Arts and Humanities Commons^™

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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The Coevolution Of The Six Ancient Kilns And Japanese Postwar Local Identity, Benjamin Lewis Rothstein

CISLA Senior Integrative Projects

The arts have long been tools used to prop up political visions, and Japan’s traditional crafts are no exception to this trend. Japanese ceramics in particular have enjoyed, or perhaps endured, era after era of patronage by successive governments and movements over their more than a millennium of history. Appropriated by a wave of nationalism in the Meiji period, the rokkoyō (six ancient kilns), long famous for their rustic style and acclaimed tea wares, were converted along with many other traditional crafts into symbols of the Japanese national spirit. In the postwar period, however, without necessarily losing their national importance, …

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

Ancient Pottery Making At Cerro San Isidro, Nepeña Valley, Peru, Kaitlyn M. Lowrance

LSU Master's Theses

Located in the Nepeña Valley of north-central Peru, Cerro San Isidro was first documented in the 1930s when the valley was initially surveyed. While numerous sites along the valley, particularly those located in the lower valley, have been extensively researched since this initial survey, members of the Proyecto de Investigación Arqueológica Cerro San Isidro (PIACSI) conducted the first formal excavations in 2019. My thesis project analyzes the ceramic artifacts – in particular pottery fragments – from that field season in order to evaluate continuity and change in morphological and technical styles from the Early Horizon through the Late Intermediate Periods …

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …

Habitation And Interaction In The Lower Illinois River Valley: A Case Study On Household Structure And Ceramics At The German Site (11c377)., Catherine Zoe Doubles

Electronic Theses and Dissertations

The purpose of this project is to investigate the less understood narrative of the Late Woodland peoples at the German site within the Lower Illinois River Valley. In order to determine the extent of Mississippian cultural interaction with the Jersey Bluff Phase, Late Woodland, peoples, I will examine the houses and artifacts found during the 2019 field season by the Centre for American Archeology. Data from the geophysical surveys, notes from the site excavations, and ceramic analysis will be used to place the German site within the theoretical framework and archaeological context of the region. In the end, the objective …

Analysis Of The Hatchel Site (41bw3) Platform Mound Ceramic Vessels, Vessel Sections, Sherds, Pipes, And Other Clay Artifacts, Timothy K. Perttula

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

The Hatchel site (41BW3) is a major ancestral Nasoni Caddo village and mound center on a natural levee deposit in the floodplain of the Red River in Bowie County, Texas, just a few kilometers west of the Arkansas state line. The site was occupied by the Caddo from at least A.D. 1040 to the late 17th century; the latest temporal estimate is based primarily on the association of the Hatchel platform mound with a mound and templo illustrated on a 1691 map drawn of the site during the Teran expedition, and selected decorated sherds and vessels in the uppermost mound …

Indisciplined Ceramic Outhouses And Blob-Like Glass Bunnies: Four Case Studies On Canadian Prairie Ceramics And Glass, Julia Krueger

Electronic Thesis and Dissertation Repository

The field of craft has been dominated by debates surrounding types of objects and material, how-tos, lists, and genealogies, and today there is an increasing turn towards craft theories which do not necessarily address an object. This study brings the object back into craft discourse. “Indisciplined Ceramic Outhouses and Blob-like Glass Bunnies: Four Case Studies on Canadian Prairie Ceramics and Glass” is an object-inspired study of the work and craft-related practices of Victor Cicansky (Saskatchewan), Ione Thorkelsson (Manitoba), Marty Kaufman (Alberta), Altaglass (Alberta), and Mireille Perron (Alberta).

Part one of this dissertation focuses on Cicansky and part two focuses on …

Do You Wanna Go Dancing?, Anthony Kascak

Graduate Theses and Dissertations

The transdisciplinary art work within Do you wanna go dancing? unpacks the experience and perception of my interpersonal relationships, as well as the role that touch and introspection has in my visual arts practice and everyday life. I am interested in pairing the act of looking with the sensation of touching through specific installation and arrangement of intimate imagery, ceramic fragments and frames, and manual or digitally fabricated surfaces. The negotiation of these installations orient the viewer to consider their positionality within space, as well as the extent in which distance, intimacy, and vulnerability fluctuate inside these psychological spaces.

The …

Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes

Student Scholar Symposium Abstracts and Posters

During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of …

Between And Beyond, Noah F. Heil

Art and Art History Honors Projects

Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …

Ceramic Architectural Models From The Madaba Plains Region: A Selected Art Historical Analysis, Stefanie P. Elkins

Dissertations

Problem

Architectural models can be described as small, ceramic, house-shaped structures that come in an often bewildering array of shapes and sizes. They appear all over the ancient Near East, and although evidence shows that they were created as early as the Neolithic period, they seem to have peaked in popularity and proliferation during the Iron Age. A few studies and several typologies have been offered over the years, but none have addressed iconography or artistic motifs as well as shape. Furthermore, no in-depth typology of architectural models within the country of Jordan has been offered. This dissertation explores the …

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.

Austin (22tu549): Mississippian Emergence In The Northern Yazoo Basin, Elizabeth Kay Hunt

Master's Theses

The Austin Site (22TU549) is a known transitional Late Woodland to early Mississippian village located in Tunica County, Mississippi. Compared with the cultural phases that have been developed in other regions the northern Yazoo Basin lacks a clearly defined “Emergent Mississippian” phase. This study examined the ceramic assemblage (n=30,567) from a 25% random sample of pit features to measure transitional change as a way to define an early Mississippian phase. It also explored the ways in which this site experiences the Mississippian transition and how it fits into the larger trajectory of the Mississippian phenomenon in the Southeastern United States …

Trade, Interaction And Change: Trace Elemental Characterization Of Maltese Neolithic To Middle Bronze Age Ceramics Using A Portable X-Ray Fluorescence Spectrometer, Frederick S. Pirone

USF Tampa Graduate Theses and Dissertations

The insular nature of the Maltese archipelago provides a unique opportunity to explore trade and cultural change from the Neolithic to the Bronze Ages in the central Mediterranean. I hypothesize that, during the period in which the Maltese islands were experiencing a form of isolation—owing either to their distance from Sicily and other populated regions, to the collective formation of an inwardly-focused culture, or to a combination of these factors—it is unlikely that pottery played a significant role as either an import or export in the archipelago’s exchange relationships with other communities in the central Mediterranean. I accordingly propose that …

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The STEAM Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

Betwixt: Temporality And Comfort, Laura Newman

Theses and Dissertations

I push against traditions of ceramics by purposefully inviting breakage within my work. Destruction expresses fragility, temporality, and impermanence. I consider themes of frugality, familial relations, collections and nostalgia through my investigations of clay, steel, and glass.

Resistance, The Church, And A Comparison Of Ceramics From Sixteenth-Century Caluco, El Salvador, Alison Denise Hodges

Theses and Dissertations

This thesis examines ceramics from the church of San Pedro y San Pablo, Caluco, El Salvador, to investigate the pressures of Spanish evangelization during the Colonial Period. It compares the church's ceramic assemblage to two privately-owned houses, also within Caluco. Examining choices in ceramic styles for serving food and drink is one way to examine the colonial policies of reducción, which were to instill a regular, commonplace Christian order in everyday life. The materials in question were a large number of Spanish majolicas, as well as 300 locally-made vessels, and form, decoration, and ware was noted for each. The relative …

Bracquemond, Ruskin, The Haviland-Hayes Service, And Rookwood: Japonisme And Permanence In Art Pottery, Emily G. Campbell

Theses and Dissertations

There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century ceramics in America. Second, this thesis will illustrate how John Ruskin’s principle that pottery is “more permanent than the Pyramids” encouraged reform of the ceramic arts and shaped the Art Pottery Movement of the late nineteenth century. After this thesis introduces Bracquemond as an innovator in ceramic decoration and the dissemination of Ruskin’s principle, the thesis will examine two instances in the American Art Pottery Movement in which Bracquemond’s and Ruskin’s influence can be detected. The …

Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien

CRHR: Archaeology

Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …

From Geology To Art History: Ceramist Alexandre Brongniart’S Overlooked Contribution To The Developing Science Of Art History In The Early Nineteenth Century, Julia A. Carr-Trebelhorn

Theses and Dissertations--Art and Visual Studies

Alexandre Brongniart was known for his work as an important geologist and as an administrator at the Sèvres Porcelain Manufactory, but his roles as art historian and museologist are overlooked. Brongniart created a holistic methodology taken directly from science and applied it to ceramic art of all cultures and eras. He had a uniquely modern perspective on time, world culture, and archeology. Brongniart wrote about the art of Asia and the Americas on an equal status with that of the Classical West at least fifty years before it became a mainstream idea. Brongniart integrated scientific principle and practice into the …

Mythical Figures & Mucawas: Ceramics From The Ecuadorian Amazon, Joe Molinaro, Richard Burkett

Joe Molinaro

Pottery in the Ecuadorian Amazon Basin is rapidly disappearing as plastic and aluminum containers replace the traditional pottery. Mythical Figures focuses on three of the best indigenous potters from the Kichwa culture: women who both make traditional pottery vessels such as the intricately decorated chicha drinking bowl called a mucawa, and who also create fascinating figurative work that comes from Kichwa mythology and their imaginations. The book contains photographic portfolios of mucawas and also figurative work made from clay, along with a wealth of images of pottery making and other cultural and environmental images. The authors have worked together for …

Exploring Potential Applications Of Portable X-Ray Fluorescence On Earthen Materials From Southeast Mesoamerica, David Rafael Mccormick

USF Tampa Graduate Theses and Dissertations

The use of geochemical analysis for characterization studies of archaeological material has been increasing for decades. In recent years, advancements in X-ray fluorescence (XRF) instrumentation have led to hand-held portable XRF (pXRF) instruments capable of on-site, rapid, non-destructive analysis. The addition of pXRF to the archaeologist's toolkit has the potential to revolutionize geochemical characterization studies as research design can be informed by field analysis, once off-limits museum collections may now be analyzable, and data can be gathered on in-situ objects without disturbing their context. This new instrumentation has shown promise in characterization studies on a variety of archaeological materials, including …

Ruminate, Violet L. Goode

All Graduate Theses, Dissertations, and Other Capstone Projects

Work and research conducted by Violet Love Goode between 2011-2013 as part of the Master of Arts curriculum for the Department of Art at Minnesota State University, Mankato.

Specialization In Small-Scale Societies: The Organization Of Pottery Production At Kolomoki (9er1), Early County, Georgia, Travis Laforge

USF Tampa Graduate Theses and Dissertations

Investigating the organization of production systems can reveal much about a society, in particular how resources and labor were allocated, and the influence that economic, political, social, and ceremonial institutions had on the production process. Interpreting the nature of specialized production is useful for understanding how production was organized. In turn, the degree of standardization exhibited by the goods being produced is used to determine the nature of specialization. While archaeological research regarding specialized production has expanded over time to incorporate a wide range of societies, such research is often focused on complex societies. The research presented here focuses on …

Technofile: Viscosity, Tina M. Gebhart

Art and Art History Faculty Publications

The article focuses on the effect the viscosity of a glaze or slip has on a piece of pottery. The article explains the term and provides tests that can be performed to determine the viscosity of a substance. It goes on to describe how one can manipulate the viscosity of a glaze or slip through the addition of water or other aids and includes step-by-step instructions for making a slip.

Techno File: Glaze Unity Formula, Tina M. Gebhart

Art and Art History Faculty Publications

There are many approaches to modifying a glaze recipe, and different approaches can meet different needs. Some modifications change the colorant level while others change the colorant type altogether. Some may directly replace one material with another add a few weight unit more (or less) of one of the base ingredients in the recipe, or add an amount of an entirely new ingredient. These strategies we use to alter glazes tent to parallel how we cook and modify recipes in the kitchen, but adjustments to the base glaze using the kitchen method do not always give us the results we …

The San Pedro Mission Village On Cumberland Island, Georgia, Carolyn Brock

Journal of Global Initiatives: Policy, Pedagogy, Perspective

The San Pedro de Mocama mission, located on Cumberland Island, Georgia, was the principal Spanish mission of the Mocama-speaking Timucua Indians from 1587 to the early 1660s. This paper describes some of the results of archaeological fieldwork and research (Rock 2006) completed at the mission village site, technically known as the Dungeness WharfSite (9CM14). (Figure 7.1).

Archaeologically, most mission studies have focused on the missions themselves, particularly on their churches, conventos, and kitchens. At the San Pedro mission village site, however, the church complex has not been located and may have been lost to erosion. Therefore, in the course of …

The Logic Of Objects, David B. Eichelberger

School of Art, Art History, and Design: Theses and Student Creative Work

The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …

A Guide To Ceramics From Spanish Colonial Sites In Texas, Anne A. Fox, Kristi M. Ulrich

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

The descriptions of ceramic types in this publication are compiled primarily as an aid to archaeologists working at missions and presidios in Texas, though it will also help those investigating town and ranch sites occupied during the eighteenth century. It was written with the help of numerous site reports done by archaeologists throughout the twentieth century who have valiantly wrestled with the problems of type identification and dating. The senior author has had the privilege of working with many of them throughout this period, and has developed an intense interest in ceramic identification. Additional help has come from researchers who …