSA Conference Archive

My claim is that rhetorical training is required to develop citizenship skills. I illustrate this claim by focussing on dissociation of notions, that is, a rhetorical technique that citizens might have to use in their civic life. After distinguishing a rhetorical and a normative approach to dissociation, I argue that dissoi logoi, as an exercise invented by the Sophists, offer a relevant training to master this technique.

The Riddle Of A Riddle, Ivan Gaskell

Contemporary Aesthetics (Journal Archive)

This paper examines the distinction made by Arthur C. Danto between artworks and what he terms "mere real things." It presents an eighteenth-century tool for sifting grain (a riddle) as a case study in the contexts of first, the house of its first known owner, General Artemas Ward (1727-1800); second, an exhibition 2006-7 drawn from the contents of that house pointedly held in an art museum; and, third, the likely maker of the object, a member of Hassanimisco Band of Nipmuc Indians. It examines the equivocal position of objects such as this in Danto's estimation, things that he considers to …